A
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Abbasi, Mahsa
The effect of Audience Participation on performance text in Game-Theatre [Volume 27, Issue 1, 2022, Pages 61-69]
-
Adel, Shahabeddin
Considering Fundamental Characteristics of Tech-noir Cinema [Volume 20, Issue 2, 2016, Pages 83-92]
-
Adel, Shahabeddin
Revising the analogy between the cinema screen and Lacanian Mirror with regards to the nature of the cinematic image [Volume 25, Issue 4, 2021, Pages 25-32]
-
Adel, Shahabeddin
Phenomenological Study of “House” in Cinema; Case Study: The Movie Chess of the Wind [Volume 28, Issue 1, 2023, Pages 43-55]
-
Adel, Shahabeddin
Reflecting the Phenomenological Approach to Place Based on Martin Heidegger's Thought in the Cinema of Yasujirō Ozu (Case Study: Tokyo Story) [Volume 28, Issue 3, 2023, Pages 31-44]
-
Adibi, Mehdi
Narrative Analysis of Fantasy and Ideology in the Movie Aghaye- Halu [Volume 3, Issue 42, 2012, Pages 5-16]
-
Afhami, Reza
The Platonic and Aristotelian Forms of Philosophy of Film [Volume 3, Issue 2, 2012, Pages 5-12]
-
Afhami, Reza
The Origins of the Formation of Graphic Notation in John Cage’s Works [Volume 23, Issue 4, 2018, Pages 17-28]
-
Afrooz, Gholam Ali
An Analysis of Slow-pace’s Mental Structure in Architecture and Cinema from Jacques Lacan’s Point of View* [Volume 18, Issue 1, 2014, Pages 33-44]
-
Afshar, Hamidreza
A Comparative Study of Binaural and Surround Radio Drama’s Mise-en-scène and the Means of Converting One to Another with Technical Approach [Volume 23, Issue 1, 2018, Pages 35-46]
-
Afshar, Maryam
A Post Modernistic Study of Myth on “The Death of Yazdgerd [Volume 18, Issue 1, 2014, Pages 69-77]
-
Afshar Mohajer, Kamran
Structural studies of TV Animation and exposure method for Animation content analysis [Volume 19, Issue 1, 2014, Pages 71-82]
-
Aghababaee, Ehsan
Narrative Analysis of Fantasy and Ideology in the Movie Aghaye- Halu [Volume 3, Issue 42, 2012, Pages 5-16]
-
Aghababaii, Ehsan
Iranian Cinema Representing the Intellectual Challenges of Middle Class Society
“1980’s and the Semiotics of Hamoon” [Volume 2, Issue 39, 2011, Pages 5-12]
-
Aghagolzade, Ferdos
Dramatization of Radio Shows and the Capacities of Language and Gender [Volume 23, Issue 4, 2018, Pages 57-66]
-
Aghamohseni, Keivan
Construction and Representation of Ethnic Identity in Football Songs:
A Case Study of the Chants of Tabriz Tractor Team Fans [Volume 28, Issue 1, 2023, Pages 57-68]
-
Aghazadeh Masrour, Siavash
Play and Its Importance in Theatre [Volume 18, Issue 1, 2014, Pages 45-54]
-
Ahmadi, Mahsa
Influential Factors on Consumer Behavior in Music Procurement [Volume 21, Issue 1, 2016, Pages 77-84]
-
Ahmadi, Seyed Badreddin
Environmental Design and Space Design Management in Animation,
Educational &Analytical Approach [Volume 2, Issue 41, 2011, Pages 43-50]
-
Ahmadian, Nahid
Local Color from Marg dar Paeez (Death in Autumn) to Fen
Parallelism in Regional Dramas of Akbar Radi and Caryl Churchill [Volume 21, Issue 2, 2016, Pages 33-40]
-
Ahmadi Zavieh, Seyed Saeed
Representing Religious Contents in Animation Through the Study of the Practiced Methods in Japanese Works [Volume 23, Issue 1, 2018, Pages 1-12]
-
Akbari, Majid
The Role of Observation in Contemporary Art: Luhmann’s Views on the Possibility and Necessity of Observation in the Absence of Form in Visual Arts, Performing Arts and Music [Volume 20, Issue 2, 2016, Pages 73-82]
-
Akbari, Mehrdad
Analysis of "Alienation" in Paul Thomas Anderson's Cinema with focus on Jacques Lacan’s Ideas [(Articles in Press)]
-
Akrami, Musa
Kantian Genius and Beethoven [Volume 19, Issue 2, 2014, Pages 25-30]
-
Alasti, Ahmad
ODESSA STEPS AND MUSIC: A READING INTO “STRUCTURAL UNITY” [Volume 2, Issue 40, 2011, Pages 5-16]
-
Alasti, Ahmad
A Comparative Study of Aristotelian Syllogism with Beginning Sequence of Five Classical Hollywood Films [Volume 20, Issue 1, 2015, Pages 67-76]
-
Alasti, Ahmad
Aestheticism of Framing and Deframing in Iranian Cinema 2001-2011 [Volume 21, Issue 2, 2016, Pages 5-14]
-
Alasti, Ahmad
Development of Visual Expression in Dialogic Moments of Iranian Cinema over the Period 2001-2011 [Volume 22, Issue 2, 2017, Pages 103-114]
-
Alasti, Ahmad
The Concept of Violence in Discourse with a View at Michael Haneke’s Hidden Movie [Volume 25, Issue 1, 2020, Pages 5-14]
-
Alavi, Sayyed Moslem
An investigation of the effective factors on cinema avoidance: an analysis on different customer clusters [Volume 19, Issue 1, 2014, Pages 59-70]
-
Alborzi, fariba
Phenomenological Study of “House” in Cinema; Case Study: The Movie Chess of the Wind [Volume 28, Issue 1, 2023, Pages 43-55]
-
Alborzi, Fariba
Reflecting the Phenomenological Approach to Place Based on Martin Heidegger's Thought in the Cinema of Yasujirō Ozu (Case Study: Tokyo Story) [Volume 28, Issue 3, 2023, Pages 31-44]
-
Alemi, Akbar
The Role of Dynamic Interactive Teaching in Learning of Animation Screenwriting [Volume 2, Issue 41, 2011, Pages 13-22]
-
Alia, Alaa
The evolution of Mawwal and its late history in the Syrian vocal Nūbāt [Volume 28, Issue 2, 2023, Pages 5-14]
-
Alimohammadi, Javad
The function of the black and white color in costume designing, based on Roland Barthes Semiotic theory
(Case Study: Anna Karenina, My fair lady) [Volume 24, Issue 3, 2019, Pages 73-80]
-
Alinejad, Raha
The role of the " Prague Quadrennial " ( PQ ) art event in explaining the contemporary stage design [Volume 24, Issue 4, 2020, Pages 55-66]
-
Alirezaei, Ehsan
A Comparative Study of the Theory of Film Realism and Jean Baudrillard’s Hyperreality [Volume 25, Issue 4, 2021, Pages 17-23]
-
Aliyari, Fereidoun
Designing a Method of Scenography with Concentration on Unconsciousness
Happening Stage Designing [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 55-62]
-
Amani, Majid
The First Lautensuite by J.S.Bach; It’s Four Transcription for the Classical Guitar [Volume 18, Issue 1, 2014, Pages 5-14]
-
Amini, Amirhossein
Phenomenological Study of “House” in Cinema; Case Study: The Movie Chess of the Wind [Volume 28, Issue 1, 2023, Pages 43-55]
-
Amini, Amirhossein
Reflecting the Phenomenological Approach to Place Based on Martin Heidegger's Thought in the Cinema of Yasujirō Ozu (Case Study: Tokyo Story) [Volume 28, Issue 3, 2023, Pages 31-44]
-
Amini, Rahmat
Pedagogic theatre: a comparative study [Volume 2, Issue 39, 2011, Pages 79-86]
-
Amini, Rahmat
Space and Location Designing in Traditional-Religious Shows of Iran; A Proposed study [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 23-34]
-
Amini, Rahmat
The Xenophobia Phenomenon Reflected in Shakespeare’s “The Merchant of Venice” [Volume 21, Issue 1, 2016, Pages 15-24]
-
Aminsharifi, Amirhasan
Take a look at the Capacities of Musical Composition in the Baseet Form, Based on Its Definitions in the Treatises of the Montazamiyeh School [Volume 26, Issue 2, 2021, Pages 55-65]
-
Aminsharifi, Amirhasan
Extracting the Potential Capacities of Musical Composition by Relying on the Formal Structure of Two Tasnifs Recorded by Abd al-Qadir Maraghi [Volume 26, Issue 4, 2021, Pages 29-40]
-
Amir Shahkarami, Bahador
Study of the Effect of the Capacity of Halls of the Tehran Theater Complex on the Change of Their Income from 2009 to 2017, Based on the Theories of William Baumol [Volume 26, Issue 2, 2021, Pages 25-34]
-
Amir Shahkarami, Sayed Najmedin
The Emotional and Symbolic Role of Color in Corpse Bride 2005 [Volume 28, Issue 4, 2024, Pages 77-87]
-
Andalib, Sarah
Dramatic Arts and Neuroscience: Evaluating the Artist-Audience Connection by Scientific Tools [Volume 23, Issue 2, 2018, Pages 49-60]
-
Andalibi, Mohammad Amin
Production of Pictorial and Conceptual metaphors according to the theatrical mise en scene/ A case study of the Eighth Journey of Sindbad written by Bahrām Beyzai [Volume 26, Issue 4, 2021, Pages 5-16]
-
Arakelian, Evita
Influence of Inner game of music on mental skills in performance
A case study of senior undergraduate students of classical music performance at the University of Tehran [Volume 27, Issue 2, 2022, Pages 27-35]
-
Aramfar, Homayun
Form, Genre, and Harmony of Toccata Composed By Hormoz Farhat [Volume 23, Issue 2, 2018, Pages 61-72]
-
Aref, Mohammad
Finding out Iranian 1500-years animation thought at Tagh bostan of Kermanshah, [Volume 23, Issue 2, 2018, Pages 15-22]
-
Asaadi, Hooman
Contemporary Theories of Tuning Systems in Iranian Classical Music: a Comparative Study [Volume 27, Issue 2, 2022, Pages 37-48]
-
Asadi, Hooman
Musical Instruments of the Safavid Period according to Kaempfer and Chardin [Volume 2, Issue 41, 2011, Pages 23-32]
-
Asadi, Hooman
Nonsense Syllables (Tarannom) In Iranian Vocal Music*
Case Study: Darâmad-e Dastgâh-e Châhârgâh [Volume 3, Issue 43, 2012, Pages 23-32]
-
Asadi, Hooman
A Conceptual History of Maktab-e- Esfahan:
Identity - making Discourses in Contemporary History of Iranian Classical Music
in the City of Esfahan [Volume 26, Issue 3, 2021, Pages 13-24]
-
Asadi, Hooman
An analysis and transcription of a song-text notated in a fusion notation method (Abjadic-metric) by Mehdi-Gholi Hedāyat (Mokhber-al Saltaneh), considering the suggested intervals of Montazam-al Hokamā' [Volume 26, Issue 1, 2021, Pages 5-12]
-
Asadi, saied
"Semiotics of dramatic characters name in the plays
Death of a Salesman" [Volume 2, Issue 39, 2011, Pages 13-23]
-
Asadi Amjad, Fazel
Quest for Cultural Identity in August Wilson's Joe Turner’s Come and Gone: A Sociological Approach [Volume 27, Issue 2, 2022, Pages 49-57]
-
Asa’di, Hooman
“Seyir” in Persian Classical Music (Case Study: Darâmad-e Avâz-e bayâte- Esfahân) [Volume 22, Issue 2, 2017, Pages 81-91]
-
Asefi, Yahya
Movement with the Beat of Music: Strategy to Control the Intensity and Increase Participation in Physical Activity [Volume 20, Issue 1, 2015, Pages 49-56]
-
Ashooghian, Rebecca
Music Theses Topics and Methodologies by Graduate Students of Classical Music Performance in Iran's Governmental Universities from 2009-2019 [Volume 27, Issue 1, 2022, Pages 17-26]
-
Ashrafian, Marzieh
The Search for Identity of Puppet by a Philosophical Approach [Volume 23, Issue 1, 2018, Pages 69-76]
-
Askari Rabori, Hamid
Choral Arrangement of Iranian Folk Songs :The Evolution and New Approaches [Volume 19, Issue 1, 2014, Pages 25-36]
-
Askari Rabori, Hamid
Iranian Choral Music: The challenges and obstacles [Volume 25, Issue 3, 2021, Pages 35-44]
-
Askari Rabori, Hamid
Music Theses Topics and Methodologies by Graduate Students of Classical Music Performance in Iran's Governmental Universities from 2009-2019 [Volume 27, Issue 1, 2022, Pages 17-26]
-
Aslemarz, Mehdi
The Comparative Study of Zār Ceremony in Iran and Sudan [Volume 3, Issue 42, 2012, Pages 17-26]
-
Assadi, Saied
The Role of New Schooling System of Reza Shah Era as a Bureaucratic Institution in the Legitimacy of the New Iranian Theatre [Volume 22, Issue 2, 2017, Pages 125-135]
-
Ayatollahi, Ayatollahi
The Role of Dynamic Interactive Teaching in Learning of Animation Screenwriting [Volume 2, Issue 41, 2011, Pages 13-22]
-
Ayatollahi, Habibolah
The Analysis of Dramatic Aspects of Quran’s Stories, Emphasizing on Suspense and Character Development [Volume 3, Issue 2, 2012, Pages 25-34]
-
Azadehfar, Mohammad Reza
Iranian Philosophical and theosophical views toward music and its acceptance by Youth Musicians* [Volume 19, Issue 1, 2014, Pages 17-24]
-
Azadehfar, Mohammad Reza
Designing Music Tourism Packs [Volume 23, Issue 1, 2018, Pages 77-86]
-
Azarsa, Ahmad
Studying the Influence of Gender on Gaze Point of Cinema Viewers with Eye Tracker Headset: The Case of Separation Movie [Volume 24, Issue 4, 2020, Pages 77-86]
-
Azhari Rad, Mehdi
The Platonic and Aristotelian Forms of Philosophy of Film [Volume 3, Issue 2, 2012, Pages 5-12]
-
Azimpour Tabrizir, Poupak
Phenomenological Approach to Perception of Audience in Puppet Theater [Volume 22, Issue 2, 2017, Pages 147-154]
B
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Badrikoohi, Niloofar
Comparative Analysis of Robab’s intervals with the Zarlinian Scale [Volume 27, Issue 3, 2022, Pages 27-36]
-
Bagheri Looyeh, Sepideh
Local Color from Marg dar Paeez (Death in Autumn) to Fen
Parallelism in Regional Dramas of Akbar Radi and Caryl Churchill [Volume 21, Issue 2, 2016, Pages 33-40]
-
Bahramian, Akram
A Comparative Reading of Bakhtinian Polyphonic Effects in Drama of “Safar-e Dour…”(Mohammad Charmshir) and Novel of “Asfar-e-Kateban ”(Aboutorab Khosravi) [Volume 3, Issue 2, 2012, Pages 13-24]
-
Bahreman, Donya
The Use of Children’s Drawings in Structure, Character
and Concept Design of Animation
(A case study: Farshid Shafiei’s and Mahdiyar’s selected art works) [Volume 28, Issue 4, 2024, Pages 19-33]
-
Bakhtiarian, Maryam
The Role of Observation in Contemporary Art: Luhmann’s Views on the Possibility and Necessity of Observation in the Absence of Form in Visual Arts, Performing Arts and Music [Volume 20, Issue 2, 2016, Pages 73-82]
-
Bani Ardalan, Esmaiiel
Laura Mulvey’s Still-Moving Dialectic on the Cinema of Abbas Kiarostami* [Volume 24, Issue 1, 2019, Pages 79-86]
-
Bani Assadi, Nasrin
A Glance at the Development of the Function of Music in Jewish Religious Life [Volume 23, Issue 1, 2018, Pages 47-55]
-
Barahimi, Mansour
Carnivalesque in Romeo and Juliet [Volume 3, Issue 43, 2012, Pages 51-57]
-
Barzi, Yekta
With Specific Study of "Madar Sefr Darageh" TV Series based on Dr. Seyed Mohsen Habibi's Theory about Pahlavi I Dynasty Architecture [Volume 21, Issue 1, 2016, Pages 1-13]
-
Basiri, Aida
Continuity and Discontinuity of cultural in before constitution theater of Iran.
Study of “Zaman Khan’s Rule” written by Mirza Agha Tabrizi. [Volume 20, Issue 1, 2015, Pages 27-40]
-
Behbahani, Yassaman
Rhythmic and Harmonic Analysis of the First and the Last Piece of Vingt Regardes Collection by Olivier Messeain [Volume 21, Issue 1, 2016, Pages 51-64]
-
Bemanian, Mohammad reza
Recognizing Iranian Performative Places and Spaces in Persian Paintings [Volume 24, Issue 1, 2019, Pages 59-68]
-
Benvidi, Fatemeh
The Reflection of Hegel’s Thought in Sophocles’ Antigun [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 47-54]
-
Binayemotlagh, Said
Cinema Aesthetic View Point of Plato and Aristotle [Volume 23, Issue 1, 2018, Pages 57-68]
-
BolandEghbal, Alireza
Dramatic Signs in Draxt ? ?s?r?g “The Babylonian Tree” [Volume 2, Issue 39, 2011, Pages 33-44]
-
Booban, Negar
A Study in Organology; Structure of Oud ( Barbat) in Sassanid, Ilkani-Teymoorid and Safavid era, Iran [Volume 23, Issue 3, 2018, Pages 77-85]
-
Boskabady, Moones
Dramatic Elements in The Storytelling with Picture (Pardeh-khani) as a Multimedia Art [Volume 2, Issue 41, 2011, Pages 71-78]
-
Brémaud, Iris
A Comparative Study between the Traditional Ratings and Real Acoustical Properties of Walnut Wood (Juglans regia) used in Santur Making* [Volume 18, Issue 1, 2014, Pages 23-32]
C
-
Chalesh, Maryam
“Seyir” in Persian Classical Music (Case Study: Darâmad-e Avâz-e bayâte- Esfahân) [Volume 22, Issue 2, 2017, Pages 81-91]
D
-
Dadashi, Nooshin
Western and Iranian Major Forms of Comedy: A Comparative Research [Volume 2, Issue 40, 2011, Pages 73-84]
-
Dadkhah Tehrani, maryam
The Function of “Memory” from the Perspective of "Stream of Consciousness":
A Study of the Play Khanomche va Mahtabi by Akbar Radi [Volume 27, Issue 3, 2022, Pages 37-44]
-
Dadkhah Tehrani, Maryam
Analysis of Theatrical metaphor and Stage Contracts in Absurdist Theater Performances; A Case Study of 'Krapp's Last Tape' and 'Endgame' Performances [Volume 29, Issue 1, 2024, Pages 7-16]
-
Daemi Milani, Farzad
An analysis and transcription of a song-text notated in a fusion notation method (Abjadic-metric) by Mehdi-Gholi Hedāyat (Mokhber-al Saltaneh), considering the suggested intervals of Montazam-al Hokamā' [Volume 26, Issue 1, 2021, Pages 5-12]
-
Danesh, Jaber
An Analysis of the Idea of Space Creation in Josef Svoboda’s Stage Design* [Volume 18, Issue 1, 2014, Pages 55-68]
-
Dashtpeyma, Naser
A Drama Belonging to Other: Exploration of Patriarchy through a Feminist Reading in three Plays by Bahram Beyzai [Volume 24, Issue 3, 2019, Pages 47-58]
-
Dehghan, Ali
A Drama Belonging to Other: Exploration of Patriarchy through a Feminist Reading in three Plays by Bahram Beyzai [Volume 24, Issue 3, 2019, Pages 47-58]
-
Dehghanpour, Hamid
Shahnameh And The Filmic Aspects Its [Volume 2, Issue 40, 2011, Pages 85-97]
-
Dehghanpour, Hamid
Shadow Aesthetics in Film-Noir [Volume 17, Issue 2, 2013, Pages 35-52]
-
Dehghanpour, Hamid
Identifies Film Value Chain and its Impact on Sales Growth [Volume 20, Issue 2, 2016, Pages 17-26]
-
Dehnad, Neda
Music Therapy Dimensions in the Science of Ancient Iranian—Islamic Music
Music Epistles from the 3rd to 13th Centuries A.H. [Volume 22, Issue 1, 2017, Pages 23-34]
-
Djoz Ramezani, Amirhossein
A Study on the Role of Grünewald and his Works on the Opera and Symphony of Matthias the Painter by Hindemith [Volume 22, Issue 1, 2017, Pages 5-14]
-
Djoz Ramezani, Amirhossein
The Influence of Gustav Mahler on the Composers of the Second Viennese School [Volume 23, Issue 4, 2018, Pages 5-16]
-
Dolatifard, Maryam
A Study in Organology; Structure of Oud ( Barbat) in Sassanid, Ilkani-Teymoorid and Safavid era, Iran [Volume 23, Issue 3, 2018, Pages 77-85]
-
Dolati Fard, Mryam
Analysis of the representation of ood player in the Images of Sasani to Safavi* [Volume 18, Issue 18, 2014, Pages 49-56]
-
Dorini, Fateme
The Emotional and Symbolic Role of Color in Corpse Bride 2005 [Volume 28, Issue 4, 2024, Pages 77-87]
-
Doroudian, Maryam
Recognizing Iranian Performative Places and Spaces in Persian Paintings [Volume 24, Issue 1, 2019, Pages 59-68]
E
-
Ebrahimi Yegane, Hasti
The Influences of Mannheim School on Mozart’s Piano Sonatas K. 309 and K. 311 [Volume 22, Issue 1, 2017, Pages 71-80]
-
Einali, Atefeh
An Approach to Harmonizing Based on the Structure of Intervals in the Dāstgah Segāh [Volume 22, Issue 2, 2017, Pages 115-123]
-
Elyasi, Atabak
The Study of Tintinnabuli, and Additive/Subtractive Process in the Music of Arvo Pärt, and a Comparison to Repetitive Elements of Iranian Traditional Music [Volume 20, Issue 1, 2015, Pages 5-13]
-
Emami, Mohamad
Study the effect of dissonance factors on changings of notes and Structure of Gushehs in Dastgah-e Mahoor. [Volume 25, Issue 3, 2021, Pages 25-34]
-
Emami, Mohammad
The Function of the Respiratory System in Playing the Ney: Suggestions for Tone Development [Volume 2, Issue 40, 2011, Pages 17-26]
-
Esfandiary, Shahab
Laura Mulvey’s Still-Moving Dialectic on the Cinema of Abbas Kiarostami* [Volume 24, Issue 1, 2019, Pages 79-86]
-
Eskandari, Fatemeh
Cosmopolitan Idea in Documentary Trilogy Qatsi [Volume 26, Issue 4, 2021, Pages 53-61]
-
Esmaeili, Ahmadreza
An Analysis of Literary and Philosophical Origins in Wagner’s Operas [Volume 23, Issue 1, 2018, Pages 25-34]
-
Esmaeili, Ali
Implementing the Qualitative Content Analysis in Character-oriented Films (focusing on Freud's opinions and Hitchcock's selected films) [(Articles in Press)]
-
Etemadsaeed, Mahdi
Study on Theoretical and Intellectual Bases of Staniewski Theatre [Volume 20, Issue 2, 2016, Pages 61-72]
-
Ezzati, Mehrdad
‘Existential Tragedy’ in Lord Byron’s ‘Manfred’ [Volume 24, Issue 3, 2019, Pages 27-36]
F
-
Fahimifar, Ali Asghar
Historiographical Meta Fiction in Bahram Beizaie “Trilateral Reading of Azhdehak” [Volume 21, Issue 1, 2016, Pages 25-33]
-
Fahmifar, Asghar
The Process of Structural Transformation of John Cage’s Music
(Case Study: Composition, Notation, Audience) [Volume 24, Issue 2, 2019, Pages 43-56]
-
Fakhr, Iman
The Effectiveness of Rational-Emotional Group Training on Amateur Musicians’ Performance Anxiety [Volume 23, Issue 4, 2018, Pages 29-36]
-
Fakhr, Iman
The correlation between amount of practice time and performance anxiety, and academic achievement among Western classical music performance students [Volume 24, Issue 2, 2019, Pages 25-32]
-
Fakhr, Iman
Rhetorical Persuasion in the Music of J.S. Bach:
A Case Study of the Prelude from Cello Suite No.3 in C-major BWV 1009 [Volume 24, Issue 4, 2020, Pages 5-16]
-
Fakhr, Iman
An Introduction to Hannaneh’s Harmonic Approach (Even Harmony)
The Case Study: Omaggio a Ferdowci [Volume 25, Issue 2, 2020, Pages 5-13]
-
Fakhr, Iman
The Effect of Silence on Musician’s Pitch Discrimination Accuracy [Volume 25, Issue 4, 2021, Pages 33-40]
-
Fakhr, Iman
Music Theses Topics and Methodologies by Graduate Students of Classical Music Performance in Iran's Governmental Universities from 2009-2019 [Volume 27, Issue 1, 2022, Pages 17-26]
-
Falahian Mehrjerdi, Elahe
The Independent and Materialist Animation as Trauma, Studying the Works of Robert Breer [Volume 28, Issue 4, 2024, Pages 49-62]
-
Fallah, Hoda
A Comparative Study of Binaural and Surround Radio Drama’s Mise-en-scène and the Means of Converting One to Another with Technical Approach [Volume 23, Issue 1, 2018, Pages 35-46]
-
Fami Tafreshi, Mohamad Ali
An Intercultural Analysis of Iranian Dramatic Translations of in Last Two Decades (Case studies : The Mares’ Dance and Based on The Duchess of Malfi) [Volume 27, Issue 1, 2022, Pages 27-38]
-
Fanaeiyan, Tajbakhsh
Figurative reading of the play “Molly Sweeney” written by Brian Friel, based on The Holy Bible [Volume 25, Issue 3, 2021, Pages 45-52]
-
Fanaian, Tajbakhsh
Relationship Between the Social Duty and Moral Obligations and Self-Imposed Death* [Volume 19, Issue 2, 2014, Pages 31-40]
-
Fanaian, Tajbakhsh
Production of Pictorial and Conceptual metaphors according to the theatrical mise en scene/ A case study of the Eighth Journey of Sindbad written by Bahrām Beyzai [Volume 26, Issue 4, 2021, Pages 5-16]
-
Farahani, Mahshid
A Comparative Study of Two Musical Narratives Written by Ibn-e-Khardadbeh and Masoudi
Evidence Proving the Existence of a Pahlavid Text on Music under the Sasanid [Volume 29, Issue 1, 2024, Pages 71-81]
-
Farbod, Farhang
"Semiotics of dramatic characters name in the plays
Death of a Salesman" [Volume 2, Issue 39, 2011, Pages 13-23]
-
Faregh, Effat
An Intertextual Interpretation of Mythology in the Top Three Plays of Children and Adolescent Theater Festivals [Volume 27, Issue 1, 2022, Pages 51-60]
-
Farhangi, Ali Akbar
Internationalization of Iranian Films and Cinema to Gain a Share of Regional and International Markets [Volume 26, Issue 1, 2021, Pages 23-33]
-
Farrokhi, Hossein
The Analysis of Dramatic Aspects of Quran’s Stories, Emphasizing on Suspense and Character Development [Volume 3, Issue 2, 2012, Pages 25-34]
-
Farrokhnia, Rahim
Pivotal themes in ethnomusicology of Iranian kurds [Volume 2, Issue 40, 2011, Pages 27-38]
-
Farzin, Pooyan
A practical guide to Extempore Embellishments, based on Telemann Methodic sonatas [Volume 2, Issue 41, 2011, Pages 51-58]
-
Farzipuor, Hasan
Relationship Between the Social Duty and Moral Obligations and Self-Imposed Death* [Volume 19, Issue 2, 2014, Pages 31-40]
-
Fatemi, Sasan
Western Music in Iran at Qajar Era [Volume 19, Issue 2, 2014, Pages 5-16]
-
Fatemi, Sasan
The Ghazal-khâni and Its Place in Iranian Musical Culture [Volume 21, Issue 2, 2016, Pages 69-76]
-
Fatemi, Sasan
From the Wedding Festivity to the Music School:
Master Apprentice System and Changes in the Methods of Transmission of Tradition in the Ashiq Poetic-musical Art [Volume 23, Issue 3, 2018, Pages 67-76]
-
Fatemi, Sasan
The Evolution of Tradition of Baghshi in Turkmen-Sahra: ُA Special Case of Musical Change [Volume 24, Issue 3, 2019, Pages 37-46]
-
Fatemi, Sasan
Evaluation of the Ratio of Pulses of 6/8 Time Signature in Rengs of Dastgah Music of Iran (1906-1978) [Volume 26, Issue 2, 2021, Pages 47-54]
-
Fatemi, Sasan
Classification of Iranian Classical Music Repertoire Based on Discourses of Identity [Volume 26, Issue 4, 2021, Pages 41-51]
-
Fatemi, Sasan
Âshiq in the Musical Culture of Qashqâyi Turks
Investigating the Acculturation [Volume 27, Issue 4, 2022, Pages 17-24]
-
Fatemi, Sasan
The evolution of Mawwal and its late history in the Syrian vocal Nūbāt [Volume 28, Issue 2, 2023, Pages 5-14]
-
Fatemi, Sasan
Cultural Bases of Acceptability/ Unacceptability of Anglo-American Popular Music in Iran [Volume 28, Issue 4, 2024, Pages 5-17]
-
Fath Taheri, Ali
Being, Time and Cinema
A Study of the Philosophy of Henri Bergson on Gilles Deleuze's Philosophy of Cinema [Volume 21, Issue 1, 2016, Pages 35-50]
-
Foroutan Yekta, Payam
Designing a Method of Scenography with Concentration on Unconsciousness
Happening Stage Designing [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 55-62]
-
Foroutan Yekta, Payam
With Specific Study of "Madar Sefr Darageh" TV Series based on Dr. Seyed Mohsen Habibi's Theory about Pahlavi I Dynasty Architecture [Volume 21, Issue 1, 2016, Pages 1-13]
-
Foroutan Yekta, Payam
Aeschylus’ Role in Formation and Promotion of the Ancient Greek Scenic design
From a Playwright to a Professional Scenographer [Volume 25, Issue 1, 2020, Pages 41-50]
-
Foroutan Yekta, Payam
Hollywood Production Design Approach to the Arab World, Based on the JDL Fusion Model
A Case Study of The Thief of Bagdad (1940) [(Articles in Press)]
G
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Gaja, Ramon
Musical Instruments of the Safavid Period according to Kaempfer and Chardin [Volume 2, Issue 41, 2011, Pages 23-32]
-
Ganjeh, Azadeh
The effect of Audience Participation on performance text in Game-Theatre [Volume 27, Issue 1, 2022, Pages 61-69]
-
Ganjehei, masoomeh
Revising the analogy between the cinema screen and Lacanian Mirror with regards to the nature of the cinematic image [Volume 25, Issue 4, 2021, Pages 25-32]
-
Ghaemi, Maryam
A Comparative Study of Tar Making Templates in Iran [Volume 22, Issue 2, 2017, Pages 93-101]
-
Ghahramani, Mohammad Bagher
The Genealogy of Clown in the Iranian traditional Theatre [Volume 19, Issue 1, 2014, Pages 47-58]
-
Ghahramani, Mohammad Bagher
Audience Embodiment in the Haptical Film Space [Volume 19, Issue 2, 2014, Pages 53-64]
-
Ghahramani, Mohammad Bagher
Interactive Communication between Cinematic Spaces and Urban Space [Volume 20, Issue 2, 2016, Pages 49-60]
-
Ghahramani, Mohammad Bagher
Development of Iranian Performance from a Diegetic World [Volume 21, Issue 2, 2016, Pages 15-24]
-
Ghahramani, Mohammad Bagher
Expansion of the Spatial Perceptions of the Audience Through Empathic
Relationship with Filmic Bodies [Volume 23, Issue 3, 2018, Pages 49-58]
-
Ghahramani, Mohammad Bagher
Once Upon a Time, Cinema (1991) as representation of the experience of corporeal spectatorship and the dissolving of the boundary between spectator and cinematic spectacle [Volume 26, Issue 3, 2021, Pages 55-63]
-
Ghahramani, Mohammad Bagher
Cinema as a Seductive Technology in the Iranian Film Nare Toofan (“Toofan’s Bellow”, 1969) [Volume 28, Issue 3, 2023, Pages 5-14]
-
Ghahremani, Mohammad Bagher
Phenomenological Approach to Perception of Audience in Puppet Theater [Volume 22, Issue 2, 2017, Pages 147-154]
-
Ghanbari, Hosein
An Introduction to Intervallic Organization and Dodecaphonic Approach in Shostakovich's Music [Volume 22, Issue 1, 2017, Pages 35-40]
-
Ghanbari, Hosein
Contemporary Theories of Tuning Systems in Iranian Classical Music: a Comparative Study [Volume 27, Issue 2, 2022, Pages 37-48]
-
Ghanbariahmadabad, Hosein
An Introduction to Hannaneh’s Harmonic Approach (Even Harmony)
The Case Study: Omaggio a Ferdowci [Volume 25, Issue 2, 2020, Pages 5-13]
-
Ghanbari Ahmadabad, Hosein
Form, Genre, and Harmony of Toccata Composed By Hormoz Farhat [Volume 23, Issue 2, 2018, Pages 61-72]
-
Gharasou, Maryam
Music Listening in the Ritual of Zar [Volume 24, Issue 2, 2019, Pages 67-76]
-
Gharasou, Maryam
Multiple Functions of Karna in Religious Rituals and Mourning in Eastern Guilan, mourning [Volume 25, Issue 2, 2020, Pages 45-57]
-
Ghasemian Dastjerdi, parvaneh
The function of the black and white color in costume designing, based on Roland Barthes Semiotic theory
(Case Study: Anna Karenina, My fair lady) [Volume 24, Issue 3, 2019, Pages 73-80]
-
Ghobadi, Farzane
A Study of Expressive Meta-Morph Technique in Representation of the Poetical Imagination [Volume 21, Issue 2, 2016, Pages 25-32]
-
Gholamali, Asadollah
The Impact of Modern Narrative on The Iranian New Wave Cinema [Volume 17, Issue 2, 2013, Pages 25-34]
-
Gholamali, Asadollah
Historiographical Meta Fiction in Bahram Beizaie “Trilateral Reading of Azhdehak” [Volume 21, Issue 1, 2016, Pages 25-33]
-
Gholamali, Assadollah
Dialogism in the Movie of the Brick and Mirror (Khesht va Ayeneh) (1965) by Ebrahim Golestan [Volume 22, Issue 2, 2017, Pages 137-145]
-
Ghoulipour, Ali
The Problematic concept of "Tashabboh" and why "Ta'zieh" has been named "Shabih-Khani" [Volume 2, Issue 39, 2011, Pages 45-54]
-
Gilabadi, Shahram
A Comparative Study of Binaural and Surround Radio Drama’s Mise-en-scène and the Means of Converting One to Another with Technical Approach [Volume 23, Issue 1, 2018, Pages 35-46]
-
Giyahchi, Nabiallah
Deconstructive approaches to the concepts ofhistory,legend ,death and place in the movie “Green Fire”by Mohammad Reza Aslani [Volume 23, Issue 3, 2018, Pages 37-48]
-
Giyahi, Yasaman
Strategies to Promote the Iranian International Film Market [Volume 3, Issue 43, 2012, Pages 33-40]
-
Goharinasab, Arman
The Evolution of Tradition of Baghshi in Turkmen-Sahra: ُA Special Case of Musical Change [Volume 24, Issue 3, 2019, Pages 37-46]
-
Goharpad, Maryam
Comparative analysis of narrative temporal structure in the dramatic works of Bahram Beizai and Akbar Radi
(Research cases: the play Afra and the play Khanomche va Mahtabi) [(Articles in Press)]
-
Golmohammadi, Mahmood
On the Structure of Tele Theatre in Iranian Television [Volume 2, Issue 40, 2011, Pages 49-64]
H
-
Hadidi, Hamed
The extent of achieving the goals of the author in the method of teaching guitar to Iranian children [Volume 24, Issue 4, 2020, Pages 25-32]
-
Hamed Saghaian, Mahdi
Qualitative and Quantitative Evaluation of Productions of Sacred Defense Theatre in Iran
(Concerning Activities of “the Revolution and Sacred Defense Theatre Association”) [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 35-44]
-
Hamed Saghaian, mehdi
Study of the Effect of the Capacity of Halls of the Tehran Theater Complex on the Change of Their Income from 2009 to 2017, Based on the Theories of William Baumol [Volume 26, Issue 2, 2021, Pages 25-34]
-
Hanif, Mohammad
Baroque and Religious Permutation in Hamlet by William Shakespeare [Volume 20, Issue 1, 2015, Pages 41-48]
-
Hanif, Mohsen
Baroque and Religious Permutation in Hamlet by William Shakespeare [Volume 20, Issue 1, 2015, Pages 41-48]
-
Hasannia, Milad
Role of Creative Drama in Education using Views of John Dewey [Volume 26, Issue 3, 2021, Pages 43-53]
-
Hasanzadeh, Shima
Âshiq in the Musical Culture of Qashqâyi Turks
Investigating the Acculturation [Volume 27, Issue 4, 2022, Pages 17-24]
-
Haselpour, Mahdi
Qualitative and Quantitative Evaluation of Productions of Sacred Defense Theatre in Iran
(Concerning Activities of “the Revolution and Sacred Defense Theatre Association”) [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 35-44]
-
Hashemi, Mohammad
A Study in the Distinction of Mirzadeh Eshghi Nationalism from the Dominant Nationalist Discourse of His Time [Volume 27, Issue 2, 2022, Pages 59-68]
-
Hashemi, Seyed Mohsen
New Korean Cinema:
Global influences upon it and its effects on world cinema [Volume 3, Issue 2, 2012, Pages 65-70]
-
Heidarian Korouyeh, Mehdi
Analyzing Song Scenes in Musical Films Based on Structuralist Narratology [Volume 23, Issue 1, 2018, Pages 13-23]
-
Hessami, Mansour
An Analysis of Clarissa Pinkola Estés Theory of ‘the Underground Forest Consciousness’’
The case of Hayao Miyazaki’s Howl's Moving Castle (2005) [Volume 25, Issue 1, 2020, Pages 71-81]
-
Hessami, Mansour
A Comparative Study of Christopher Vogler's Heroic Travel Pattern in Miyazaki and Disney Renaissance Animations
A Case Study of The little Mermaid, The beauty and the beast- My Neighbor Totoro and The Spirited away [Volume 27, Issue 3, 2022, Pages 55-63]
-
Homazadeh, Mahdi
Comparison Between Film and Traditional Arts; A Philosophical Critic on Traditionalism According to Hikmat-Motaalieh [Volume 24, Issue 4, 2020, Pages 17-24]
-
Honarmand, Amin
Canon and Dodecaphony in the Music of Alfred Schnittke [Volume 3, Issue 43, 2012, Pages 5-13]
-
Honarmand, Amin
Common-Third Triad Pairs in the Music of Alfred Schnittke [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 15-22]
-
Honarmand, Amin
The Study of Tintinnabuli, and Additive/Subtractive Process in the Music of Arvo Pärt, and a Comparison to Repetitive Elements of Iranian Traditional Music [Volume 20, Issue 1, 2015, Pages 5-13]
-
Honarmand, Amin
Rhythmic and Harmonic Analysis of the First and the Last Piece of Vingt Regardes Collection by Olivier Messeain [Volume 21, Issue 1, 2016, Pages 51-64]
-
Honarmand, Amin
A study of Behzad Ranjbaran's "Seven Passages" with focus on elements of cohesion and diversity [Volume 24, Issue 3, 2019, Pages 13-26]
-
Honarmand, Amin
The Effect of Silence on Musician’s Pitch Discrimination Accuracy [Volume 25, Issue 4, 2021, Pages 33-40]
-
Honarmand, Amin
Contemporary Theories of Tuning Systems in Iranian Classical Music: a Comparative Study [Volume 27, Issue 2, 2022, Pages 37-48]
-
Honarmand, Amin
Form and Semiotics: Juxtaposition and Superimposition of Temporal Semiotic Units in Franco Donatoni’s Cadeau [Volume 28, Issue 2, 2023, Pages 15-26]
-
Hosnaee, Mohammadreza
Representing Religious Contents in Animation Through the Study of the Practiced Methods in Japanese Works [Volume 23, Issue 1, 2018, Pages 1-12]
-
Hosnaee, Mohammad Reza
A Study of Expressive Meta-Morph Technique in Representation of the Poetical Imagination [Volume 21, Issue 2, 2016, Pages 25-32]
-
Hosnaee, Mohammad Reza
The Role of Mascots' Characters of the Advertisement Animation Films in the Food Industry Branding [Volume 24, Issue 1, 2019, Pages 37-48]
-
Hosnaee, Mohammad Reza
Interactive Storytelling: Study of Audience, Author and Narrative Contribution in VR Animations [Volume 24, Issue 4, 2020, Pages 33-42]
-
Hosnaee, Mohammad Reza
growth of the level of believability in 3D computer animations focusing on the emotion transfer through the face of a character [Volume 25, Issue 4, 2021, Pages 5-16]
-
Hosnaee, Mohammad Reza
The Evolution of Japanese Action Anime, from Tezuka to the Present in Visual Form [Volume 26, Issue 3, 2021, Pages 25-31]
-
Hosnayi, Mohammad Reza
Computer Game’s Audience as the Audience of the
Artistic Text
Analysis and Study of the Encounter Situation of
Computer Games as Artistic Works [Volume 17, Issue 2, 2013, Pages 69-77]
-
Hosseini, Rouhollah
Internationalization of Iranian Films and Cinema to Gain a Share of Regional and International Markets [Volume 26, Issue 1, 2021, Pages 23-33]
-
Hosseini, Seyyedh Reihaneh
Representation of disability in animated films as a symbol of identity disorder, focusing on the movie I Lost My Body [(Articles in Press)]
-
Hosseini, Seyyed Mostafa
Analysis of Turn-Taking and Speech Acts in Slowly with Rose (Âheste Bâ Gol-e-Sorx) With Emphasis on Stylistics of Drama Studies [Volume 17, Issue 2, 2013, Pages 53-60]
-
Hosseini Shakib, Fatemeh
Structural studies of TV Animation and exposure method for Animation content analysis [Volume 19, Issue 1, 2014, Pages 71-82]
-
Hosseini Shakib, Fatemeh
Analyzing Song Scenes in Musical Films Based on Structuralist Narratology [Volume 23, Issue 1, 2018, Pages 13-23]
-
Hosseini Shakib, Fatemeh
The Independent and Materialist Animation as Trauma, Studying the Works of Robert Breer [Volume 28, Issue 4, 2024, Pages 49-62]
-
Hosseini-Shakib, fatemeh
An Analysis of Clarissa Pinkola Estés Theory of ‘the Underground Forest Consciousness’’
The case of Hayao Miyazaki’s Howl's Moving Castle (2005) [Volume 25, Issue 1, 2020, Pages 71-81]
-
Hosseini-Shakib, Fatemeh
A Comparative Study of Christopher Vogler's Heroic Travel Pattern in Miyazaki and Disney Renaissance Animations
A Case Study of The little Mermaid, The beauty and the beast- My Neighbor Totoro and The Spirited away [Volume 27, Issue 3, 2022, Pages 55-63]
I
-
Iranmanesh, maryam
Reflection of Kierkegaard's "Knight of Faith" in Henrik Ibsen's "Brand" [Volume 26, Issue 2, 2021, Pages 5-12]
-
Islami, S. Yahya
The Interaction of Image, Movement and Time in Architecture and Cinema According to Gilles Deleuze's Theories [Volume 28, Issue 1, 2023, Pages 31-42]
-
Izadi, Sam
Genre and National Identity;
A Comparative Study on the Role of National and Cultural Identity in the Development of Local Cinema Genres [(Articles in Press)]
J
-
Jafarpoor Nasir Mahaleh, Halimeh
Music in the Court of Caliphs of First Period of Abbasi Dynasty* [Volume 19, Issue 2, 2014, Pages 17-24]
-
Jahaandideh, Kiyanoosh
Shadow Aesthetics in Film-Noir [Volume 17, Issue 2, 2013, Pages 35-52]
-
Jalalipour, Bahram
Symbolic Cultural Confrontations in “From Behind the Windows” by Akbar Radi Based on William Beeman’s Views [Volume 28, Issue 2, 2023, Pages 61-70]
-
Jalalipour, Bahram
The Semiotic Manifestation of “Mono No Aware” Concept in
Japanese Animations with a Focus on:
To the Forest of Firefly Lights and Wolf Children [Volume 28, Issue 4, 2024, Pages 35-48]
-
Jalalipour, Bahram
Representation of disability in animated films as a symbol of identity disorder, focusing on the movie I Lost My Body [(Articles in Press)]
-
Jalili, Mohammad Mehdi
Polymeric Composites as Alternatives for Wood for Producing Music Instruments [Volume 2, Issue 41, 2011, Pages 5-12]
-
Jamshidi, Akram
Laura Mulvey’s Still-Moving Dialectic on the Cinema of Abbas Kiarostami* [Volume 24, Issue 1, 2019, Pages 79-86]
-
Javadifard, Elham
A new-historicism reading of the play "Fereshteh-ye Tarikh" by Mohammad Rezaee Rad; Fascism, an exceptional situation or a rule [(Articles in Press)]
-
Javid Sabaghiyan, Meghdad
Computer Game’s Audience as the Audience of the
Artistic Text
Analysis and Study of the Encounter Situation of
Computer Games as Artistic Works [Volume 17, Issue 2, 2013, Pages 69-77]
K
-
Kahvand, Maryam
The Evolution of the Representation of the Female Champion: Disney Animated Cinema from Snow White and the Seven Dwarfs to Zootopia [Volume 26, Issue 4, 2021, Pages 17-27]
-
Kahvand, Maryam
The discourse of feminism in the archetype of the hero's journey: A Case Study of Cinematic Animation Zootopia [Volume 27, Issue 2, 2022, Pages 17-26]
-
Kamalinia, Farzin
Analysis of the Visual Structure of Farhadi’s Films
(With analysis of About Eli, A separation and The past) [Volume 23, Issue 4, 2018, Pages 37-46]
-
Kamyabimask, Ahmad
Sociological Study of “Four Boxes” by Bahram Beyzaie, Relying on the Words of Lucien Goldmann [Volume 24, Issue 1, 2019, Pages 69-78]
-
Kamyabi Mask, Ahmad
A Mythological Analysis of Le visage d’Orphée by Olivier Py [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 63-70]
-
Karami MirAzizi, Bijan
A Comparative Study of Two Musical Narratives Written by Ibn-e-Khardadbeh and Masoudi
Evidence Proving the Existence of a Pahlavid Text on Music under the Sasanid [Volume 29, Issue 1, 2024, Pages 71-81]
-
Karbasi Amel, Niloufar
Illustration of the Main Female Characters in the Threshold Position: Selected Animations of Disney (2012-2021) [Volume 29, Issue 1, 2024, Pages 41-55]
-
Karimi, Saeid
Masculine hegemony in a selection of Henrik Ibsen's plays [Volume 26, Issue 1, 2021, Pages 13-21]
-
Kashef, Sohrab
A Rhythmic analysis on Igor Stravinsky`s The Rite of Spring revised 1947, Rehearsal Numbers 1 to 55 [Volume 23, Issue 2, 2018, Pages 41-48]
-
Kashfi, Seyedeh Zahra
The elimination of place borders in puppet Theatre considering with Schechner views and it's role in improving relationships between performative elements. [Volume 24, Issue 2, 2019, Pages 57-66]
-
Kazemi, Ali
Nonsense Syllables (Tarannom) In Iranian Vocal Music*
Case Study: Darâmad-e Dastgâh-e Châhârgâh [Volume 3, Issue 43, 2012, Pages 23-32]
-
Kazemi, Ali
Embellishment as a Structural Element in Iranian
Classical Music [Volume 17, Issue 2, 2013, Pages 5-14]
-
Kazemi, Ali
Functionality of tahrir in the construction of gushes in Iranian classical music [Volume 19, Issue 1, 2014, Pages 37-46]
-
Kazzazi, Jalaleddin
Shahnameh And The Filmic Aspects Its [Volume 2, Issue 40, 2011, Pages 85-97]
-
Keshavarz, Zahra
Aural Parameters in the Pedagogy of Flute Performance [Volume 21, Issue 2, 2016, Pages 53-62]
-
Keshmiri, Maryam
The Social Status of the Musician in Safavid Reign
Based on Sultan Mohammad’s Allegory of Worldly and Otherworldly Drunkenness [Volume 23, Issue 2, 2018, Pages 23-34]
-
Key Farrokhi, Peyman
Iranian Cinema Representing the Intellectual Challenges of Middle Class Society
“1980’s and the Semiotics of Hamoon” [Volume 2, Issue 39, 2011, Pages 5-12]
-
Khaki, Mohammadreza
The Problematic concept of "Tashabboh" and why "Ta'zieh" has been named "Shabih-Khani" [Volume 2, Issue 39, 2011, Pages 45-54]
-
Khaksar, Ali
A Study of Phenomenon of “Orchestra”
in Contemporary Musical Culture of Iran,
with Emphasis on Modeling of Possibility of its Potential forms * [Volume 20, Issue 2, 2016, Pages 35-48]
-
Khaleghi Bolbolouei, Ahad
Change of Power in Shakespeare's Plays; A Dramaturgy and Character Analysis Approach with Study of King Lear, Julius Caesar, and Macbeth [Volume 28, Issue 3, 2023, Pages 17-29]
-
Khalil Azar, Jalil
Investigating the ratio of light, shadow, and darkness in the theater before and after Adolph Appia [Volume 2, Issue 41, 2011, Pages 33-42]
-
Khalil Azar, Jalil
Space and Location Designing in Traditional-Religious Shows of Iran; A Proposed study [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 23-34]
-
Khalil Azar, Jalil
An Analysis of the Idea of Space Creation in Josef Svoboda’s Stage Design* [Volume 18, Issue 1, 2014, Pages 55-68]
-
Khalil Azar, Jalil
The Xenophobia Phenomenon Reflected in Shakespeare’s “The Merchant of Venice” [Volume 21, Issue 1, 2016, Pages 15-24]
-
Khalil Azar, Jalil
Digital Spaces and Tradition of Creating Illusionistic Environments in Western Contemporary Theater Scenography [Volume 22, Issue 1, 2017, Pages 59-70]
-
Khalili, Amir hossein
A Comparative Study of Aristotelian Syllogism with Beginning Sequence of Five Classical Hollywood Films [Volume 20, Issue 1, 2015, Pages 67-76]
-
Khataei, Susan
The Role of Dynamic Interactive Teaching in Learning of Animation Screenwriting [Volume 2, Issue 41, 2011, Pages 13-22]
-
Khatibi, Mahnaz
Invisible Hand: The Relationship between Actor's Voice and Inner Dynamic [Volume 25, Issue 1, 2020, Pages 63-70]
-
Khezry, Seyyed Ahmad reza
Music in the Court of Caliphs of First Period of Abbasi Dynasty* [Volume 19, Issue 2, 2014, Pages 17-24]
-
Khoie, Mahsa
Kantian Genius and Beethoven [Volume 19, Issue 2, 2014, Pages 25-30]
-
Khorrami Bonaraki, Anahita
Dramatic Arts and Neuroscience: Evaluating the Artist-Audience Connection by Scientific Tools [Volume 23, Issue 2, 2018, Pages 49-60]
-
Khoshab, Fatemeh
The Interaction of Image, Movement and Time in Architecture and Cinema According to Gilles Deleuze's Theories [Volume 28, Issue 1, 2023, Pages 31-42]
-
Khosravi, Zahra
Women’s Gender Disguise in Four Comedies by Shakespeare and two stories of One Thousand and One Nights: A Comparative Study [Volume 3, Issue 2, 2012, Pages 55-64]
-
Khosravi, Zeinab
Embodied Narration in Naqqali: Exploring Body Movement through a Cognitive Linguistics Lens—A Case Study of Torabi's Performance in 'Sohrab's Demise' [Volume 29, Issue 1, 2024, Pages 17-28]
-
Khosroabadi, Alireza
Analysis on Suspending Representation in Samuel Beckett’s Later Drama and Gertrude Stein’s Landscape Theatre as a Prehistory of Post-Dramatic Theatre View on Text [Volume 28, Issue 1, 2023, Pages 5-13]
-
Khosropanah, Abd-ol-Hossein
Influences of Islamic Mysticism on Form and Content in Music [Volume 19, Issue 1, 2014, Pages 5-16]
-
Kianersi, Mansoureh
Physical and Functional Changes in the Interior Design of "Home" and the Effect of Functional Changes on People’s Interactions through the Analysis of 15 Selected Iranian Films from the 60s to 90s [Volume 28, Issue 1, 2023, Pages 13-29]
-
Kianian, Majid
Comparative Study on Dramatic Ending Strategies
In Past Decades Plays of Iran* [Volume 20, Issue 1, 2015, Pages 57-66]
-
Kimiavi, Yasaman
Natural structure of reed cane and its effects on performance of woodwind reed instruments [Volume 23, Issue 2, 2018, Pages 35-40]
-
Kimiavi, Yasaman
Multiphonic notation systems for the oboe;
A practical and corrective approach [Volume 24, Issue 3, 2019, Pages 59-72]
-
Kimiavi, Yasaman
Influence of Inner game of music on mental skills in performance
A case study of senior undergraduate students of classical music performance at the University of Tehran [Volume 27, Issue 2, 2022, Pages 27-35]
-
Koopal, Ataollah
Ridicule of War in Works of Aristophanes
(The World’s Oldest Comic Playwright) [Volume 19, Issue 2, 2014, Pages 43-70]
-
Koopal, Ataollah
Production of Pictorial and Conceptual metaphors according to the theatrical mise en scene/ A case study of the Eighth Journey of Sindbad written by Bahrām Beyzai [Volume 26, Issue 4, 2021, Pages 5-16]
-
Koopal, Ataollah
The role of description in the speech of "anonymous characters"
In the Greek tragedies [Volume 27, Issue 2, 2022, Pages 5-16]
-
Koopal, Ataollah
The impact of methods and technics of representing reality on the production of truth in documentary theater by examining the works of Anna Deaver Smith [Volume 29, Issue 1, 2024, Pages 29-40]
-
Koppal, Ataollah
Reflection of Kierkegaard's "Knight of Faith" in Henrik Ibsen's "Brand" [Volume 26, Issue 2, 2021, Pages 5-12]
-
Kordmafi, Saeid
An approach to theoretical concept of “JOMOU’ E NAGHESE”
In Systematist treatises [Volume 3, Issue 2, 2012, Pages 47-54]
L
-
Langroudi, Ahmad
Failure of Animation Mass Production in Iran:
a Production-Management Approach in the Decade 1380-1390 [Volume 17, Issue 2, 2013, Pages 61-68]
-
Lazgee, Habib Allah
Dramatic Elements in Children Theatre from the view Point of Dramatherapy [Volume 3, Issue 42, 2012, Pages 71-79]
-
Lazgee, Habibollah
The Educational Values of Children`s Theatre [Volume 2, Issue 40, 2011, Pages 65-72]
M
-
Mafakher, Farshad
An Analysis of Slow-pace’s Mental Structure in Architecture and Cinema from Jacques Lacan’s Point of View* [Volume 18, Issue 1, 2014, Pages 33-44]
-
Mahmoodi Bakhtiari, Behrooz
The Genealogy of Clown in the Iranian traditional Theatre [Volume 19, Issue 1, 2014, Pages 47-58]
-
Mahmoodi Bakhtiari, Behrooz
Development of Iranian Performance from a Diegetic World [Volume 21, Issue 2, 2016, Pages 15-24]
-
Mahmoodi-Bakhtiari, Behrooz
Women’s Gender Disguise in Four Comedies by Shakespeare and two stories of One Thousand and One Nights: A Comparative Study [Volume 3, Issue 2, 2012, Pages 55-64]
-
Mahmoodi-Bakhtiari, Behrooz
Analysis of Turn-Taking and Speech Acts in Slowly with Rose (Âheste Bâ Gol-e-Sorx) With Emphasis on Stylistics of Drama Studies [Volume 17, Issue 2, 2013, Pages 53-60]
-
Mahmoodi-Bakhtiari, Behrooz
The Role of New Schooling System of Reza Shah Era as a Bureaucratic Institution in the Legitimacy of the New Iranian Theatre [Volume 22, Issue 2, 2017, Pages 125-135]
-
Mahmoodi-Bakhtiari, Behrooz
Figurative reading of the play “Molly Sweeney” written by Brian Friel, based on The Holy Bible [Volume 25, Issue 3, 2021, Pages 45-52]
-
Mahmoodi-Bakhtiari, Behrooz
Comparative analysis of narrative temporal structure in the dramatic works of Bahram Beizai and Akbar Radi
(Research cases: the play Afra and the play Khanomche va Mahtabi) [(Articles in Press)]
-
Mahmoodi Bakhtiyari, Behrooz
The Concept of Violence in Discourse with a View at Michael Haneke’s Hidden Movie [Volume 25, Issue 1, 2020, Pages 5-14]
-
Mahmoudi, Fatemeh
Join of the Public Sphere and Conversation Rules
Through Looking at Three Plays of Esmaeel Khalaj [Volume 27, Issue 3, 2022, Pages 45-54]
-
Mahmoudi Bakhtiari, behrooz
The Function of “Memory” from the Perspective of "Stream of Consciousness":
A Study of the Play Khanomche va Mahtabi by Akbar Radi [Volume 27, Issue 3, 2022, Pages 37-44]
-
Mahmoudi Bakhtiari, Behrooz
THE MEANING OF PHILOSOPHICAL DIALOGUE IN RIG VEDA AND AVESTA [Volume 2, Issue 40, 2011, Pages 39-48]
-
Mahmoudi Bakhtiari, Behrouz
Masculine hegemony in a selection of Henrik Ibsen's plays [Volume 26, Issue 1, 2021, Pages 13-21]
-
Mahmoudi-Bakhtiari, Behrooz
Change of Power in Shakespeare's Plays; A Dramaturgy and Character Analysis Approach with Study of King Lear, Julius Caesar, and Macbeth [Volume 28, Issue 3, 2023, Pages 17-29]
-
Malek, Niloufar
Digital Spaces and Tradition of Creating Illusionistic Environments in Western Contemporary Theater Scenography [Volume 22, Issue 1, 2017, Pages 59-70]
-
Marasy, Mohsen
The Concept of Body in Performance Art Based on Gilles Deleuze's Theories [Volume 25, Issue 2, 2020, Pages 15-24]
-
Mash-hadi Farahani, Mahshid
The Study On Luts in Ancient Elamit figurine [Volume 24, Issue 2, 2019, Pages 17-24]
-
Masoudi, Shiva
The Search for Identity of Puppet by a Philosophical Approach [Volume 23, Issue 1, 2018, Pages 69-76]
-
Massoudi, Shiva
The Genealogy of Clown in the Iranian traditional Theatre [Volume 19, Issue 1, 2014, Pages 47-58]
-
Massoudi, Shiva
The visualization of Faucoult's Docile bodies conception in Puppet ( with case studeies of Marionette Opera) [Volume 25, Issue 4, 2021, Pages 41-47]
-
Masudnia, Navid
The Role of Mascots' Characters of the Advertisement Animation Films in the Food Industry Branding [Volume 24, Issue 1, 2019, Pages 37-48]
-
Mazaherian, Hamed
Audience Embodiment in the Haptical Film Space [Volume 19, Issue 2, 2014, Pages 53-64]
-
Mazaherian, Hamed
Interactive Communication between Cinematic Spaces and Urban Space [Volume 20, Issue 2, 2016, Pages 49-60]
-
Mazaherian, Hamed
Expansion of the Spatial Perceptions of the Audience Through Empathic
Relationship with Filmic Bodies [Volume 23, Issue 3, 2018, Pages 49-58]
-
Mazaheri Tehrani, Mehrangiz
Western and Iranian Major Forms of Comedy: A Comparative Research [Volume 2, Issue 40, 2011, Pages 73-84]
-
Mehralizade, Parisa
Comparative Analysis of Robab’s intervals with the Zarlinian Scale [Volume 27, Issue 3, 2022, Pages 27-36]
-
Meisami, Sayid Hossein
An analysis over a narrative sample in the history of Iranian music
(Case study: Execution of Amiranshah court′s music masters and the escape of Abdul Qader Maraghi) [Volume 25, Issue 4, 2021, Pages 49-54]
-
Meisami, Seyed Hossein
Triple Sudud in the works of Maraqi and his son Abdulaziz [Volume 24, Issue 1, 2019, Pages 49-58]
-
Meisami, Seyed Hossein
Music and Sheikh Safi al-Dind Ardebili during the Ilkhani era in Safavata al-Safa [Volume 25, Issue 1, 2020, Pages 25-32]
-
Meysami, Sayid Hossein
Music in Ghaznavid Period [Volume 21, Issue 2, 2016, Pages 63-68]
-
Meysami, Seyyed Hossein
An Approach to Harmonizing Based on the Structure of Intervals in the Dāstgah Segāh [Volume 22, Issue 2, 2017, Pages 115-123]
-
Mirjaberi, Zahra
Cinema Aesthetic View Point of Plato and Aristotle [Volume 23, Issue 1, 2018, Pages 57-68]
-
Mirzaei kootenaei, Mohammad
Acculturation and its Impact on the Changes of Techniques, Structure, and Repertoire of Narmey Ney in Contemporary Period [Volume 27, Issue 4, 2022, Pages 57-65]
-
Mirzahosseini, Somayeh
Phenomenological Approach to Perception of Audience in Puppet Theater [Volume 22, Issue 2, 2017, Pages 147-154]
-
Moeini, Vahid
Space and Location Designing in Traditional-Religious Shows of Iran; A Proposed study [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 23-34]
-
Moghbeli, Anahita
An analysis and transcription of a song-text notated in a fusion notation method (Abjadic-metric) by Mehdi-Gholi Hedāyat (Mokhber-al Saltaneh), considering the suggested intervals of Montazam-al Hokamā' [Volume 26, Issue 1, 2021, Pages 5-12]
-
Mohammadi, Ebrahim
Pivotal themes in ethnomusicology of Iranian kurds [Volume 2, Issue 40, 2011, Pages 27-38]
-
Mohammadi, Ebrahim
A Post Modernistic Study of Myth on “The Death of Yazdgerd [Volume 18, Issue 1, 2014, Pages 69-77]
-
Mohammadi, Ebrahim
The Representation of Mythical Aspects of Fairy in Cinema Based on HypertextualiteTheory: A Case Study of Ab-Pariya TV Series [Volume 25, Issue 2, 2020, Pages 37-44]
-
Mohammadi, Ebrahim
An Intertextual Interpretation of Mythology in the Top Three Plays of Children and Adolescent Theater Festivals [Volume 27, Issue 1, 2022, Pages 51-60]
-
Mohammadi, Jamal
Narrative Analysis of Fantasy and Ideology in the Movie Aghaye- Halu [Volume 3, Issue 42, 2012, Pages 5-16]
-
Mohammadian, Mahmood
Strategies to Promote the Iranian International Film Market [Volume 3, Issue 43, 2012, Pages 33-40]
-
Mohammadian, Mahmood
Influential Factors on Consumer Behavior in Music Procurement [Volume 21, Issue 1, 2016, Pages 77-84]
-
Mohandespour, Farhad
The Problematic concept of "Tashabboh" and why "Ta'zieh" has been named "Shabih-Khani" [Volume 2, Issue 39, 2011, Pages 45-54]
-
Mohebbi, Parastoo
Development of Iranian Performance from a Diegetic World [Volume 21, Issue 2, 2016, Pages 15-24]
-
Mohebbi, Parastoo
An Analytical Study of Narrative Therapy in Brian Friel's Narrative Plays [Volume 27, Issue 1, 2022, Pages 39-50]
-
Mohemmi kahou, Marjan
The Effects of Camera Movement as an "Incarnation of human" in the Movie 'Childeren of Men". [Volume 26, Issue 1, 2021, Pages 35-43]
-
Mohtadi, Fatemeh
The Xenophobia Phenomenon Reflected in Shakespeare’s “The Merchant of Venice” [Volume 21, Issue 1, 2016, Pages 15-24]
-
Mokhtabad, Mostafa
The Educational Values of Children`s Theatre [Volume 2, Issue 40, 2011, Pages 65-72]
-
Mokhtabad, Mostafa
Comparative Study on Dramatic Ending Strategies
In Past Decades Plays of Iran* [Volume 20, Issue 1, 2015, Pages 57-66]
-
Mokhtabad, Mostafa
An Intercultural Analysis of Iranian Dramatic Translations of in Last Two Decades (Case studies : The Mares’ Dance and Based on The Duchess of Malfi) [Volume 27, Issue 1, 2022, Pages 27-38]
-
Mokhtabad Ameree, Mostafa
A Comparative Reading of Bakhtinian Polyphonic Effects in Drama of “Safar-e Dour…”(Mohammad Charmshir) and Novel of “Asfar-e-Kateban ”(Aboutorab Khosravi) [Volume 3, Issue 2, 2012, Pages 13-24]
-
Mokhtabad Amrei, Mostafa
An Analysis of Slow-pace’s Mental Structure in Architecture and Cinema from Jacques Lacan’s Point of View* [Volume 18, Issue 1, 2014, Pages 33-44]
-
Mokhtabad Amrei, Seyed Mostafa
Study on the sacred meaning of natural light in architectural spaces of two films: Winter Light and Pari [Volume 3, Issue 42, 2012, Pages 59-71]
-
Mokhtari, Mehdi
Improvisation in Iranian Classical Music based on Transcendental Phenomenology [Volume 23, Issue 4, 2018, Pages 67-74]
-
Mokhtari, Mehdi
Uses and functions of the sonic -musical phenomenon of sellers singing
in the big market of Rasht [Volume 27, Issue 4, 2022, Pages 5-16]
-
Monfaredi, Shima
Dramatic Elements in Children Theatre from the view Point of Dramatherapy [Volume 3, Issue 42, 2012, Pages 71-79]
-
Moradkhani, ali
A Comparative Study of the Theory of Film Realism and Jean Baudrillard’s Hyperreality [Volume 25, Issue 4, 2021, Pages 17-23]
-
Moradkhani, ali
Reflection of Kierkegaard's "Knight of Faith" in Henrik Ibsen's "Brand" [Volume 26, Issue 2, 2021, Pages 5-12]
-
Moridi, Mohammadreza
The Political and Social Functions of the Jahel (Loti, Lumpen, or Kolah Makhmali) in the Iranian Cinema of the Second Pahlavi Era (1950s to 1980s) [Volume 28, Issue 2, 2023, Pages 39-49]
-
Mosalla, Mahsa
Identifies Film Value Chain and its Impact on Sales Growth [Volume 20, Issue 2, 2016, Pages 17-26]
-
Mosavi, Seyed Reza
The sources and origins of motion creation in Gardzienice Theater [Volume 25, Issue 2, 2020, Pages 67-76]
-
Mostashregh, Mohammad Jafar
A Comparative Study of Aristotelian Syllogism with Beginning Sequence of Five Classical Hollywood Films [Volume 20, Issue 1, 2015, Pages 67-76]
-
Motamedi, Mansour
A Glance at the Development of the Function of Music in Jewish Religious Life [Volume 23, Issue 1, 2018, Pages 47-55]
-
Mousavi, Saeedeh Sadat
Representing Religious Contents in Animation Through the Study of the Practiced Methods in Japanese Works [Volume 23, Issue 1, 2018, Pages 1-12]
-
Mousavi, Seyyed Yahia
Polymeric Composites as Alternatives for Wood for Producing Music Instruments [Volume 2, Issue 41, 2011, Pages 5-12]
-
Mousavilar, Ashraf
Western and Iranian Major Forms of Comedy: A Comparative Research [Volume 2, Issue 40, 2011, Pages 73-84]
-
Mousavi Paknahad, Morteza
Analysis of Theatrical metaphor and Stage Contracts in Absurdist Theater Performances; A Case Study of 'Krapp's Last Tape' and 'Endgame' Performances [Volume 29, Issue 1, 2024, Pages 7-16]
-
Movahed, Azin
Aesthetic Considerations in Performing the Works of Wolfgang Amadeus Mozart, the Case of the Concerto for Flute and Orchestra in D Major K.314 [Volume 18, Issue 18, 2014, Pages 31-40]
-
Movahed, Azin
Aural Parameters in the Pedagogy of Flute Performance [Volume 21, Issue 2, 2016, Pages 53-62]
-
Movahed, Azin
Toward a Practical Model for Interpretation in the Performance of Western Classical Music [Volume 25, Issue 2, 2020, Pages 25-36]
-
Movahhed, Azin
The Function of the Respiratory System in Playing the Ney: Suggestions for Tone Development [Volume 2, Issue 40, 2011, Pages 17-26]
N
-
Nadalian, Ahmad
The Concept of Body in Performance Art Based on Gilles Deleuze's Theories [Volume 25, Issue 2, 2020, Pages 15-24]
-
Naghashzadeh, Masoud
Designing a Model for Film Production Risk Management [Volume 24, Issue 2, 2019, Pages 33-42]
-
Naghashzadeh, Masoud
An Analysis of the Modes of Allusion and Parody:
Intertextual Relationships Between Painting and Pedro Almodóvar's Films Based on the Theories of Gérard Genette and Linda Hutcheon [Volume 28, Issue 3, 2023, Pages 45-56]
-
Najafi Siahroudi, Mahdi
An investigation of the effective factors on cinema avoidance: an analysis on different customer clusters [Volume 19, Issue 1, 2014, Pages 59-70]
-
Namaki, Erfan
Music Theses Topics and Methodologies by Graduate Students of Classical Music Performance in Iran's Governmental Universities from 2009-2019 [Volume 27, Issue 1, 2022, Pages 17-26]
-
Namvar Motlagh, Bahman
“Shirin” in The Persian Contemporary Mythical Discourse
(And her Representation in Dramatic Arts) [Volume 3, Issue 43, 2012, Pages 15-22]
-
Naserbakht, Leila
Aesthetic Analysis of the Representation of Memory Images in the Film
The Pear Tree Based on Neo-formalist Approach [Volume 29, Issue 1, 2024, Pages 57-69]
-
Nazer, Erfan
The Rule of Law Versus Tragic Action in Aeschylus Tragedies [Volume 20, Issue 2, 2016, Pages 5-16]
-
Nazeri, Afsaneh
An Analysis of the Modes of Allusion and Parody:
Intertextual Relationships Between Painting and Pedro Almodóvar's Films Based on the Theories of Gérard Genette and Linda Hutcheon [Volume 28, Issue 3, 2023, Pages 45-56]
-
Nazerzadeh Kermani, Farhad
Western and Iranian Major Forms of Comedy: A Comparative Research [Volume 2, Issue 40, 2011, Pages 73-84]
-
Nazerzadeh Kermani, Farhad
The Reflection of Nationalism in Dramatic Literature of First Pahlavi [Volume 3, Issue 42, 2012, Pages 27-36]
-
Nedaei, Amir Hassan
Dramatic Elements in The Storytelling with Picture (Pardeh-khani) as a Multimedia Art [Volume 2, Issue 41, 2011, Pages 71-78]
-
Nedaei, Amir Hassan
Strategies to Promote the Iranian International Film Market [Volume 3, Issue 43, 2012, Pages 33-40]
-
Nedaei, Amir Hassan
Failure of Animation Mass Production in Iran:
a Production-Management Approach in the Decade 1380-1390 [Volume 17, Issue 2, 2013, Pages 61-68]
-
Nedaei, Amir Hassan
Investigating the Narrative Characteristics of Postmodern Novels in Movies (Case study: "Inception", Christopher Nolan, 2010) [Volume 25, Issue 3, 2021, Pages 53-64]
-
Nedaei, Amir Hassan
The Emotional and Symbolic Role of Color in Corpse Bride 2005 [Volume 28, Issue 4, 2024, Pages 77-87]
-
Nedai, Amir Hasan
Social Functions of Samurai Film Genre from Ideologic and Ritual-Mythologic approach [Volume 24, Issue 4, 2020, Pages 43-54]
-
Nekouei, Pouya
A Conceptual History of Maktab-e- Esfahan:
Identity - making Discourses in Contemporary History of Iranian Classical Music
in the City of Esfahan [Volume 26, Issue 3, 2021, Pages 13-24]
-
Nikjoo, Mehdi
A survey on Qina in singing based on Iranian musical articles (comparing “non-illegality of Qina in essence” theory with the content of Iranian song) [Volume 2, Issue 39, 2011, Pages 87-95]
-
Nosrati, Rafiq
A Study in the Distinction of Mirzadeh Eshghi Nationalism from the Dominant Nationalist Discourse of His Time [Volume 27, Issue 2, 2022, Pages 59-68]
-
Nourani, Mohsen
Arnold Schoenberg, Serenade, Dodecaphonic, Sonnet, Retrograde. [Volume 20, Issue 2, 2016, Pages 27-34]
-
Nourani, Mohsen
A Study on the Role of Grünewald and his Works on the Opera and Symphony of Matthias the Painter by Hindemith [Volume 22, Issue 1, 2017, Pages 5-14]
-
Nourani, Mohsen
An Analysis of Literary and Philosophical Origins in Wagner’s Operas [Volume 23, Issue 1, 2018, Pages 25-34]
-
Nourani, Mohsen
The Influence of Gustav Mahler on the Composers of the Second Viennese School [Volume 23, Issue 4, 2018, Pages 5-16]
P
-
Pakbaz, Mehrdad
Retracing the Origin of Two Pieces from the Old Arab School for “Oud” [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 5-14]
-
Pakbaz, Mehrdad
The Influences of Mannheim School on Mozart’s Piano Sonatas K. 309 and K. 311 [Volume 22, Issue 1, 2017, Pages 71-80]
-
Pakbaz, Mehrdad
The extent of achieving the goals of the author in the method of teaching guitar to Iranian children [Volume 24, Issue 4, 2020, Pages 25-32]
-
Parsa, Mehrdad
Being, Time and Cinema
A Study of the Philosophy of Henri Bergson on Gilles Deleuze's Philosophy of Cinema [Volume 21, Issue 1, 2016, Pages 35-50]
-
Parsaei, Mansoor
Religious Theatre: A Research on Contemporizing Form and Content [Volume 3, Issue 42, 2012, Pages 37-45]
-
Piravi Vanak, Marzieh
Audience Embodiment in the Haptical Film Space [Volume 19, Issue 2, 2014, Pages 53-64]
-
Piravi Vanak, Marzieh
Interactive Communication between Cinematic Spaces and Urban Space [Volume 20, Issue 2, 2016, Pages 49-60]
-
Piravi Vanak, Marzieh
Expansion of the Spatial Perceptions of the Audience Through Empathic
Relationship with Filmic Bodies [Volume 23, Issue 3, 2018, Pages 49-58]
-
Pirayeshfar, Amir Soheil
Polymeric Composites as Alternatives for Wood for Producing Music Instruments [Volume 2, Issue 41, 2011, Pages 5-12]
-
Pishva, Azin
Physical and Functional Changes in the Interior Design of "Home" and the Effect of Functional Changes on People’s Interactions through the Analysis of 15 Selected Iranian Films from the 60s to 90s [Volume 28, Issue 1, 2023, Pages 13-29]
-
Pour Elm, Mehrdad
Realism in Film: A Critical Survey on Gregory Currie's Theory of Likeness [Volume 18, Issue 18, 2014, Pages 21-30]
-
Pourgharib, Masoud
Cultural Bases of Acceptability/ Unacceptability of Anglo-American Popular Music in Iran [Volume 28, Issue 4, 2024, Pages 5-17]
-
Pourkasmaei, Pouya
The Concept of Body in Performance Art Based on Gilles Deleuze's Theories [Volume 25, Issue 2, 2020, Pages 15-24]
-
Pour Mohammad Ali Ghanavati, Farzane
THE MEANING OF PHILOSOPHICAL DIALOGUE IN RIG VEDA AND AVESTA [Volume 2, Issue 40, 2011, Pages 39-48]
-
Pour Rezaeean, Mehdi
The Analysis of Dramatic Aspects of Quran’s Stories, Emphasizing on Suspense and Character Development [Volume 3, Issue 2, 2012, Pages 25-34]
-
Pourrezaeian, Mehdi
Shahnameh And The Filmic Aspects Its [Volume 2, Issue 40, 2011, Pages 85-97]
-
Pourrezaeyan, Mehdi
The Role of Dynamic Interactive Teaching in Learning of Animation Screenwriting [Volume 2, Issue 41, 2011, Pages 13-22]
-
Pourtahmasi, Kambiz
A Comparative Study between the Traditional Ratings and Real Acoustical Properties of Walnut Wood (Juglans regia) used in Santur Making* [Volume 18, Issue 1, 2014, Pages 23-32]
-
Pouyamanesh, Mahtab
The impact of methods and technics of representing reality on the production of truth in documentary theater by examining the works of Anna Deaver Smith [Volume 29, Issue 1, 2024, Pages 29-40]
-
PouyaManesh, Mahtab
mockumentary cinema ontology; Presenting a new approach in film analysis, based on the ideas of Alain Badiou
(A case study of four prominent films in world cinema) [Volume 28, Issue 2, 2023, Pages 27-37]
-
Pouyania, Ashkan
Arnold Schoenberg, Serenade, Dodecaphonic, Sonnet, Retrograde. [Volume 20, Issue 2, 2016, Pages 27-34]
R
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Radmehr, Pezhman
An analysis and definition of "?q?? " and "Vazn" (meter) with an observation of the treatises of the 3rd to 9th AH centuries [Volume 2, Issue 39, 2011, Pages 55-60]
-
Rahbar, Ilnaz
Musical Instruments of the Safavid Period according to Kaempfer and Chardin [Volume 2, Issue 41, 2011, Pages 23-32]
-
Rahbar, Ilnaz
Iranian Music Iconography; Interpretation and Explanation Deficiencies, Methodologies and Suggestions [Volume 24, Issue 1, 2019, Pages 25-36]
-
Rahbar, Ilnaz
A Comparative Study of Chordophones in Safavid and Gurkani Illustrations [Volume 25, Issue 1, 2020, Pages 51-62]
-
Rahbar, Ilnaz
The representation of female musicians in Qajar paintings [Volume 26, Issue 4, 2021, Pages 63-72]
-
Raissi, Poya
Designing a Model for Film Production Risk Management [Volume 24, Issue 2, 2019, Pages 33-42]
-
Raissi, Sadigh
Designing a Model for Film Production Risk Management [Volume 24, Issue 2, 2019, Pages 33-42]
-
Rajabi, Mohammad Reza
Form and Semiotics: Juxtaposition and Superimposition of Temporal Semiotic Units in Franco Donatoni’s Cadeau [Volume 28, Issue 2, 2023, Pages 15-26]
-
Rajabi, Vahid
An Analysis of the Modes of Allusion and Parody:
Intertextual Relationships Between Painting and Pedro Almodóvar's Films Based on the Theories of Gérard Genette and Linda Hutcheon [Volume 28, Issue 3, 2023, Pages 45-56]
-
Rajabzadeh Tahmasebi, Ali
Historiographical Meta Fiction in Bahram Beizaie “Trilateral Reading of Azhdehak” [Volume 21, Issue 1, 2016, Pages 25-33]
-
Rangraz, Saboureh
The role of description in the speech of "anonymous characters"
In the Greek tragedies [Volume 27, Issue 2, 2022, Pages 5-16]
-
Rashidi, Sadeq
The elimination of place borders in puppet Theatre considering with Schechner views and it's role in improving relationships between performative elements. [Volume 24, Issue 2, 2019, Pages 57-66]
-
Rayani-Makhsous, Mehrdad
The quality of Robert Lapage's influence as a director from the audience / Spectator in shaping the mise-en-scène [Volume 26, Issue 1, 2021, Pages 45-57]
-
Reza Afshar, Hamid
An Introduction to the Economy of Theater in Iran [Volume 18, Issue 18, 2014, Pages 13-20]
-
Reza Afshar, Hamid
Analysis of the Visual Structure of Farhadi’s Films
(With analysis of About Eli, A separation and The past) [Volume 23, Issue 4, 2018, Pages 37-46]
-
Rezaee Dorji, farnoosh
The Relationship between Tragedy and Evil in Two Plays – Oedipus Rex and Macbeth [Volume 27, Issue 4, 2022, Pages 37-45]
-
Riahi, Hassan
Kantian Genius and Beethoven [Volume 19, Issue 2, 2014, Pages 25-30]
-
Rooien, Ghasem
Implementing the Qualitative Content Analysis in Character-oriented Films (focusing on Freud's opinions and Hitchcock's selected films) [(Articles in Press)]
-
Rooyin, Ali
Liminality in Hajj's Rituals
(The Comparative Analysis of Hajj's Rituals and Features of Expedition Theater) [Volume 23, Issue 4, 2018, Pages 47-56]
-
Roshandel, Ramin
The Analysis of form and Harmony in Neynava [Volume 18, Issue 1, 2014, Pages 15-22]
-
Rouhani, Ali
Study of concept of time in Wong kar-wai٬s cinema base on the Gilles Deleuze٬s theories [Volume 26, Issue 1, 2021, Pages 59-68]
-
Royayi, Talayeh
Deconstructive approaches to the concepts ofhistory,legend ,death and place in the movie “Green Fire”by Mohammad Reza Aslani [Volume 23, Issue 3, 2018, Pages 37-48]
S
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Sadeghian, Hamid
Illustration of the Main Female Characters in the Threshold Position: Selected Animations of Disney (2012-2021) [Volume 29, Issue 1, 2024, Pages 41-55]
-
Saebi, Mahdi
New Korean Cinema:
Global influences upon it and its effects on world cinema [Volume 3, Issue 2, 2012, Pages 65-70]
-
Saeedzadeh, Bahareh
A Cognitive Approach to Unreliable Narratives in Cinema [Volume 20, Issue 1, 2015, Pages 15-26]
-
Safaei, Sadegh
Val Sal Va Mechanism and its Impact on Performer’s Speech [Volume 18, Issue 18, 2014, Pages 5-12]
-
Safaie, Sadegh
Shelly and Artaud's Narration of The Checi [Volume 23, Issue 3, 2018, Pages 25-36]
-
Safari, Masoud
Figurative reading of the play “Molly Sweeney” written by Brian Friel, based on The Holy Bible [Volume 25, Issue 3, 2021, Pages 45-52]
-
Safi, Hossein
Environmental Design and Space Design Management in Animation,
Educational &Analytical Approach [Volume 2, Issue 41, 2011, Pages 43-50]
-
Safoora, Mohammad Ali
Environmental Design and Space Design Management in Animation,
Educational &Analytical Approach [Volume 2, Issue 41, 2011, Pages 43-50]
-
Safoora, Mohammad Ali
Failure of Animation Mass Production in Iran:
a Production-Management Approach in the Decade 1380-1390 [Volume 17, Issue 2, 2013, Pages 61-68]
-
Safoora, Mohammad Ali
Structural studies of TV Animation and exposure method for Animation content analysis [Volume 19, Issue 1, 2014, Pages 71-82]
-
Safoora, Mohammad Ali
Social Functions of Samurai Film Genre from Ideologic and Ritual-Mythologic approach [Volume 24, Issue 4, 2020, Pages 43-54]
-
Safoora, Mohammad Ali
mockumentary cinema ontology; Presenting a new approach in film analysis, based on the ideas of Alain Badiou
(A case study of four prominent films in world cinema) [Volume 28, Issue 2, 2023, Pages 27-37]
-
Sahabi, Siavash
Study the effect of dissonance factors on changings of notes and Structure of Gushehs in Dastgah-e Mahoor. [Volume 25, Issue 3, 2021, Pages 25-34]
-
Salavatian, Siavash
Studying the Influence of Gender on Gaze Point of Cinema Viewers with Eye Tracker Headset: The Case of Separation Movie [Volume 24, Issue 4, 2020, Pages 77-86]
-
Salim Alaqeband, Basir
Social Functions of Samurai Film Genre from Ideologic and Ritual-Mythologic approach [Volume 24, Issue 4, 2020, Pages 43-54]
-
Sami, Sepideh
The Concept of Violence in Discourse with a View at Michael Haneke’s Hidden Movie [Volume 25, Issue 1, 2020, Pages 5-14]
-
Samim, Reza
A Critical View to the some Researches on the Popular Music in Iran [Volume 18, Issue 18, 2014, Pages 41-48]
-
Samini, Naghmeh
Play and Its Importance in Theatre [Volume 18, Issue 1, 2014, Pages 45-54]
-
Sanayei, Sina
The Modal Arrangement of the Dastgāh and its Effect on the Representation of Modal
Entities and the Possibility of Expanding the Repertoire; Case Study: Mokhālef-E Segāh –
Bayāt-E Isfahān-E Qadim & Nayshābūrk-E Māhūr [Volume 27, Issue 3, 2022, Pages 5-16]
-
Sanayei, Sina
Analyzing the Potential and Actual Feasibility of Modal Fusion in the Development of the Repertoire of Iranian Classical Music: (Case study: “Dād-o Bidād” and Dastgāh-e Shūr with Its Related Modes in Radif of Abdullāh Davāmi) [Volume 28, Issue 1, 2023, Pages 69-77]
-
Sanipour, Hamid
An Analysis of the Idea of Space Creation in Josef Svoboda’s Stage Design* [Volume 18, Issue 1, 2014, Pages 55-68]
-
Sarsangi, Majid
Pedagogic theatre: a comparative study [Volume 2, Issue 39, 2011, Pages 79-86]
-
Sarsangi, Majid
Religious Theatre: A Research on Contemporizing Form and Content [Volume 3, Issue 42, 2012, Pages 37-45]
-
Sarsangi, Majid
History of Making Papier-Mâché and Paper Figures in Iranian Culture range based on written references [Volume 22, Issue 1, 2017, Pages 51-58]
-
Sayyad, Alireza
Audience Embodiment in the Haptical Film Space [Volume 19, Issue 2, 2014, Pages 53-64]
-
Sayyad, Alireza
Interactive Communication between Cinematic Spaces and Urban Space [Volume 20, Issue 2, 2016, Pages 49-60]
-
Sayyad, Alireza
Expansion of the Spatial Perceptions of the Audience Through Empathic
Relationship with Filmic Bodies [Volume 23, Issue 3, 2018, Pages 49-58]
-
Sayyad, Alireza
The Aesthetics of Bordem and Blasé Attitude in Cinema Based on Thoughts of George Simmel and Walter Benjamin: A Case Study of Gavkhooni (The River's End) [Volume 25, Issue 3, 2021, Pages 5-14]
-
Sayyad, Alireza
Once Upon a Time, Cinema (1991) as representation of the experience of corporeal spectatorship and the dissolving of the boundary between spectator and cinematic spectacle [Volume 26, Issue 3, 2021, Pages 55-63]
-
Sayyad, Alireza
Cinema as a Seductive Technology in the Iranian Film Nare Toofan (“Toofan’s Bellow”, 1969) [Volume 28, Issue 3, 2023, Pages 5-14]
-
Sayyad, Alireza
Aesthetic Analysis of the Representation of Memory Images in the Film
The Pear Tree Based on Neo-formalist Approach [Volume 29, Issue 1, 2024, Pages 57-69]
-
Se Golpayegani, Aida
A Comparative Study between the Traditional Ratings and Real Acoustical Properties of Walnut Wood (Juglans regia) used in Santur Making* [Volume 18, Issue 1, 2014, Pages 23-32]
-
Sekhavatdoust, Noushin
Reflecting the Phenomenological Approach to Place Based on Martin Heidegger's Thought in the Cinema of Yasujirō Ozu (Case Study: Tokyo Story) [Volume 28, Issue 3, 2023, Pages 31-44]
-
Sepehran, Kamran
‘Existential Tragedy’ in Lord Byron’s ‘Manfred’ [Volume 24, Issue 3, 2019, Pages 27-36]
-
Sepehran, Kamran
Analysis on Suspending Representation in Samuel Beckett’s Later Drama and Gertrude Stein’s Landscape Theatre as a Prehistory of Post-Dramatic Theatre View on Text [Volume 28, Issue 1, 2023, Pages 5-13]
-
Sepehran, Kamran
Join of the Public Sphere and Conversation Rules
Through Looking at Three Plays of Esmaeel Khalaj [Volume 27, Issue 3, 2022, Pages 45-54]
-
Sepehran, Kamran
A new-historicism reading of the play "Fereshteh-ye Tarikh" by Mohammad Rezaee Rad; Fascism, an exceptional situation or a rule [(Articles in Press)]
-
Seraji, Sepehr
Recognition of Central features as characteristic elements in Iranian classical music [Volume 25, Issue 2, 2020, Pages 57-66]
-
Seraji, Sepehr
Classification of Iranian Classical Music Repertoire Based on Discourses of Identity [Volume 26, Issue 4, 2021, Pages 41-51]
-
Seraji, Sepehr
Introduction and Study of the Ghat’e
A Contemporary Genre in Iranian Classical Music Composition: A Case Study Chakâd by Parviz Meshkatian [Volume 27, Issue 3, 2022, Pages 17-26]
-
Seyyedin, Yashar
A Study of Pedaling in Piano Performance with a Review of Pedagogy in Iranian Academic Education [Volume 22, Issue 1, 2017, Pages 15-22]
-
S Golpayegani, Seyed Alireza
An Analysis of Clarissa Pinkola Estés Theory of ‘the Underground Forest Consciousness’’
The case of Hayao Miyazaki’s Howl's Moving Castle (2005) [Volume 25, Issue 1, 2020, Pages 71-81]
-
S Golpayegani, Seyed Alireza
A Comparative Study of Christopher Vogler's Heroic Travel Pattern in Miyazaki and Disney Renaissance Animations
A Case Study of The little Mermaid, The beauty and the beast- My Neighbor Totoro and The Spirited away [Volume 27, Issue 3, 2022, Pages 55-63]
-
Shafiee, Esmaeel
Teaching Critical Thinking Skills and Iranian Puppet Theatre Characters [Volume 19, Issue 2, 2014, Pages 41-52]
-
Shafiee, Esmaeel
Study on Theoretical and Intellectual Bases of Staniewski Theatre [Volume 20, Issue 2, 2016, Pages 61-72]
-
Shafiee, Esmaeel
Digital Spaces and Tradition of Creating Illusionistic Environments in Western Contemporary Theater Scenography [Volume 22, Issue 1, 2017, Pages 59-70]
-
Shafiee, Esmaeel
The sources and origins of motion creation in Gardzienice Theater [Volume 25, Issue 2, 2020, Pages 67-76]
-
Shahba, Mohammad
On the Structure of Tele Theatre in Iranian Television [Volume 2, Issue 40, 2011, Pages 49-64]
-
Shahba, Mohammad
Semantic Implications of Mise-en-scene in the Iranian Art Cinema [Volume 3, Issue 2, 2012, Pages 35-46]
-
Shahba, Mohammad
History, Adaptation, and Appropriation in Cinema [Volume 17, Issue 2, 2013, Pages 15-24]
-
Shahba, Mohammad
Realism in Film: A Critical Survey on Gregory Currie's Theory of Likeness [Volume 18, Issue 18, 2014, Pages 21-30]
-
Shahba, Mohammad
A Cognitive Approach to Unreliable Narratives in Cinema [Volume 20, Issue 1, 2015, Pages 15-26]
-
Shahba, Mohammad
Non-narrative Elements in Narrative Film
(Case Studies: Late Spring and Chungking Express) [Volume 22, Issue 1, 2017, Pages 41-50]
-
Shahba, Mohammad
Cosmopolitan Idea in Documentary Trilogy Qatsi [Volume 26, Issue 4, 2021, Pages 53-61]
-
Shahbazi, Gholam Reza
History, Adaptation, and Appropriation in Cinema [Volume 17, Issue 2, 2013, Pages 15-24]
-
Shahegh, Hossein
Non-narrative Elements in Narrative Film
(Case Studies: Late Spring and Chungking Express) [Volume 22, Issue 1, 2017, Pages 41-50]
-
Shahroodi, Fateme
Analysis of the representation of ood player in the Images of Sasani to Safavi* [Volume 18, Issue 18, 2014, Pages 49-56]
-
Shahvaroughi Farahani, Mojtaba
The Political and Social Functions of the Jahel (Loti, Lumpen, or Kolah Makhmali) in the Iranian Cinema of the Second Pahlavi Era (1950s to 1980s) [Volume 28, Issue 2, 2023, Pages 39-49]
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Shairi, Hamid Reza
Comparative analysis of narrative temporal structure in the dramatic works of Bahram Beizai and Akbar Radi
(Research cases: the play Afra and the play Khanomche va Mahtabi) [(Articles in Press)]
-
Shamshirian, Vahid
Relationship between Aesthetics of Image and Ecological Awareness among Theorists of Ecocinema [Volume 25, Issue 3, 2021, Pages 15-24]
-
Sharayeli, Mohammadreza
Evaluation of the Ratio of Pulses of 6/8 Time Signature in Rengs of Dastgah Music of Iran (1906-1978) [Volume 26, Issue 2, 2021, Pages 47-54]
-
Sharifi Soosari, Seyedeh Zahra
A Comparative Study between the Traditional Ratings and Real Acoustical Properties of Walnut Wood (Juglans regia) used in Santur Making* [Volume 18, Issue 1, 2014, Pages 23-32]
-
Sharifzadeh, Mohammad Reza
Non-narrative Elements in Narrative Film
(Case Studies: Late Spring and Chungking Express) [Volume 22, Issue 1, 2017, Pages 41-50]
-
Shayanmehr, Raziyeh
A Drama Belonging to Other: Exploration of Patriarchy through a Feminist Reading in three Plays by Bahram Beyzai [Volume 24, Issue 3, 2019, Pages 47-58]
-
Shayanseresht, Akbar
An Intertextual Interpretation of Mythology in the Top Three Plays of Children and Adolescent Theater Festivals [Volume 27, Issue 1, 2022, Pages 51-60]
-
Shayesteh, Hossein
Influences of Islamic Mysticism on Form and Content in Music [Volume 19, Issue 1, 2014, Pages 5-16]
-
Sheikhmehdi, Ali
The Impact of Modern Narrative on The Iranian New Wave Cinema [Volume 17, Issue 2, 2013, Pages 25-34]
-
Sheikhmehdi, Ali
Dialogism in the Movie of the Brick and Mirror (Khesht va Ayeneh) (1965) by Ebrahim Golestan [Volume 22, Issue 2, 2017, Pages 137-145]
-
Sheikh Mehdi, Ali
The Platonic and Aristotelian Forms of Philosophy of Film [Volume 3, Issue 2, 2012, Pages 5-12]
-
Sheikholhokamaei, TAHER
Nakhl-bandi; an example of scenic design in Iranian culture [Volume 24, Issue 4, 2020, Pages 67-76]
-
Sheikholhokamaei, Zahra
Nakhl-bandi; an example of scenic design in Iranian culture [Volume 24, Issue 4, 2020, Pages 67-76]
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SHELECHI, MOHAMMAD
A Segue into The Principles of Performing Beethoven’s Pieces Through a Study of His Lived Experience (A Case Study of Appassionata No. 23 In F Minor, Op. 57) [Volume 27, Issue 1, 2022, Pages 5-15]
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Shenassa, Roham
An Analysis of Compositional Techniques in Wolfgang Rihm’s Dionysus Opera [Volume 22, Issue 2, 2017, Pages 155-167]
-
Sheykhi, Farhad
Propounding draw backs on attraction theory in musical sounds [Volume 3, Issue 42, 2012, Pages 47-58]
-
Sheykhi, Farhad
Comparative Analysis of Robab’s intervals with the Zarlinian Scale [Volume 27, Issue 3, 2022, Pages 27-36]
-
Sheykhi, Farshad
Propounding draw backs on attraction theory in musical sounds [Volume 3, Issue 42, 2012, Pages 47-58]
-
Sheykhi, Farshad
Comparative Analysis of Robab’s intervals with the Zarlinian Scale [Volume 27, Issue 3, 2022, Pages 27-36]
-
Shikholhokamaei, Zahra
History of Making Papier-Mâché and Paper Figures in Iranian Culture range based on written references [Volume 22, Issue 1, 2017, Pages 51-58]
-
Shiri, Tahmures
Internationalization of Iranian Films and Cinema to Gain a Share of Regional and International Markets [Volume 26, Issue 1, 2021, Pages 23-33]
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Shirvani Saadatabadi, Zahra
Change of Power in Shakespeare's Plays; A Dramaturgy and Character Analysis Approach with Study of King Lear, Julius Caesar, and Macbeth [Volume 28, Issue 3, 2023, Pages 17-29]
-
Siavashi, Salman
growth of the level of believability in 3D computer animations focusing on the emotion transfer through the face of a character [Volume 25, Issue 4, 2021, Pages 5-16]
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Sina, Khosro
A Comparative Reading of Identity Morphology in Plays by Two Generations of Iranian and Non-Iranian Playwrights (Akbar Radi and August Wilson, Mohammad Charmshir and Shelagh Stephenson) [Volume 27, Issue 4, 2022, Pages 25-34]
-
Smaini, Naghme
The Genealogy of Clown in the Iranian traditional Theatre [Volume 19, Issue 1, 2014, Pages 47-58]
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Sojoodi, Farzan
The Reflection of Hegel’s Thought in Sophocles’ Antigun [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 47-54]
-
Sojoodi, Farzan
A Comparative Study of the Theory of Film Realism and Jean Baudrillard’s Hyperreality [Volume 25, Issue 4, 2021, Pages 17-23]
-
Sojoudi, Farzan
Continuity and Discontinuity of cultural in before constitution theater of Iran.
Study of “Zaman Khan’s Rule” written by Mirza Agha Tabrizi. [Volume 20, Issue 1, 2015, Pages 27-40]
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Soleimannejad, Farhad
Political Temperance and Rational Contrivance in the Oresteia Trilogy by Aeschylus: Reflecting on the Problem of Areopagus [Volume 21, Issue 2, 2016, Pages 41-52]
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Soltani, Seied Hasan
The Evolution of the Representation of the Female Champion: Disney Animated Cinema from Snow White and the Seven Dwarfs to Zootopia [Volume 26, Issue 4, 2021, Pages 17-27]
-
Soltani-Sarvestani, Mohammad-Mehdi
Stylized reality in contemporary realistic theatre [Volume 2, Issue 39, 2011, Pages 69-77]
-
Sotoudeh, Milad
Aestheticism of Framing and Deframing in Iranian Cinema 2001-2011 [Volume 21, Issue 2, 2016, Pages 5-14]
-
Sotoudeh, Sajad
Aestheticism of Framing and Deframing in Iranian Cinema 2001-2011 [Volume 21, Issue 2, 2016, Pages 5-14]
-
Sotoudeh, Sajad
Development of Visual Expression in Dialogic Moments of Iranian Cinema over the Period 2001-2011 [Volume 22, Issue 2, 2017, Pages 103-114]
-
Sotoudeh, Sajad
The Aesthetics of Bordem and Blasé Attitude in Cinema Based on Thoughts of George Simmel and Walter Benjamin: A Case Study of Gavkhooni (The River's End) [Volume 25, Issue 3, 2021, Pages 5-14]
T
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Tabarsa, Mohammad
Semantic Implications of Mise-en-scene in the Iranian Art Cinema [Volume 3, Issue 2, 2012, Pages 35-46]
-
Tabatabaiie Jebeli, Zohreh
Rooting the Function of Musical Instruments in Mourning Rituals based on the Iconographic Interpretation of the Painting Mourning for Iskandar [Volume 28, Issue 4, 2024, Pages 63-75]
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Tabesh, Alireza
Internationalization of Iranian Films and Cinema to Gain a Share of Regional and International Markets [Volume 26, Issue 1, 2021, Pages 23-33]
-
Tafazzoli, Mohammadreza
The Influence of Gustav Mahler on the Composers of the Second Viennese School [Volume 23, Issue 4, 2018, Pages 5-16]
-
Tafazzoli, Mohammad Reza
An Introduction to Intervallic Organization and Dodecaphonic Approach in Shostakovich's Music [Volume 22, Issue 1, 2017, Pages 35-40]
-
Tafazzoli, Mohammad Reza
Form, Genre, and Harmony of Toccata Composed By Hormoz Farhat [Volume 23, Issue 2, 2018, Pages 61-72]
-
Tafazzoli, Mohammad Reza
An Introduction to Hannaneh’s Harmonic Approach (Even Harmony)
The Case Study: Omaggio a Ferdowci [Volume 25, Issue 2, 2020, Pages 5-13]
-
Taheri, Sadreddin
"Dance, Play, Drama"
A survey of dramatic actions in pre-Islamic artifacts of Iran [Volume 3, Issue 43, 2012, Pages 41-49]
-
Tavallaei, Arya
The Origins of the Urban Music of Guilan; The Birth of an Invented Tradition [Volume 28, Issue 3, 2023, Pages 67-77]
-
Tohidi, Sepideh
Considering Fundamental Characteristics of Tech-noir Cinema [Volume 20, Issue 2, 2016, Pages 83-92]
-
Tonkaboni, Seyyed Mohammad
A study of Behzad Ranjbaran's "Seven Passages" with focus on elements of cohesion and diversity [Volume 24, Issue 3, 2019, Pages 13-26]
-
Torki Baghbaderani, Fatemeh
Quest for Cultural Identity in August Wilson's Joe Turner’s Come and Gone: A Sociological Approach [Volume 27, Issue 2, 2022, Pages 49-57]
V
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VafaDari, Yadollah
The Educational Values of Children`s Theatre [Volume 2, Issue 40, 2011, Pages 65-72]
-
Vafamehr, Talieh
The Semiotic Manifestation of “Mono No Aware” Concept in
Japanese Animations with a Focus on:
To the Forest of Firefly Lights and Wolf Children [Volume 28, Issue 4, 2024, Pages 35-48]
Y
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Yazdi, Narges
Carnivalesque in Romeo and Juliet [Volume 3, Issue 43, 2012, Pages 51-57]
-
Yazdi, Narges
Teaching Critical Thinking Skills and Iranian Puppet Theatre Characters [Volume 19, Issue 2, 2014, Pages 41-52]
-
Yeganeh Dost, Mohammad Reza
Studying the Influence of Gender on Gaze Point of Cinema Viewers with Eye Tracker Headset: The Case of Separation Movie [Volume 24, Issue 4, 2020, Pages 77-86]
-
Yousefian, Mohammad Jafar
Aestheticism of Framing and Deframing in Iranian Cinema 2001-2011 [Volume 21, Issue 2, 2016, Pages 5-14]
-
Yousefian Kenari, Mohammad Jafar
A Comparative Reading of Bakhtinian Polyphonic Effects in Drama of “Safar-e Dour…”(Mohammad Charmshir) and Novel of “Asfar-e-Kateban ”(Aboutorab Khosravi) [Volume 3, Issue 2, 2012, Pages 13-24]
-
Yousefian Kenari, Mohammad Jafar
Comparative Study on Dramatic Ending Strategies
In Past Decades Plays of Iran* [Volume 20, Issue 1, 2015, Pages 57-66]
-
Yousefian Kenari, Mohammad Jafar
Development of Visual Expression in Dialogic Moments of Iranian Cinema over the Period 2001-2011 [Volume 22, Issue 2, 2017, Pages 103-114]
-
Yousefian Kenari, Mohammad Jafar
An Intercultural Analysis of Iranian Dramatic Translations of in Last Two Decades (Case studies : The Mares’ Dance and Based on The Duchess of Malfi) [Volume 27, Issue 1, 2022, Pages 27-38]
-
Yousefian Kenari, Mohammad Jafar
Cinematic reality and the relationship between idea and aesthetic form in Jacques Rancière's thought
Case study: The wind will Carry us [Volume 28, Issue 2, 2023, Pages 51-59]
Z
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Zabeti Jahromi, Ahmad
The effect of film editing technologies on editing aesthetics: with emphasizing on digital film editing technology. [Volume 23, Issue 2, 2018, Pages 5-14]
-
Zahedi, Farindokht
The Impact of Zoroastrian Mythology on Ibsen's Plays Through Nietzsche’s Thus spoke Zarathustra [Volume 2, Issue 39, 2011, Pages 61-68]
-
Zahedi, Farindokht
The Rule of Law Versus Tragic Action in Aeschylus Tragedies [Volume 20, Issue 2, 2016, Pages 5-16]
-
Zahedi, Farindokht
The Role of New Schooling System of Reza Shah Era as a Bureaucratic Institution in the Legitimacy of the New Iranian Theatre [Volume 22, Issue 2, 2017, Pages 125-135]
-
Zahedi, Farindokht
Dramatic Arts and Neuroscience: Evaluating the Artist-Audience Connection by Scientific Tools [Volume 23, Issue 2, 2018, Pages 49-60]
-
Zahedi, Farrindokht
An Analytical Study of Narrative Therapy in Brian Friel's Narrative Plays [Volume 27, Issue 1, 2022, Pages 39-50]
-
Zaker Jafari, Narges
Tones Impact on Musical Instruments Life
Case Study : Ilkhanid and Timurid Periods [Volume 3, Issue 43, 2012, Pages 59-69]
-
Zaker Jafari, Narges
European Musical Instruments in Safavid Period of Iran [Volume 18, Issue 18, 2014, Pages 66-57]
-
Zaker Jafari, Narges
The Role of Music in Wars and Different Kinds of Martial Musical Instruments in Islamic Era of Iran Regarding Miniature Paintings [Volume 21, Issue 1, 2016, Pages 65-76]
-
Zaker Jafari, Narges
Improvisation in Iranian Classical Music based on Transcendental Phenomenology [Volume 23, Issue 4, 2018, Pages 67-74]
-
Zaker Jafari, Narges
History of Music ensemble and instrumental accompaniment
in the Islamic era of Iran until the Qajar [Volume 24, Issue 2, 2019, Pages 5-16]
-
Zaker Jafari, Narges
Multiple Functions of Karna in Religious Rituals and Mourning in Eastern Guilan, mourning [Volume 25, Issue 2, 2020, Pages 45-57]
-
Zaker Jafari, Narges
Uses and functions of the sonic -musical phenomenon of sellers singing
in the big market of Rasht [Volume 27, Issue 4, 2022, Pages 5-16]
-
Zamani, Mohsen
The Reflection of Nationalism in Dramatic Literature of First Pahlavi [Volume 3, Issue 42, 2012, Pages 27-36]
-
Zavieh, Saeed
The Comparative Study of Zār Ceremony in Iran and Sudan [Volume 3, Issue 42, 2012, Pages 17-26]
-
Ziabakhsh, Neda
Study on the sacred meaning of natural light in architectural spaces of two films: Winter Light and Pari [Volume 3, Issue 42, 2012, Pages 59-71]
-
Zinalabedini, payam
Cinema, a Fluid Dualist Continuum [Volume 27, Issue 4, 2022, Pages 47-54]
-
Zinalabedini, payam
The Use of Children’s Drawings in Structure, Character
and Concept Design of Animation
(A case study: Farshid Shafiei’s and Mahdiyar’s selected art works) [Volume 28, Issue 4, 2024, Pages 19-33]
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