Author Index

A

  • Abbasi, Mahsa The effect of Audience Participation on performance text in Game-Theatre [Volume 27, Issue 1, 2022, Pages 61-69]
  • Adel, Shahabeddin Considering Fundamental Characteristics of Tech-noir Cinema [Volume 20, Issue 2, 2016, Pages 83-92]
  • Adel, Shahabeddin Revising the analogy between the cinema screen and Lacanian Mirror with regards to the nature of the cinematic image [Volume 25, Issue 4, 2021, Pages 25-32]
  • Adel, Shahabeddin Phenomenological Study of “House” in Cinema; Case Study: The Movie Chess of the Wind [Volume 28, Issue 1, 2023, Pages 43-55]
  • Adel, Shahabeddin Reflecting the Phenomenological Approach to Place Based on Martin Heidegger's Thought in the Cinema of Yasujirō Ozu (Case Study: Tokyo Story) [Volume 28, Issue 3, 2023, Pages 31-44]
  • Adibi, Mehdi Narrative Analysis of Fantasy and Ideology in the Movie Aghaye- Halu [Volume 3, Issue 42, 2012, Pages 5-16]
  • Afhami, Reza The Platonic and Aristotelian Forms of Philosophy of Film [Volume 3, Issue 2, 2012, Pages 5-12]
  • Afhami, Reza The Origins of the Formation of Graphic Notation in John Cage’s Works [Volume 23, Issue 4, 2018, Pages 17-28]
  • Afrooz, Gholam Ali An Analysis of Slow-pace’s Mental Structure in Architecture and Cinema from Jacques Lacan’s Point of View* [Volume 18, Issue 1, 2014, Pages 33-44]
  • Afshar, Hamidreza A Comparative Study of Binaural and Surround Radio Drama’s Mise-en-scène and the Means of Converting One to Another with Technical Approach [Volume 23, Issue 1, 2018, Pages 35-46]
  • Afshar, Maryam A Post Modernistic Study of Myth on “The Death of Yazdgerd [Volume 18, Issue 1, 2014, Pages 69-77]
  • Afshar Mohajer, Kamran Structural studies of TV Animation and exposure method for Animation content analysis [Volume 19, Issue 1, 2014, Pages 71-82]
  • Aghababaee, Ehsan Narrative Analysis of Fantasy and Ideology in the Movie Aghaye- Halu [Volume 3, Issue 42, 2012, Pages 5-16]
  • Aghababaii, Ehsan Iranian Cinema Representing the Intellectual Challenges of Middle Class Society “1980’s and the Semiotics of Hamoon” [Volume 2, Issue 39, 2011, Pages 5-12]
  • Aghagolzade, Ferdos Dramatization of Radio Shows and the Capacities of Language and Gender [Volume 23, Issue 4, 2018, Pages 57-66]
  • Aghamohseni, Keivan Construction and Representation of Ethnic Identity in Football Songs: A Case Study of the Chants of Tabriz Tractor Team Fans [Volume 28, Issue 1, 2023, Pages 57-68]
  • Aghazadeh Masrour, Siavash Play and Its Importance in Theatre [Volume 18, Issue 1, 2014, Pages 45-54]
  • Ahmadi, Mahsa Influential Factors on Consumer Behavior in Music Procurement [Volume 21, Issue 1, 2016, Pages 77-84]
  • Ahmadi, Seyed Badreddin Environmental Design and Space Design Management in Animation, Educational &Analytical Approach [Volume 2, Issue 41, 2011, Pages 43-50]
  • Ahmadian, Nahid Local Color from Marg dar Paeez (Death in Autumn) to Fen Parallelism in Regional Dramas of Akbar Radi and Caryl Churchill [Volume 21, Issue 2, 2016, Pages 33-40]
  • Ahmadi Zavieh, Seyed Saeed Representing Religious Contents in Animation Through the Study of the Practiced Methods in Japanese Works [Volume 23, Issue 1, 2018, Pages 1-12]
  • Akbari, Majid The Role of Observation in Contemporary Art: Luhmann’s Views on the Possibility and Necessity of Observation in the Absence of Form in Visual Arts, Performing Arts and Music [Volume 20, Issue 2, 2016, Pages 73-82]
  • Akbari, Mehrdad Analysis of "Alienation" in Paul Thomas Anderson's Cinema with focus on Jacques Lacan’s Ideas [(Articles in Press)]
  • Akrami, Musa Kantian Genius and Beethoven [Volume 19, Issue 2, 2014, Pages 25-30]
  • Alasti, Ahmad ODESSA STEPS AND MUSIC: A READING INTO “STRUCTURAL UNITY” [Volume 2, Issue 40, 2011, Pages 5-16]
  • Alasti, Ahmad A Comparative Study of Aristotelian Syllogism with Beginning Sequence of Five Classical Hollywood Films [Volume 20, Issue 1, 2015, Pages 67-76]
  • Alasti, Ahmad Aestheticism of Framing and Deframing in Iranian Cinema 2001-2011 [Volume 21, Issue 2, 2016, Pages 5-14]
  • Alasti, Ahmad Development of Visual Expression in Dialogic Moments of Iranian Cinema over the Period 2001-2011 [Volume 22, Issue 2, 2017, Pages 103-114]
  • Alasti, Ahmad The Concept of Violence in Discourse with a View at Michael Haneke’s Hidden Movie [Volume 25, Issue 1, 2020, Pages 5-14]
  • Alavi, Sayyed Moslem An investigation of the effective factors on cinema avoidance: an analysis on different customer clusters [Volume 19, Issue 1, 2014, Pages 59-70]
  • Alborzi, fariba Phenomenological Study of “House” in Cinema; Case Study: The Movie Chess of the Wind [Volume 28, Issue 1, 2023, Pages 43-55]
  • Alborzi, Fariba Reflecting the Phenomenological Approach to Place Based on Martin Heidegger's Thought in the Cinema of Yasujirō Ozu (Case Study: Tokyo Story) [Volume 28, Issue 3, 2023, Pages 31-44]
  • Alemi, Akbar The Role of Dynamic Interactive Teaching in Learning of Animation Screenwriting [Volume 2, Issue 41, 2011, Pages 13-22]
  • Alia, Alaa The evolution of Mawwal and its late history in the Syrian vocal Nūbāt [Volume 28, Issue 2, 2023, Pages 5-14]
  • Alimohammadi, Javad The function of the black and white color in costume designing, based on Roland Barthes Semiotic theory (Case Study: Anna Karenina, My fair lady) [Volume 24, Issue 3, 2019, Pages 73-80]
  • Alinejad, Raha The role of the " Prague Quadrennial " ( PQ ) art event in explaining the contemporary stage design [Volume 24, Issue 4, 2020, Pages 55-66]
  • Alirezaei, Ehsan A Comparative Study of the Theory of Film Realism and Jean Baudrillard’s Hyperreality [Volume 25, Issue 4, 2021, Pages 17-23]
  • Aliyari, Fereidoun Designing a Method of Scenography with Concentration on Unconsciousness Happening Stage Designing [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 55-62]
  • Amani, Majid The First Lautensuite by J.S.Bach; It’s Four Transcription for the Classical Guitar [Volume 18, Issue 1, 2014, Pages 5-14]
  • Amini, Amirhossein Phenomenological Study of “House” in Cinema; Case Study: The Movie Chess of the Wind [Volume 28, Issue 1, 2023, Pages 43-55]
  • Amini, Amirhossein Reflecting the Phenomenological Approach to Place Based on Martin Heidegger's Thought in the Cinema of Yasujirō Ozu (Case Study: Tokyo Story) [Volume 28, Issue 3, 2023, Pages 31-44]
  • Amini, Rahmat Pedagogic theatre: a comparative study [Volume 2, Issue 39, 2011, Pages 79-86]
  • Amini, Rahmat Space and Location Designing in Traditional-Religious Shows of Iran; A Proposed study [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 23-34]
  • Amini, Rahmat The Xenophobia Phenomenon Reflected in Shakespeare’s “The Merchant of Venice” [Volume 21, Issue 1, 2016, Pages 15-24]
  • Aminsharifi, Amirhasan Take a look at the Capacities of Musical Composition in the Baseet Form, Based on Its Definitions in the Treatises of the Montazamiyeh School [Volume 26, Issue 2, 2021, Pages 55-65]
  • Aminsharifi, Amirhasan Extracting the Potential Capacities of Musical Composition by Relying on the Formal Structure of Two Tasnifs Recorded by Abd al-Qadir Maraghi [Volume 26, Issue 4, 2021, Pages 29-40]
  • Amir Shahkarami, ‌Bahador Study of the Effect of the Capacity of Halls of the Tehran Theater Complex on the Change of Their Income from 2009 to 2017, Based on the Theories of William Baumol [Volume 26, Issue 2, 2021, Pages 25-34]
  • Amir Shahkarami, Sayed Najmedin The Emotional and Symbolic Role of Color in Corpse Bride 2005 [Volume 28, Issue 4, 2024, Pages 77-87]
  • Andalib, Sarah Dramatic Arts and Neuroscience: Evaluating the Artist-Audience Connection by Scientific Tools [Volume 23, Issue 2, 2018, Pages 49-60]
  • Andalibi, Mohammad Amin Production of Pictorial and Conceptual metaphors according to the theatrical mise en scene/ A case study of the Eighth Journey of Sindbad written by Bahrām Beyzai [Volume 26, Issue 4, 2021, Pages 5-16]
  • Arakelian, Evita Influence of Inner game of music on mental skills in performance A case study of senior undergraduate students of classical music performance at the University of Tehran [Volume 27, Issue 2, 2022, Pages 27-35]
  • Aramfar, Homayun Form, Genre, and Harmony of Toccata Composed By Hormoz Farhat [Volume 23, Issue 2, 2018, Pages 61-72]
  • Aref, Mohammad Finding out Iranian 1500-years animation thought at Tagh bostan of Kermanshah, [Volume 23, Issue 2, 2018, Pages 15-22]
  • Asaadi, Hooman Contemporary Theories of Tuning Systems in Iranian Classical Music: a Comparative Study [Volume 27, Issue 2, 2022, Pages 37-48]
  • Asadi, Hooman Musical Instruments of the Safavid Period according to Kaempfer and Chardin [Volume 2, Issue 41, 2011, Pages 23-32]
  • Asadi, Hooman Nonsense Syllables (Tarannom) In Iranian Vocal Music* Case Study: Darâmad-e Dastgâh-e Châhârgâh [Volume 3, Issue 43, 2012, Pages 23-32]
  • Asadi, Hooman A Conceptual History of Maktab-e- Esfahan: Identity - making Discourses in Contemporary History of Iranian Classical Music in the City of Esfahan [Volume 26, Issue 3, 2021, Pages 13-24]
  • Asadi, Hooman An analysis and transcription of a song-text notated in a fusion notation method (Abjadic-metric) by Mehdi-Gholi Hedāyat (Mokhber-al Saltaneh), considering the suggested intervals of Montazam-al Hokamā' [Volume 26, Issue 1, 2021, Pages 5-12]
  • Asadi, saied "Semiotics of dramatic characters name in the plays Death of a Salesman" [Volume 2, Issue 39, 2011, Pages 13-23]
  • Asadi Amjad, Fazel Quest for Cultural Identity in August Wilson's Joe Turner’s Come and Gone: A Sociological Approach [Volume 27, Issue 2, 2022, Pages 49-57]
  • Asa’di, Hooman “Seyir” in Persian Classical Music (Case Study: Darâmad-e Avâz-e bayâte- Esfahân) [Volume 22, Issue 2, 2017, Pages 81-91]
  • Asefi, Yahya Movement with the Beat of Music: Strategy to Control the Intensity and Increase Participation in Physical Activity [Volume 20, Issue 1, 2015, Pages 49-56]
  • Ashooghian, Rebecca Music Theses Topics and Methodologies by Graduate Students of Classical Music Performance in Iran's Governmental Universities from 2009-2019 [Volume 27, Issue 1, 2022, Pages 17-26]
  • Ashrafian, Marzieh The Search for Identity of Puppet by a Philosophical Approach [Volume 23, Issue 1, 2018, Pages 69-76]
  • Askari Rabori, Hamid Choral Arrangement of Iranian Folk Songs :The Evolution and New Approaches [Volume 19, Issue 1, 2014, Pages 25-36]
  • Askari Rabori, Hamid Iranian Choral Music: The challenges and obstacles [Volume 25, Issue 3, 2021, Pages 35-44]
  • Askari Rabori, Hamid Music Theses Topics and Methodologies by Graduate Students of Classical Music Performance in Iran's Governmental Universities from 2009-2019 [Volume 27, Issue 1, 2022, Pages 17-26]
  • Aslemarz, Mehdi The Comparative Study of Zār Ceremony in Iran and Sudan [Volume 3, Issue 42, 2012, Pages 17-26]
  • Assadi, Saied The Role of New Schooling System of Reza Shah Era as a Bureaucratic Institution in the Legitimacy of the New Iranian Theatre [Volume 22, Issue 2, 2017, Pages 125-135]
  • Ayatollahi, Ayatollahi The Role of Dynamic Interactive Teaching in Learning of Animation Screenwriting [Volume 2, Issue 41, 2011, Pages 13-22]
  • Ayatollahi, Habibolah The Analysis of Dramatic Aspects of Quran’s Stories, Emphasizing on Suspense and Character Development [Volume 3, Issue 2, 2012, Pages 25-34]
  • Azadehfar, Mohammad Reza Iranian Philosophical and theosophical views toward music and its acceptance by Youth Musicians* [Volume 19, Issue 1, 2014, Pages 17-24]
  • Azadehfar, Mohammad Reza Designing Music Tourism Packs [Volume 23, Issue 1, 2018, Pages 77-86]
  • Azarsa, Ahmad Studying the Influence of Gender on Gaze Point of Cinema Viewers with Eye Tracker Headset: The Case of Separation Movie [Volume 24, Issue 4, 2020, Pages 77-86]
  • Azhari Rad, Mehdi The Platonic and Aristotelian Forms of Philosophy of Film [Volume 3, Issue 2, 2012, Pages 5-12]
  • Azimpour Tabrizir, Poupak Phenomenological Approach to Perception of Audience in Puppet Theater [Volume 22, Issue 2, 2017, Pages 147-154]

B

  • Badrikoohi, Niloofar Comparative Analysis of Robab’s intervals with the Zarlinian Scale [Volume 27, Issue 3, 2022, Pages 27-36]
  • Bagheri Looyeh, Sepideh Local Color from Marg dar Paeez (Death in Autumn) to Fen Parallelism in Regional Dramas of Akbar Radi and Caryl Churchill [Volume 21, Issue 2, 2016, Pages 33-40]
  • Bahramian, Akram A Comparative Reading of Bakhtinian Polyphonic Effects in Drama of “Safar-e Dour…”(Mohammad Charmshir) and Novel of “Asfar-e-Kateban ”(Aboutorab Khosravi) [Volume 3, Issue 2, 2012, Pages 13-24]
  • Bahreman, Donya The Use of Children’s Drawings in Structure, Character and Concept Design of Animation (A case study: Farshid Shafiei’s and Mahdiyar’s selected art works) [Volume 28, Issue 4, 2024, Pages 19-33]
  • Bakhtiarian, Maryam The Role of Observation in Contemporary Art: Luhmann’s Views on the Possibility and Necessity of Observation in the Absence of Form in Visual Arts, Performing Arts and Music [Volume 20, Issue 2, 2016, Pages 73-82]
  • Bani Ardalan, Esmaiiel Laura Mulvey’s Still-Moving Dialectic on the Cinema of Abbas Kiarostami* [Volume 24, Issue 1, 2019, Pages 79-86]
  • Bani Assadi, Nasrin A Glance at the Development of the Function of Music in Jewish Religious Life [Volume 23, Issue 1, 2018, Pages 47-55]
  • Barahimi, Mansour Carnivalesque in Romeo and Juliet [Volume 3, Issue 43, 2012, Pages 51-57]
  • Barzi, Yekta With Specific Study of "Madar Sefr Darageh" TV Series based on Dr. Seyed Mohsen Habibi's Theory about Pahlavi I Dynasty Architecture [Volume 21, Issue 1, 2016, Pages 1-13]
  • Basiri, Aida Continuity and Discontinuity of cultural in before constitution theater of Iran. Study of “Zaman Khan’s Rule” written by Mirza Agha Tabrizi. [Volume 20, Issue 1, 2015, Pages 27-40]
  • Behbahani, Yassaman Rhythmic and Harmonic Analysis of the First and the Last Piece of Vingt Regardes Collection by Olivier Messeain [Volume 21, Issue 1, 2016, Pages 51-64]
  • Bemanian, Mohammad reza Recognizing Iranian Performative Places and Spaces in Persian Paintings [Volume 24, Issue 1, 2019, Pages 59-68]
  • Benvidi, Fatemeh The Reflection of Hegel’s Thought in Sophocles’ Antigun [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 47-54]
  • Binayemotlagh, Said Cinema Aesthetic View Point of Plato and Aristotle [Volume 23, Issue 1, 2018, Pages 57-68]
  • BolandEghbal, Alireza Dramatic Signs in Draxt ? ?s?r?g “The Babylonian Tree” [Volume 2, Issue 39, 2011, Pages 33-44]
  • Booban, Negar A Study in Organology; Structure of Oud ( Barbat) in Sassanid, Ilkani-Teymoorid and Safavid era, Iran [Volume 23, Issue 3, 2018, Pages 77-85]
  • Boskabady, Moones Dramatic Elements in The Storytelling with Picture (Pardeh-khani) as a Multimedia Art [Volume 2, Issue 41, 2011, Pages 71-78]
  • Brémaud, Iris A Comparative Study between the Traditional Ratings and Real Acoustical Properties of Walnut Wood (Juglans regia) used in Santur Making* [Volume 18, Issue 1, 2014, Pages 23-32]

C

  • Chalesh, Maryam “Seyir” in Persian Classical Music (Case Study: Darâmad-e Avâz-e bayâte- Esfahân) [Volume 22, Issue 2, 2017, Pages 81-91]

D

  • Dadashi, Nooshin Western and Iranian Major Forms of Comedy: A Comparative Research [Volume 2, Issue 40, 2011, Pages 73-84]
  • Dadkhah Tehrani, maryam The Function of “Memory” from the Perspective of "Stream of Consciousness": A Study of the Play Khanomche va Mahtabi by Akbar Radi [Volume 27, Issue 3, 2022, Pages 37-44]
  • Dadkhah Tehrani, Maryam Analysis of Theatrical metaphor and Stage Contracts in Absurdist Theater Performances; A Case Study of 'Krapp's Last Tape' and 'Endgame' Performances [Volume 29, Issue 1, 2024, Pages 7-16]
  • Daemi Milani, Farzad An analysis and transcription of a song-text notated in a fusion notation method (Abjadic-metric) by Mehdi-Gholi Hedāyat (Mokhber-al Saltaneh), considering the suggested intervals of Montazam-al Hokamā' [Volume 26, Issue 1, 2021, Pages 5-12]
  • Danesh, Jaber An Analysis of the Idea of Space Creation in Josef Svoboda’s Stage Design* [Volume 18, Issue 1, 2014, Pages 55-68]
  • Dashtpeyma, Naser A Drama Belonging to Other: Exploration of Patriarchy through a Feminist Reading in three Plays by Bahram Beyzai [Volume 24, Issue 3, 2019, Pages 47-58]
  • Dehghan, Ali A Drama Belonging to Other: Exploration of Patriarchy through a Feminist Reading in three Plays by Bahram Beyzai [Volume 24, Issue 3, 2019, Pages 47-58]
  • Dehghanpour, Hamid Shahnameh And The Filmic Aspects Its [Volume 2, Issue 40, 2011, Pages 85-97]
  • Dehghanpour, Hamid Shadow Aesthetics in Film-Noir [Volume 17, Issue 2, 2013, Pages 35-52]
  • Dehghanpour, Hamid Identifies Film Value Chain and its Impact on Sales Growth [Volume 20, Issue 2, 2016, Pages 17-26]
  • Dehnad, Neda Music Therapy Dimensions in the Science of Ancient Iranian—Islamic Music Music Epistles from the 3rd to 13th Centuries A.H. [Volume 22, Issue 1, 2017, Pages 23-34]
  • Djoz Ramezani, Amirhossein A Study on the Role of Grünewald and his Works on the Opera and Symphony of Matthias the Painter by Hindemith [Volume 22, Issue 1, 2017, Pages 5-14]
  • Djoz Ramezani, Amirhossein The Influence of Gustav Mahler on the Composers of the Second Viennese School [Volume 23, Issue 4, 2018, Pages 5-16]
  • Dolatifard, Maryam A Study in Organology; Structure of Oud ( Barbat) in Sassanid, Ilkani-Teymoorid and Safavid era, Iran [Volume 23, Issue 3, 2018, Pages 77-85]
  • Dolati Fard, Mryam Analysis of the representation of ood player in the Images of Sasani to Safavi* [Volume 18, Issue 18, 2014, Pages 49-56]
  • Dorini, Fateme The Emotional and Symbolic Role of Color in Corpse Bride 2005 [Volume 28, Issue 4, 2024, Pages 77-87]
  • Doroudian, Maryam Recognizing Iranian Performative Places and Spaces in Persian Paintings [Volume 24, Issue 1, 2019, Pages 59-68]

E

  • Ebrahimi Yegane, Hasti The Influences of Mannheim School on Mozart’s Piano Sonatas K. 309 and K. 311 [Volume 22, Issue 1, 2017, Pages 71-80]
  • Einali, Atefeh An Approach to Harmonizing Based on the Structure of Intervals in the Dāstgah Segāh [Volume 22, Issue 2, 2017, Pages 115-123]
  • Elyasi, Atabak The Study of Tintinnabuli, and Additive/Subtractive Process in the Music of Arvo Pärt, and a Comparison to Repetitive Elements of Iranian Traditional Music [Volume 20, Issue 1, 2015, Pages 5-13]
  • Emami, Mohamad Study the effect of dissonance factors on changings of notes and Structure of Gushehs in Dastgah-e Mahoor. [Volume 25, Issue 3, 2021, Pages 25-34]
  • Emami, Mohammad The Function of the Respiratory System in Playing the Ney: Suggestions for Tone Development [Volume 2, Issue 40, 2011, Pages 17-26]
  • Esfandiary, Shahab Laura Mulvey’s Still-Moving Dialectic on the Cinema of Abbas Kiarostami* [Volume 24, Issue 1, 2019, Pages 79-86]
  • Eskandari, Fatemeh Cosmopolitan Idea in Documentary Trilogy Qatsi [Volume 26, Issue 4, 2021, Pages 53-61]
  • Esmaeili, Ahmadreza An Analysis of Literary and Philosophical Origins in Wagner’s Operas [Volume 23, Issue 1, 2018, Pages 25-34]
  • Esmaeili, Ali Implementing the Qualitative Content Analysis in Character-oriented Films (focusing on Freud's opinions and Hitchcock's selected films) [(Articles in Press)]
  • Etemadsaeed, Mahdi Study on Theoretical and Intellectual Bases of Staniewski Theatre [Volume 20, Issue 2, 2016, Pages 61-72]
  • Ezzati, Mehrdad ‘Existential Tragedy’ in Lord Byron’s ‘Manfred’ [Volume 24, Issue 3, 2019, Pages 27-36]

F

  • Fahimifar, Ali Asghar Historiographical Meta Fiction in Bahram Beizaie “Trilateral Reading of Azhdehak” [Volume 21, Issue 1, 2016, Pages 25-33]
  • Fahmifar, Asghar The Process of Structural Transformation of John Cage’s Music (Case Study: Composition, Notation, Audience) [Volume 24, Issue 2, 2019, Pages 43-56]
  • Fakhr, Iman The Effectiveness of Rational-Emotional Group Training on Amateur Musicians’ Performance Anxiety [Volume 23, Issue 4, 2018, Pages 29-36]
  • Fakhr, Iman The correlation between amount of practice time and performance anxiety, and academic achievement among Western classical music performance students [Volume 24, Issue 2, 2019, Pages 25-32]
  • Fakhr, Iman Rhetorical Persuasion in the Music of J.S. Bach: A Case Study of the Prelude from Cello Suite No.3 in C-major BWV 1009 [Volume 24, Issue 4, 2020, Pages 5-16]
  • Fakhr, Iman An Introduction to Hannaneh’s Harmonic Approach (Even Harmony) The Case Study: Omaggio a Ferdowci [Volume 25, Issue 2, 2020, Pages 5-13]
  • Fakhr, Iman The Effect of Silence on Musician’s Pitch Discrimination Accuracy [Volume 25, Issue 4, 2021, Pages 33-40]
  • Fakhr, Iman Music Theses Topics and Methodologies by Graduate Students of Classical Music Performance in Iran's Governmental Universities from 2009-2019 [Volume 27, Issue 1, 2022, Pages 17-26]
  • Falahian Mehrjerdi, Elahe The Independent and Materialist Animation as Trauma, Studying the Works of Robert Breer [Volume 28, Issue 4, 2024, Pages 49-62]
  • Fallah, Hoda A Comparative Study of Binaural and Surround Radio Drama’s Mise-en-scène and the Means of Converting One to Another with Technical Approach [Volume 23, Issue 1, 2018, Pages 35-46]
  • Fami Tafreshi, Mohamad Ali An Intercultural Analysis of Iranian Dramatic Translations of in Last Two Decades (Case studies : The Mares’ Dance and Based on The Duchess of Malfi) [Volume 27, Issue 1, 2022, Pages 27-38]
  • Fanaeiyan, Tajbakhsh Figurative reading of the play “Molly Sweeney” written by Brian Friel, based on The Holy Bible [Volume 25, Issue 3, 2021, Pages 45-52]
  • Fanaian, Tajbakhsh Relationship Between the Social Duty and Moral Obligations and Self-Imposed Death* [Volume 19, Issue 2, 2014, Pages 31-40]
  • Fanaian, Tajbakhsh Production of Pictorial and Conceptual metaphors according to the theatrical mise en scene/ A case study of the Eighth Journey of Sindbad written by Bahrām Beyzai [Volume 26, Issue 4, 2021, Pages 5-16]
  • Farahani, Mahshid A Comparative Study of Two Musical Narratives Written by Ibn-e-Khardadbeh and Masoudi Evidence Proving the Existence of a Pahlavid Text on Music under the Sasanid [Volume 29, Issue 1, 2024, Pages 71-81]
  • Farbod, Farhang "Semiotics of dramatic characters name in the plays Death of a Salesman" [Volume 2, Issue 39, 2011, Pages 13-23]
  • Faregh, Effat An Intertextual Interpretation of Mythology in the Top Three Plays of Children and Adolescent Theater Festivals [Volume 27, Issue 1, 2022, Pages 51-60]
  • Farhangi, Ali Akbar Internationalization of Iranian Films and Cinema to Gain a Share of Regional and International Markets [Volume 26, Issue 1, 2021, Pages 23-33]
  • Farrokhi, Hossein The Analysis of Dramatic Aspects of Quran’s Stories, Emphasizing on Suspense and Character Development [Volume 3, Issue 2, 2012, Pages 25-34]
  • Farrokhnia, Rahim Pivotal themes in ethnomusicology of Iranian kurds [Volume 2, Issue 40, 2011, Pages 27-38]
  • Farzin, Pooyan A practical guide to Extempore Embellishments, based on Telemann Methodic sonatas [Volume 2, Issue 41, 2011, Pages 51-58]
  • Farzipuor, Hasan Relationship Between the Social Duty and Moral Obligations and Self-Imposed Death* [Volume 19, Issue 2, 2014, Pages 31-40]
  • Fatemi, Sasan Western Music in Iran at Qajar Era [Volume 19, Issue 2, 2014, Pages 5-16]
  • Fatemi, Sasan The Ghazal-khâni and Its Place in Iranian Musical Culture [Volume 21, Issue 2, 2016, Pages 69-76]
  • Fatemi, Sasan From the Wedding Festivity to the Music School: Master Apprentice System and Changes in the Methods of Transmission of Tradition in the Ashiq Poetic-musical Art [Volume 23, Issue 3, 2018, Pages 67-76]
  • Fatemi, Sasan The Evolution of Tradition of Baghshi in Turkmen-Sahra: ُA Special Case of Musical Change [Volume 24, Issue 3, 2019, Pages 37-46]
  • Fatemi, Sasan Evaluation of the Ratio of Pulses of 6/8 Time Signature in Rengs of Dastgah Music of Iran (1906-1978) [Volume 26, Issue 2, 2021, Pages 47-54]
  • Fatemi, Sasan Classification of Iranian Classical Music Repertoire Based on Discourses of Identity [Volume 26, Issue 4, 2021, Pages 41-51]
  • Fatemi, Sasan Âshiq in the Musical Culture of Qashqâyi Turks Investigating the Acculturation [Volume 27, Issue 4, 2022, Pages 17-24]
  • Fatemi, Sasan The evolution of Mawwal and its late history in the Syrian vocal Nūbāt [Volume 28, Issue 2, 2023, Pages 5-14]
  • Fatemi, Sasan Cultural Bases of Acceptability/ Unacceptability of Anglo-American Popular Music in Iran [Volume 28, Issue 4, 2024, Pages 5-17]
  • Fath Taheri, Ali Being, Time and Cinema A Study of the Philosophy of Henri Bergson on Gilles Deleuze's Philosophy of Cinema [Volume 21, Issue 1, 2016, Pages 35-50]
  • Foroutan Yekta, Payam Designing a Method of Scenography with Concentration on Unconsciousness Happening Stage Designing [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 55-62]
  • Foroutan Yekta, Payam With Specific Study of "Madar Sefr Darageh" TV Series based on Dr. Seyed Mohsen Habibi's Theory about Pahlavi I Dynasty Architecture [Volume 21, Issue 1, 2016, Pages 1-13]
  • Foroutan Yekta, Payam Aeschylus’ Role in Formation and Promotion of the Ancient Greek Scenic design From a Playwright to a Professional Scenographer [Volume 25, Issue 1, 2020, Pages 41-50]
  • Foroutan Yekta, Payam Hollywood Production Design Approach to the Arab World, Based on the JDL Fusion Model A Case Study of The Thief of Bagdad (1940) [(Articles in Press)]

G

  • Gaja, Ramon Musical Instruments of the Safavid Period according to Kaempfer and Chardin [Volume 2, Issue 41, 2011, Pages 23-32]
  • Ganjeh, Azadeh The effect of Audience Participation on performance text in Game-Theatre [Volume 27, Issue 1, 2022, Pages 61-69]
  • Ganjehei, masoomeh Revising the analogy between the cinema screen and Lacanian Mirror with regards to the nature of the cinematic image [Volume 25, Issue 4, 2021, Pages 25-32]
  • Ghaemi, Maryam A Comparative Study of Tar Making Templates in Iran [Volume 22, Issue 2, 2017, Pages 93-101]
  • Ghahramani, Mohammad Bagher The Genealogy of Clown in the Iranian traditional Theatre [Volume 19, Issue 1, 2014, Pages 47-58]
  • Ghahramani, Mohammad Bagher Audience Embodiment in the Haptical Film Space [Volume 19, Issue 2, 2014, Pages 53-64]
  • Ghahramani, Mohammad Bagher Interactive Communication between Cinematic Spaces and Urban Space [Volume 20, Issue 2, 2016, Pages 49-60]
  • Ghahramani, Mohammad Bagher Development of Iranian Performance from a Diegetic World [Volume 21, Issue 2, 2016, Pages 15-24]
  • Ghahramani, Mohammad Bagher Expansion of the Spatial Perceptions of the Audience Through Empathic Relationship with Filmic Bodies [Volume 23, Issue 3, 2018, Pages 49-58]
  • Ghahramani, Mohammad Bagher Once Upon a Time, Cinema (1991) as representation of the experience of corporeal spectatorship and the dissolving of the boundary between spectator and cinematic spectacle [Volume 26, Issue 3, 2021, Pages 55-63]
  • Ghahramani, Mohammad Bagher Cinema as a Seductive Technology in the Iranian Film Nare Toofan (“Toofan’s Bellow”, 1969) [Volume 28, Issue 3, 2023, Pages 5-14]
  • Ghahremani, Mohammad Bagher Phenomenological Approach to Perception of Audience in Puppet Theater [Volume 22, Issue 2, 2017, Pages 147-154]
  • Ghanbari, Hosein An Introduction to Intervallic Organization and Dodecaphonic Approach in Shostakovich's Music [Volume 22, Issue 1, 2017, Pages 35-40]
  • Ghanbari, Hosein Contemporary Theories of Tuning Systems in Iranian Classical Music: a Comparative Study [Volume 27, Issue 2, 2022, Pages 37-48]
  • Ghanbariahmadabad, Hosein An Introduction to Hannaneh’s Harmonic Approach (Even Harmony) The Case Study: Omaggio a Ferdowci [Volume 25, Issue 2, 2020, Pages 5-13]
  • Ghanbari Ahmadabad, Hosein Form, Genre, and Harmony of Toccata Composed By Hormoz Farhat [Volume 23, Issue 2, 2018, Pages 61-72]
  • Gharasou, Maryam Music Listening in the Ritual of Zar [Volume 24, Issue 2, 2019, Pages 67-76]
  • Gharasou, Maryam Multiple Functions of Karna in Religious Rituals and Mourning in Eastern Guilan, mourning [Volume 25, Issue 2, 2020, Pages 45-57]
  • Ghasemian Dastjerdi, parvaneh The function of the black and white color in costume designing, based on Roland Barthes Semiotic theory (Case Study: Anna Karenina, My fair lady) [Volume 24, Issue 3, 2019, Pages 73-80]
  • Ghobadi, Farzane A Study of Expressive Meta-Morph Technique in Representation of the Poetical Imagination [Volume 21, Issue 2, 2016, Pages 25-32]
  • Gholamali, Asadollah The Impact of Modern Narrative on The Iranian New Wave Cinema [Volume 17, Issue 2, 2013, Pages 25-34]
  • Gholamali, Asadollah Historiographical Meta Fiction in Bahram Beizaie “Trilateral Reading of Azhdehak” [Volume 21, Issue 1, 2016, Pages 25-33]
  • Gholamali, Assadollah Dialogism in the Movie of the Brick and Mirror (Khesht va Ayeneh) (1965) by Ebrahim Golestan [Volume 22, Issue 2, 2017, Pages 137-145]
  • Ghoulipour, Ali The Problematic concept of "Tashabboh" and why "Ta'zieh" has been named "Shabih-Khani" [Volume 2, Issue 39, 2011, Pages 45-54]
  • Gilabadi, Shahram A Comparative Study of Binaural and Surround Radio Drama’s Mise-en-scène and the Means of Converting One to Another with Technical Approach [Volume 23, Issue 1, 2018, Pages 35-46]
  • Giyahchi, Nabiallah Deconstructive approaches to the concepts ofhistory,legend ,death and place in the movie “Green Fire”by Mohammad Reza Aslani [Volume 23, Issue 3, 2018, Pages 37-48]
  • Giyahi, Yasaman Strategies to Promote the Iranian International Film Market [Volume 3, Issue 43, 2012, Pages 33-40]
  • Goharinasab, Arman The Evolution of Tradition of Baghshi in Turkmen-Sahra: ُA Special Case of Musical Change [Volume 24, Issue 3, 2019, Pages 37-46]
  • Goharpad, Maryam Comparative analysis of narrative temporal structure in the dramatic works of Bahram Beizai and Akbar Radi (Research cases: the play Afra and the play Khanomche va Mahtabi) [(Articles in Press)]
  • Golmohammadi, Mahmood On the Structure of Tele Theatre in Iranian Television [Volume 2, Issue 40, 2011, Pages 49-64]

H

  • Hadidi, Hamed The extent of achieving the goals of the author in the method of teaching guitar to Iranian children [Volume 24, Issue 4, 2020, Pages 25-32]
  • Hamed Saghaian, Mahdi Qualitative and Quantitative Evaluation of Productions of Sacred Defense Theatre in Iran (Concerning Activities of “the Revolution and Sacred Defense Theatre Association”) [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 35-44]
  • Hamed Saghaian, mehdi Study of the Effect of the Capacity of Halls of the Tehran Theater Complex on the Change of Their Income from 2009 to 2017, Based on the Theories of William Baumol [Volume 26, Issue 2, 2021, Pages 25-34]
  • Hanif, Mohammad Baroque and Religious Permutation in Hamlet by William Shakespeare [Volume 20, Issue 1, 2015, Pages 41-48]
  • Hanif, Mohsen Baroque and Religious Permutation in Hamlet by William Shakespeare [Volume 20, Issue 1, 2015, Pages 41-48]
  • Hasannia, Milad Role of Creative Drama in Education using Views of John Dewey [Volume 26, Issue 3, 2021, Pages 43-53]
  • Hasanzadeh, Shima Âshiq in the Musical Culture of Qashqâyi Turks Investigating the Acculturation [Volume 27, Issue 4, 2022, Pages 17-24]
  • Haselpour, Mahdi Qualitative and Quantitative Evaluation of Productions of Sacred Defense Theatre in Iran (Concerning Activities of “the Revolution and Sacred Defense Theatre Association”) [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 35-44]
  • Hashemi, Mohammad A Study in the Distinction of Mirzadeh Eshghi Nationalism from the Dominant Nationalist Discourse of His Time [Volume 27, Issue 2, 2022, Pages 59-68]
  • Hashemi, Seyed Mohsen New Korean Cinema: Global influences upon it and its effects on world cinema [Volume 3, Issue 2, 2012, Pages 65-70]
  • Heidarian Korouyeh, Mehdi Analyzing Song Scenes in Musical Films Based on Structuralist Narratology [Volume 23, Issue 1, 2018, Pages 13-23]
  • Hessami, Mansour An Analysis of Clarissa Pinkola Estés Theory of ‘the Underground Forest Consciousness’’ The case of Hayao Miyazaki’s Howl's Moving Castle (2005) [Volume 25, Issue 1, 2020, Pages 71-81]
  • Hessami, Mansour A Comparative Study of Christopher Vogler's Heroic Travel Pattern in Miyazaki and Disney Renaissance Animations A Case Study of The little Mermaid, The beauty and the beast- My Neighbor Totoro and The Spirited away [Volume 27, Issue 3, 2022, Pages 55-63]
  • Homazadeh, Mahdi Comparison Between Film and Traditional Arts; A Philosophical Critic on Traditionalism According to Hikmat-Motaalieh [Volume 24, Issue 4, 2020, Pages 17-24]
  • Honarmand, Amin Canon and Dodecaphony in the Music of Alfred Schnittke [Volume 3, Issue 43, 2012, Pages 5-13]
  • Honarmand, Amin Common-Third Triad Pairs in the Music of Alfred Schnittke [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 15-22]
  • Honarmand, Amin The Study of Tintinnabuli, and Additive/Subtractive Process in the Music of Arvo Pärt, and a Comparison to Repetitive Elements of Iranian Traditional Music [Volume 20, Issue 1, 2015, Pages 5-13]
  • Honarmand, Amin Rhythmic and Harmonic Analysis of the First and the Last Piece of Vingt Regardes Collection by Olivier Messeain [Volume 21, Issue 1, 2016, Pages 51-64]
  • Honarmand, Amin A study of Behzad Ranjbaran's "Seven Passages" with focus on elements of cohesion and diversity [Volume 24, Issue 3, 2019, Pages 13-26]
  • Honarmand, Amin The Effect of Silence on Musician’s Pitch Discrimination Accuracy [Volume 25, Issue 4, 2021, Pages 33-40]
  • Honarmand, Amin Contemporary Theories of Tuning Systems in Iranian Classical Music: a Comparative Study [Volume 27, Issue 2, 2022, Pages 37-48]
  • Honarmand, Amin Form and Semiotics: Juxtaposition and Superimposition of Temporal Semiotic Units in Franco Donatoni’s Cadeau [Volume 28, Issue 2, 2023, Pages 15-26]
  • Hosnaee, Mohammadreza Representing Religious Contents in Animation Through the Study of the Practiced Methods in Japanese Works [Volume 23, Issue 1, 2018, Pages 1-12]
  • Hosnaee, Mohammad Reza A Study of Expressive Meta-Morph Technique in Representation of the Poetical Imagination [Volume 21, Issue 2, 2016, Pages 25-32]
  • Hosnaee, Mohammad Reza The Role of Mascots' Characters of the Advertisement Animation Films in the Food Industry Branding [Volume 24, Issue 1, 2019, Pages 37-48]
  • Hosnaee, Mohammad Reza Interactive Storytelling: Study of Audience, Author and Narrative Contribution in VR Animations [Volume 24, Issue 4, 2020, Pages 33-42]
  • Hosnaee, Mohammad Reza growth of the level of believability in 3D computer animations focusing on the emotion transfer through the face of a character [Volume 25, Issue 4, 2021, Pages 5-16]
  • Hosnaee, Mohammad Reza The Evolution of Japanese Action Anime, from Tezuka to the Present in Visual Form [Volume 26, Issue 3, 2021, Pages 25-31]
  • Hosnayi, Mohammad Reza Computer Game’s Audience as the Audience of the Artistic Text Analysis and Study of the Encounter Situation of Computer Games as Artistic Works [Volume 17, Issue 2, 2013, Pages 69-77]
  • Hosseini, Rouhollah Internationalization of Iranian Films and Cinema to Gain a Share of Regional and International Markets [Volume 26, Issue 1, 2021, Pages 23-33]
  • Hosseini, Seyyedh Reihaneh Representation of disability in animated films as a symbol of identity disorder, focusing on the movie I Lost My Body [(Articles in Press)]
  • Hosseini, Seyyed Mostafa Analysis of Turn-Taking and Speech Acts in Slowly with Rose (Âheste Bâ Gol-e-Sorx) With Emphasis on Stylistics of Drama Studies [Volume 17, Issue 2, 2013, Pages 53-60]
  • Hosseini Shakib, Fatemeh Structural studies of TV Animation and exposure method for Animation content analysis [Volume 19, Issue 1, 2014, Pages 71-82]
  • Hosseini Shakib, Fatemeh Analyzing Song Scenes in Musical Films Based on Structuralist Narratology [Volume 23, Issue 1, 2018, Pages 13-23]
  • Hosseini Shakib, Fatemeh The Independent and Materialist Animation as Trauma, Studying the Works of Robert Breer [Volume 28, Issue 4, 2024, Pages 49-62]
  • Hosseini-Shakib, fatemeh An Analysis of Clarissa Pinkola Estés Theory of ‘the Underground Forest Consciousness’’ The case of Hayao Miyazaki’s Howl's Moving Castle (2005) [Volume 25, Issue 1, 2020, Pages 71-81]
  • Hosseini-Shakib, Fatemeh A Comparative Study of Christopher Vogler's Heroic Travel Pattern in Miyazaki and Disney Renaissance Animations A Case Study of The little Mermaid, The beauty and the beast- My Neighbor Totoro and The Spirited away [Volume 27, Issue 3, 2022, Pages 55-63]

I

  • Iranmanesh, maryam Reflection of Kierkegaard's "Knight of Faith" in Henrik Ibsen's "Brand" [Volume 26, Issue 2, 2021, Pages 5-12]
  • Islami, S. Yahya The Interaction of Image, Movement and Time in Architecture and Cinema According to Gilles Deleuze's Theories [Volume 28, Issue 1, 2023, Pages 31-42]
  • Izadi, Sam Genre and National Identity; A Comparative Study on the Role of National and Cultural Identity in the Development of Local Cinema Genres [(Articles in Press)]

J

  • Jafarpoor Nasir Mahaleh, Halimeh Music in the Court of Caliphs of First Period of Abbasi Dynasty* [Volume 19, Issue 2, 2014, Pages 17-24]
  • Jahaandideh, Kiyanoosh Shadow Aesthetics in Film-Noir [Volume 17, Issue 2, 2013, Pages 35-52]
  • Jalalipour, Bahram Symbolic Cultural Confrontations in “From Behind the Windows” by Akbar Radi Based on William Beeman’s Views [Volume 28, Issue 2, 2023, Pages 61-70]
  • Jalalipour, Bahram The Semiotic Manifestation of “Mono No Aware” Concept in Japanese Animations with a Focus on: To the Forest of Firefly Lights and Wolf Children [Volume 28, Issue 4, 2024, Pages 35-48]
  • Jalalipour, Bahram Representation of disability in animated films as a symbol of identity disorder, focusing on the movie I Lost My Body [(Articles in Press)]
  • Jalili, Mohammad Mehdi Polymeric Composites as Alternatives for Wood for Producing Music Instruments [Volume 2, Issue 41, 2011, Pages 5-12]
  • Jamshidi, Akram Laura Mulvey’s Still-Moving Dialectic on the Cinema of Abbas Kiarostami* [Volume 24, Issue 1, 2019, Pages 79-86]
  • Javadifard, Elham A new-historicism reading of the play "Fereshteh-ye Tarikh" by Mohammad Rezaee Rad; Fascism, an exceptional situation or a rule [(Articles in Press)]
  • Javid Sabaghiyan, Meghdad Computer Game’s Audience as the Audience of the Artistic Text Analysis and Study of the Encounter Situation of Computer Games as Artistic Works [Volume 17, Issue 2, 2013, Pages 69-77]

K

  • Kahvand, Maryam The Evolution of the Representation of the Female Champion: Disney Animated Cinema from Snow White and the Seven Dwarfs to Zootopia [Volume 26, Issue 4, 2021, Pages 17-27]
  • Kahvand, Maryam The discourse of feminism in the archetype of the hero's journey: A Case Study of Cinematic Animation Zootopia [Volume 27, Issue 2, 2022, Pages 17-26]
  • Kamalinia, Farzin Analysis of the Visual Structure of Farhadi’s Films (With analysis of About Eli, A separation and The past) [Volume 23, Issue 4, 2018, Pages 37-46]
  • Kamyabimask, Ahmad Sociological Study of “Four Boxes” by Bahram Beyzaie, Relying on the Words of Lucien Goldmann [Volume 24, Issue 1, 2019, Pages 69-78]
  • Kamyabi Mask, Ahmad A Mythological Analysis of Le visage d’Orphée by Olivier Py [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 63-70]
  • Karami MirAzizi, Bijan A Comparative Study of Two Musical Narratives Written by Ibn-e-Khardadbeh and Masoudi Evidence Proving the Existence of a Pahlavid Text on Music under the Sasanid [Volume 29, Issue 1, 2024, Pages 71-81]
  • Karbasi Amel, Niloufar Illustration of the Main Female Characters in the Threshold Position: Selected Animations of Disney (2012-2021) [Volume 29, Issue 1, 2024, Pages 41-55]
  • Karimi, Saeid Masculine hegemony in a selection of Henrik Ibsen's plays [Volume 26, Issue 1, 2021, Pages 13-21]
  • Kashef, Sohrab A Rhythmic analysis on Igor Stravinsky`s The Rite of Spring revised 1947, Rehearsal Numbers 1 to 55 [Volume 23, Issue 2, 2018, Pages 41-48]
  • Kashfi, Seyedeh Zahra The elimination of place borders in puppet Theatre considering with Schechner views and it's role in improving relationships between performative elements. [Volume 24, Issue 2, 2019, Pages 57-66]
  • Kazemi, Ali Nonsense Syllables (Tarannom) In Iranian Vocal Music* Case Study: Darâmad-e Dastgâh-e Châhârgâh [Volume 3, Issue 43, 2012, Pages 23-32]
  • Kazemi, Ali Embellishment as a Structural Element in Iranian Classical Music [Volume 17, Issue 2, 2013, Pages 5-14]
  • Kazemi, Ali Functionality of tahrir in the construction of gushes in Iranian classical music [Volume 19, Issue 1, 2014, Pages 37-46]
  • Kazzazi, Jalaleddin Shahnameh And The Filmic Aspects Its [Volume 2, Issue 40, 2011, Pages 85-97]
  • Keshavarz, Zahra Aural Parameters in the Pedagogy of Flute Performance [Volume 21, Issue 2, 2016, Pages 53-62]
  • Keshmiri, Maryam The Social Status of the Musician in Safavid Reign Based on Sultan Mohammad’s Allegory of Worldly and Otherworldly Drunkenness [Volume 23, Issue 2, 2018, Pages 23-34]
  • Key Farrokhi, Peyman Iranian Cinema Representing the Intellectual Challenges of Middle Class Society “1980’s and the Semiotics of Hamoon” [Volume 2, Issue 39, 2011, Pages 5-12]
  • Khaki, Mohammadreza The Problematic concept of "Tashabboh" and why "Ta'zieh" has been named "Shabih-Khani" [Volume 2, Issue 39, 2011, Pages 45-54]
  • Khaksar, Ali A Study of Phenomenon of “Orchestra” in Contemporary Musical Culture of Iran, with Emphasis on Modeling of Possibility of its Potential forms * [Volume 20, Issue 2, 2016, Pages 35-48]
  • Khaleghi Bolbolouei, Ahad Change of Power in Shakespeare's Plays; A Dramaturgy and Character Analysis Approach with Study of King Lear, Julius Caesar, and Macbeth [Volume 28, Issue 3, 2023, Pages 17-29]
  • Khalil Azar, Jalil Investigating the ratio of light, shadow, and darkness in the theater before and after Adolph Appia [Volume 2, Issue 41, 2011, Pages 33-42]
  • Khalil Azar, Jalil Space and Location Designing in Traditional-Religious Shows of Iran; A Proposed study [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 23-34]
  • Khalil Azar, Jalil An Analysis of the Idea of Space Creation in Josef Svoboda’s Stage Design* [Volume 18, Issue 1, 2014, Pages 55-68]
  • Khalil Azar, Jalil The Xenophobia Phenomenon Reflected in Shakespeare’s “The Merchant of Venice” [Volume 21, Issue 1, 2016, Pages 15-24]
  • Khalil Azar, Jalil Digital Spaces and Tradition of Creating Illusionistic Environments in Western Contemporary Theater Scenography [Volume 22, Issue 1, 2017, Pages 59-70]
  • Khalili, Amir hossein A Comparative Study of Aristotelian Syllogism with Beginning Sequence of Five Classical Hollywood Films [Volume 20, Issue 1, 2015, Pages 67-76]
  • Khataei, Susan The Role of Dynamic Interactive Teaching in Learning of Animation Screenwriting [Volume 2, Issue 41, 2011, Pages 13-22]
  • Khatibi, Mahnaz Invisible Hand: The Relationship between Actor's Voice and Inner Dynamic [Volume 25, Issue 1, 2020, Pages 63-70]
  • Khezry, Seyyed Ahmad reza Music in the Court of Caliphs of First Period of Abbasi Dynasty* [Volume 19, Issue 2, 2014, Pages 17-24]
  • Khoie, Mahsa Kantian Genius and Beethoven [Volume 19, Issue 2, 2014, Pages 25-30]
  • Khorrami Bonaraki, Anahita Dramatic Arts and Neuroscience: Evaluating the Artist-Audience Connection by Scientific Tools [Volume 23, Issue 2, 2018, Pages 49-60]
  • Khoshab, Fatemeh The Interaction of Image, Movement and Time in Architecture and Cinema According to Gilles Deleuze's Theories [Volume 28, Issue 1, 2023, Pages 31-42]
  • Khosravi, Zahra Women’s Gender Disguise in Four Comedies by Shakespeare and two stories of One Thousand and One Nights: A Comparative Study [Volume 3, Issue 2, 2012, Pages 55-64]
  • Khosravi, Zeinab Embodied Narration in Naqqali: Exploring Body Movement through a Cognitive Linguistics Lens—A Case Study of Torabi's Performance in 'Sohrab's Demise' [Volume 29, Issue 1, 2024, Pages 17-28]
  • Khosroabadi, Alireza Analysis on Suspending Representation in Samuel Beckett’s Later Drama and Gertrude Stein’s Landscape Theatre as a Prehistory of Post-Dramatic Theatre View on Text [Volume 28, Issue 1, 2023, Pages 5-13]
  • Khosropanah, Abd-ol-Hossein Influences of Islamic Mysticism on Form and Content in Music [Volume 19, Issue 1, 2014, Pages 5-16]
  • Kianersi, Mansoureh Physical and Functional Changes in the Interior Design of "Home" and the Effect of Functional Changes on People’s Interactions through the Analysis of 15 Selected Iranian Films from the 60s to 90s [Volume 28, Issue 1, 2023, Pages 13-29]
  • Kianian, Majid Comparative Study on Dramatic Ending Strategies In Past Decades Plays of Iran* [Volume 20, Issue 1, 2015, Pages 57-66]
  • Kimiavi, Yasaman Natural structure of reed cane and its effects on performance of woodwind reed instruments [Volume 23, Issue 2, 2018, Pages 35-40]
  • Kimiavi, Yasaman Multiphonic notation systems for the oboe; A practical and corrective approach [Volume 24, Issue 3, 2019, Pages 59-72]
  • Kimiavi, Yasaman Influence of Inner game of music on mental skills in performance A case study of senior undergraduate students of classical music performance at the University of Tehran [Volume 27, Issue 2, 2022, Pages 27-35]
  • Koopal, Ataollah Ridicule of War in Works of Aristophanes (The World’s Oldest Comic Playwright) [Volume 19, Issue 2, 2014, Pages 43-70]
  • Koopal, Ataollah Production of Pictorial and Conceptual metaphors according to the theatrical mise en scene/ A case study of the Eighth Journey of Sindbad written by Bahrām Beyzai [Volume 26, Issue 4, 2021, Pages 5-16]
  • Koopal, Ataollah The role of description in the speech of "anonymous characters" In the Greek tragedies [Volume 27, Issue 2, 2022, Pages 5-16]
  • Koopal, Ataollah The impact of methods and technics of representing reality on the production of truth in documentary theater by examining the works of Anna Deaver Smith [Volume 29, Issue 1, 2024, Pages 29-40]
  • Koppal, Ataollah Reflection of Kierkegaard's "Knight of Faith" in Henrik Ibsen's "Brand" [Volume 26, Issue 2, 2021, Pages 5-12]
  • Kordmafi, Saeid An approach to theoretical concept of “JOMOU’ E NAGHESE” In Systematist treatises [Volume 3, Issue 2, 2012, Pages 47-54]

L

  • Langroudi, Ahmad Failure of Animation Mass Production in Iran: a Production-Management Approach in the Decade 1380-1390 [Volume 17, Issue 2, 2013, Pages 61-68]
  • Lazgee, Habib Allah Dramatic Elements in Children Theatre from the view Point of Dramatherapy [Volume 3, Issue 42, 2012, Pages 71-79]
  • Lazgee, Habibollah The Educational Values of Children`s Theatre [Volume 2, Issue 40, 2011, Pages 65-72]

M

  • Mafakher, Farshad An Analysis of Slow-pace’s Mental Structure in Architecture and Cinema from Jacques Lacan’s Point of View* [Volume 18, Issue 1, 2014, Pages 33-44]
  • Mahmoodi Bakhtiari, Behrooz The Genealogy of Clown in the Iranian traditional Theatre [Volume 19, Issue 1, 2014, Pages 47-58]
  • Mahmoodi Bakhtiari, Behrooz Development of Iranian Performance from a Diegetic World [Volume 21, Issue 2, 2016, Pages 15-24]
  • Mahmoodi-Bakhtiari, Behrooz Women’s Gender Disguise in Four Comedies by Shakespeare and two stories of One Thousand and One Nights: A Comparative Study [Volume 3, Issue 2, 2012, Pages 55-64]
  • Mahmoodi-Bakhtiari, Behrooz Analysis of Turn-Taking and Speech Acts in Slowly with Rose (Âheste Bâ Gol-e-Sorx) With Emphasis on Stylistics of Drama Studies [Volume 17, Issue 2, 2013, Pages 53-60]
  • Mahmoodi-Bakhtiari, Behrooz The Role of New Schooling System of Reza Shah Era as a Bureaucratic Institution in the Legitimacy of the New Iranian Theatre [Volume 22, Issue 2, 2017, Pages 125-135]
  • Mahmoodi-Bakhtiari, Behrooz Figurative reading of the play “Molly Sweeney” written by Brian Friel, based on The Holy Bible [Volume 25, Issue 3, 2021, Pages 45-52]
  • Mahmoodi-Bakhtiari, Behrooz Comparative analysis of narrative temporal structure in the dramatic works of Bahram Beizai and Akbar Radi (Research cases: the play Afra and the play Khanomche va Mahtabi) [(Articles in Press)]
  • Mahmoodi Bakhtiyari, Behrooz The Concept of Violence in Discourse with a View at Michael Haneke’s Hidden Movie [Volume 25, Issue 1, 2020, Pages 5-14]
  • Mahmoudi, Fatemeh Join of the Public Sphere and Conversation Rules Through Looking at Three Plays of Esmaeel Khalaj [Volume 27, Issue 3, 2022, Pages 45-54]
  • Mahmoudi Bakhtiari, behrooz The Function of “Memory” from the Perspective of "Stream of Consciousness": A Study of the Play Khanomche va Mahtabi by Akbar Radi [Volume 27, Issue 3, 2022, Pages 37-44]
  • Mahmoudi Bakhtiari, Behrooz THE MEANING OF PHILOSOPHICAL DIALOGUE IN RIG VEDA AND AVESTA [Volume 2, Issue 40, 2011, Pages 39-48]
  • Mahmoudi Bakhtiari, Behrouz Masculine hegemony in a selection of Henrik Ibsen's plays [Volume 26, Issue 1, 2021, Pages 13-21]
  • Mahmoudi-Bakhtiari, Behrooz Change of Power in Shakespeare's Plays; A Dramaturgy and Character Analysis Approach with Study of King Lear, Julius Caesar, and Macbeth [Volume 28, Issue 3, 2023, Pages 17-29]
  • Malek, Niloufar Digital Spaces and Tradition of Creating Illusionistic Environments in Western Contemporary Theater Scenography [Volume 22, Issue 1, 2017, Pages 59-70]
  • Marasy, Mohsen The Concept of Body in Performance Art Based on Gilles Deleuze's Theories [Volume 25, Issue 2, 2020, Pages 15-24]
  • Mash-hadi Farahani, Mahshid The Study On Luts in Ancient Elamit figurine [Volume 24, Issue 2, 2019, Pages 17-24]
  • Masoudi, Shiva The Search for Identity of Puppet by a Philosophical Approach [Volume 23, Issue 1, 2018, Pages 69-76]
  • Massoudi, Shiva The Genealogy of Clown in the Iranian traditional Theatre [Volume 19, Issue 1, 2014, Pages 47-58]
  • Massoudi, Shiva The visualization of Faucoult's Docile bodies conception in Puppet ( with case studeies of Marionette Opera) [Volume 25, Issue 4, 2021, Pages 41-47]
  • Masudnia, Navid The Role of Mascots' Characters of the Advertisement Animation Films in the Food Industry Branding [Volume 24, Issue 1, 2019, Pages 37-48]
  • Mazaherian, Hamed Audience Embodiment in the Haptical Film Space [Volume 19, Issue 2, 2014, Pages 53-64]
  • Mazaherian, Hamed Interactive Communication between Cinematic Spaces and Urban Space [Volume 20, Issue 2, 2016, Pages 49-60]
  • Mazaherian, Hamed Expansion of the Spatial Perceptions of the Audience Through Empathic Relationship with Filmic Bodies [Volume 23, Issue 3, 2018, Pages 49-58]
  • Mazaheri Tehrani, Mehrangiz Western and Iranian Major Forms of Comedy: A Comparative Research [Volume 2, Issue 40, 2011, Pages 73-84]
  • Mehralizade, Parisa Comparative Analysis of Robab’s intervals with the Zarlinian Scale [Volume 27, Issue 3, 2022, Pages 27-36]
  • Meisami, Sayid Hossein An analysis over a narrative sample in the history of Iranian music (Case study: Execution of Amiranshah court′s music masters and the escape of Abdul Qader Maraghi) [Volume 25, Issue 4, 2021, Pages 49-54]
  • Meisami, Seyed Hossein Triple Sudud in the works of Maraqi and his son Abdulaziz [Volume 24, Issue 1, 2019, Pages 49-58]
  • Meisami, Seyed Hossein Music and Sheikh Safi al-Dind Ardebili during the Ilkhani era in Safavata al-Safa [Volume 25, Issue 1, 2020, Pages 25-32]
  • Meysami, Sayid Hossein Music in Ghaznavid Period [Volume 21, Issue 2, 2016, Pages 63-68]
  • Meysami, Seyyed Hossein An Approach to Harmonizing Based on the Structure of Intervals in the Dāstgah Segāh [Volume 22, Issue 2, 2017, Pages 115-123]
  • Mirjaberi, Zahra Cinema Aesthetic View Point of Plato and Aristotle [Volume 23, Issue 1, 2018, Pages 57-68]
  • Mirzaei kootenaei, Mohammad Acculturation and its Impact on the Changes of Techniques, Structure, and Repertoire of Narmey Ney in Contemporary Period [Volume 27, Issue 4, 2022, Pages 57-65]
  • Mirzahosseini, Somayeh Phenomenological Approach to Perception of Audience in Puppet Theater [Volume 22, Issue 2, 2017, Pages 147-154]
  • Moeini, Vahid Space and Location Designing in Traditional-Religious Shows of Iran; A Proposed study [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 23-34]
  • Moghbeli, Anahita An analysis and transcription of a song-text notated in a fusion notation method (Abjadic-metric) by Mehdi-Gholi Hedāyat (Mokhber-al Saltaneh), considering the suggested intervals of Montazam-al Hokamā' [Volume 26, Issue 1, 2021, Pages 5-12]
  • Mohammadi, Ebrahim Pivotal themes in ethnomusicology of Iranian kurds [Volume 2, Issue 40, 2011, Pages 27-38]
  • Mohammadi, Ebrahim A Post Modernistic Study of Myth on “The Death of Yazdgerd [Volume 18, Issue 1, 2014, Pages 69-77]
  • Mohammadi, Ebrahim The Representation of Mythical Aspects of Fairy in Cinema Based on HypertextualiteTheory: A Case Study of Ab-Pariya TV Series [Volume 25, Issue 2, 2020, Pages 37-44]
  • Mohammadi, Ebrahim An Intertextual Interpretation of Mythology in the Top Three Plays of Children and Adolescent Theater Festivals [Volume 27, Issue 1, 2022, Pages 51-60]
  • Mohammadi, Jamal Narrative Analysis of Fantasy and Ideology in the Movie Aghaye- Halu [Volume 3, Issue 42, 2012, Pages 5-16]
  • Mohammadian, Mahmood Strategies to Promote the Iranian International Film Market [Volume 3, Issue 43, 2012, Pages 33-40]
  • Mohammadian, Mahmood Influential Factors on Consumer Behavior in Music Procurement [Volume 21, Issue 1, 2016, Pages 77-84]
  • Mohandespour, Farhad The Problematic concept of "Tashabboh" and why "Ta'zieh" has been named "Shabih-Khani" [Volume 2, Issue 39, 2011, Pages 45-54]
  • Mohebbi, Parastoo Development of Iranian Performance from a Diegetic World [Volume 21, Issue 2, 2016, Pages 15-24]
  • Mohebbi, Parastoo An Analytical Study of Narrative Therapy in Brian Friel's Narrative Plays [Volume 27, Issue 1, 2022, Pages 39-50]
  • Mohemmi kahou, Marjan The Effects of Camera Movement as an "Incarnation of human" in the Movie 'Childeren of Men". [Volume 26, Issue 1, 2021, Pages 35-43]
  • Mohtadi, Fatemeh The Xenophobia Phenomenon Reflected in Shakespeare’s “The Merchant of Venice” [Volume 21, Issue 1, 2016, Pages 15-24]
  • Mokhtabad, Mostafa The Educational Values of Children`s Theatre [Volume 2, Issue 40, 2011, Pages 65-72]
  • Mokhtabad, Mostafa Comparative Study on Dramatic Ending Strategies In Past Decades Plays of Iran* [Volume 20, Issue 1, 2015, Pages 57-66]
  • Mokhtabad, Mostafa An Intercultural Analysis of Iranian Dramatic Translations of in Last Two Decades (Case studies : The Mares’ Dance and Based on The Duchess of Malfi) [Volume 27, Issue 1, 2022, Pages 27-38]
  • Mokhtabad Ameree, Mostafa A Comparative Reading of Bakhtinian Polyphonic Effects in Drama of “Safar-e Dour…”(Mohammad Charmshir) and Novel of “Asfar-e-Kateban ”(Aboutorab Khosravi) [Volume 3, Issue 2, 2012, Pages 13-24]
  • Mokhtabad Amrei, Mostafa An Analysis of Slow-pace’s Mental Structure in Architecture and Cinema from Jacques Lacan’s Point of View* [Volume 18, Issue 1, 2014, Pages 33-44]
  • Mokhtabad Amrei, Seyed Mostafa Study on the sacred meaning of natural light in architectural spaces of two films: Winter Light and Pari [Volume 3, Issue 42, 2012, Pages 59-71]
  • Mokhtari, Mehdi Improvisation in Iranian Classical Music based on Transcendental Phenomenology [Volume 23, Issue 4, 2018, Pages 67-74]
  • Mokhtari, Mehdi Uses and functions of the sonic -musical phenomenon of sellers singing in the big market of Rasht [Volume 27, Issue 4, 2022, Pages 5-16]
  • Monfaredi, Shima Dramatic Elements in Children Theatre from the view Point of Dramatherapy [Volume 3, Issue 42, 2012, Pages 71-79]
  • Moradkhani, ali A Comparative Study of the Theory of Film Realism and Jean Baudrillard’s Hyperreality [Volume 25, Issue 4, 2021, Pages 17-23]
  • Moradkhani, ali Reflection of Kierkegaard's "Knight of Faith" in Henrik Ibsen's "Brand" [Volume 26, Issue 2, 2021, Pages 5-12]
  • Moridi, Mohammadreza The Political and Social Functions of the Jahel (Loti, Lumpen, or Kolah Makhmali) in the Iranian Cinema of the Second Pahlavi Era (1950s to 1980s) [Volume 28, Issue 2, 2023, Pages 39-49]
  • Mosalla, Mahsa Identifies Film Value Chain and its Impact on Sales Growth [Volume 20, Issue 2, 2016, Pages 17-26]
  • Mosavi, Seyed Reza The sources and origins of motion creation in Gardzienice Theater [Volume 25, Issue 2, 2020, Pages 67-76]
  • Mostashregh, Mohammad Jafar A Comparative Study of Aristotelian Syllogism with Beginning Sequence of Five Classical Hollywood Films [Volume 20, Issue 1, 2015, Pages 67-76]
  • Motamedi, Mansour A Glance at the Development of the Function of Music in Jewish Religious Life [Volume 23, Issue 1, 2018, Pages 47-55]
  • Mousavi, Saeedeh Sadat Representing Religious Contents in Animation Through the Study of the Practiced Methods in Japanese Works [Volume 23, Issue 1, 2018, Pages 1-12]
  • Mousavi, Seyyed Yahia Polymeric Composites as Alternatives for Wood for Producing Music Instruments [Volume 2, Issue 41, 2011, Pages 5-12]
  • Mousavilar, Ashraf Western and Iranian Major Forms of Comedy: A Comparative Research [Volume 2, Issue 40, 2011, Pages 73-84]
  • Mousavi Paknahad, Morteza Analysis of Theatrical metaphor and Stage Contracts in Absurdist Theater Performances; A Case Study of 'Krapp's Last Tape' and 'Endgame' Performances [Volume 29, Issue 1, 2024, Pages 7-16]
  • Movahed, Azin Aesthetic Considerations in Performing the Works of Wolfgang Amadeus Mozart, the Case of the Concerto for Flute and Orchestra in D Major K.314 [Volume 18, Issue 18, 2014, Pages 31-40]
  • Movahed, Azin Aural Parameters in the Pedagogy of Flute Performance [Volume 21, Issue 2, 2016, Pages 53-62]
  • Movahed, Azin Toward a Practical Model for Interpretation in the Performance of Western Classical Music [Volume 25, Issue 2, 2020, Pages 25-36]
  • Movahhed, Azin The Function of the Respiratory System in Playing the Ney: Suggestions for Tone Development [Volume 2, Issue 40, 2011, Pages 17-26]

N

  • Nadalian, Ahmad The Concept of Body in Performance Art Based on Gilles Deleuze's Theories [Volume 25, Issue 2, 2020, Pages 15-24]
  • Naghashzadeh, Masoud Designing a Model for Film Production Risk Management [Volume 24, Issue 2, 2019, Pages 33-42]
  • Naghashzadeh, Masoud An Analysis of the Modes of Allusion and Parody: Intertextual Relationships Between Painting and Pedro Almodóvar's Films Based on the Theories of Gérard Genette and Linda Hutcheon [Volume 28, Issue 3, 2023, Pages 45-56]
  • Najafi Siahroudi, Mahdi An investigation of the effective factors on cinema avoidance: an analysis on different customer clusters [Volume 19, Issue 1, 2014, Pages 59-70]
  • Namaki, Erfan Music Theses Topics and Methodologies by Graduate Students of Classical Music Performance in Iran's Governmental Universities from 2009-2019 [Volume 27, Issue 1, 2022, Pages 17-26]
  • Namvar Motlagh, Bahman “Shirin” in The Persian Contemporary Mythical Discourse (And her Representation in Dramatic Arts) [Volume 3, Issue 43, 2012, Pages 15-22]
  • Naserbakht, Leila Aesthetic Analysis of the Representation of Memory Images in the Film The Pear Tree Based on Neo-formalist Approach [Volume 29, Issue 1, 2024, Pages 57-69]
  • Nazer, Erfan The Rule of Law Versus Tragic Action in Aeschylus Tragedies [Volume 20, Issue 2, 2016, Pages 5-16]
  • Nazeri, Afsaneh An Analysis of the Modes of Allusion and Parody: Intertextual Relationships Between Painting and Pedro Almodóvar's Films Based on the Theories of Gérard Genette and Linda Hutcheon [Volume 28, Issue 3, 2023, Pages 45-56]
  • Nazerzadeh Kermani, Farhad Western and Iranian Major Forms of Comedy: A Comparative Research [Volume 2, Issue 40, 2011, Pages 73-84]
  • Nazerzadeh Kermani, Farhad The Reflection of Nationalism in Dramatic Literature of First Pahlavi [Volume 3, Issue 42, 2012, Pages 27-36]
  • Nedaei, Amir Hassan Dramatic Elements in The Storytelling with Picture (Pardeh-khani) as a Multimedia Art [Volume 2, Issue 41, 2011, Pages 71-78]
  • Nedaei, Amir Hassan Strategies to Promote the Iranian International Film Market [Volume 3, Issue 43, 2012, Pages 33-40]
  • Nedaei, Amir Hassan Failure of Animation Mass Production in Iran: a Production-Management Approach in the Decade 1380-1390 [Volume 17, Issue 2, 2013, Pages 61-68]
  • Nedaei, Amir Hassan Investigating the Narrative Characteristics of Postmodern Novels in Movies (Case study: "Inception", Christopher Nolan, 2010) [Volume 25, Issue 3, 2021, Pages 53-64]
  • Nedaei, Amir Hassan The Emotional and Symbolic Role of Color in Corpse Bride 2005 [Volume 28, Issue 4, 2024, Pages 77-87]
  • Nedai, Amir Hasan Social Functions of Samurai Film Genre from Ideologic and Ritual-Mythologic approach [Volume 24, Issue 4, 2020, Pages 43-54]
  • Nekouei, Pouya A Conceptual History of Maktab-e- Esfahan: Identity - making Discourses in Contemporary History of Iranian Classical Music in the City of Esfahan [Volume 26, Issue 3, 2021, Pages 13-24]
  • Nikjoo, Mehdi A survey on Qina in singing based on Iranian musical articles (comparing “non-illegality of Qina in essence” theory with the content of Iranian song) [Volume 2, Issue 39, 2011, Pages 87-95]
  • Nosrati, Rafiq A Study in the Distinction of Mirzadeh Eshghi Nationalism from the Dominant Nationalist Discourse of His Time [Volume 27, Issue 2, 2022, Pages 59-68]
  • Nourani, Mohsen Arnold Schoenberg, Serenade, Dodecaphonic, Sonnet, Retrograde. [Volume 20, Issue 2, 2016, Pages 27-34]
  • Nourani, Mohsen A Study on the Role of Grünewald and his Works on the Opera and Symphony of Matthias the Painter by Hindemith [Volume 22, Issue 1, 2017, Pages 5-14]
  • Nourani, Mohsen An Analysis of Literary and Philosophical Origins in Wagner’s Operas [Volume 23, Issue 1, 2018, Pages 25-34]
  • Nourani, Mohsen The Influence of Gustav Mahler on the Composers of the Second Viennese School [Volume 23, Issue 4, 2018, Pages 5-16]

P

  • Pakbaz, Mehrdad Retracing the Origin of Two Pieces from the Old Arab School for “Oud” [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 5-14]
  • Pakbaz, Mehrdad The Influences of Mannheim School on Mozart’s Piano Sonatas K. 309 and K. 311 [Volume 22, Issue 1, 2017, Pages 71-80]
  • Pakbaz, Mehrdad The extent of achieving the goals of the author in the method of teaching guitar to Iranian children [Volume 24, Issue 4, 2020, Pages 25-32]
  • Parsa, Mehrdad Being, Time and Cinema A Study of the Philosophy of Henri Bergson on Gilles Deleuze's Philosophy of Cinema [Volume 21, Issue 1, 2016, Pages 35-50]
  • Parsaei, Mansoor Religious Theatre: A Research on Contemporizing Form and Content [Volume 3, Issue 42, 2012, Pages 37-45]
  • Piravi Vanak, Marzieh Audience Embodiment in the Haptical Film Space [Volume 19, Issue 2, 2014, Pages 53-64]
  • Piravi Vanak, Marzieh Interactive Communication between Cinematic Spaces and Urban Space [Volume 20, Issue 2, 2016, Pages 49-60]
  • Piravi Vanak, Marzieh Expansion of the Spatial Perceptions of the Audience Through Empathic Relationship with Filmic Bodies [Volume 23, Issue 3, 2018, Pages 49-58]
  • Pirayeshfar, Amir Soheil Polymeric Composites as Alternatives for Wood for Producing Music Instruments [Volume 2, Issue 41, 2011, Pages 5-12]
  • Pishva, Azin Physical and Functional Changes in the Interior Design of "Home" and the Effect of Functional Changes on People’s Interactions through the Analysis of 15 Selected Iranian Films from the 60s to 90s [Volume 28, Issue 1, 2023, Pages 13-29]
  • Pour Elm, Mehrdad Realism in Film: A Critical Survey on Gregory Currie's Theory of Likeness [Volume 18, Issue 18, 2014, Pages 21-30]
  • Pourgharib, Masoud Cultural Bases of Acceptability/ Unacceptability of Anglo-American Popular Music in Iran [Volume 28, Issue 4, 2024, Pages 5-17]
  • Pourkasmaei, Pouya The Concept of Body in Performance Art Based on Gilles Deleuze's Theories [Volume 25, Issue 2, 2020, Pages 15-24]
  • Pour Mohammad Ali Ghanavati, Farzane THE MEANING OF PHILOSOPHICAL DIALOGUE IN RIG VEDA AND AVESTA [Volume 2, Issue 40, 2011, Pages 39-48]
  • Pour Rezaeean, Mehdi The Analysis of Dramatic Aspects of Quran’s Stories, Emphasizing on Suspense and Character Development [Volume 3, Issue 2, 2012, Pages 25-34]
  • Pourrezaeian, Mehdi Shahnameh And The Filmic Aspects Its [Volume 2, Issue 40, 2011, Pages 85-97]
  • Pourrezaeyan, Mehdi The Role of Dynamic Interactive Teaching in Learning of Animation Screenwriting [Volume 2, Issue 41, 2011, Pages 13-22]
  • Pourtahmasi, Kambiz A Comparative Study between the Traditional Ratings and Real Acoustical Properties of Walnut Wood (Juglans regia) used in Santur Making* [Volume 18, Issue 1, 2014, Pages 23-32]
  • Pouyamanesh, Mahtab The impact of methods and technics of representing reality on the production of truth in documentary theater by examining the works of Anna Deaver Smith [Volume 29, Issue 1, 2024, Pages 29-40]
  • PouyaManesh, Mahtab mockumentary cinema ontology; Presenting a new approach in film analysis, based on the ideas of Alain Badiou (A case study of four prominent films in world cinema) [Volume 28, Issue 2, 2023, Pages 27-37]
  • Pouyania, Ashkan Arnold Schoenberg, Serenade, Dodecaphonic, Sonnet, Retrograde. [Volume 20, Issue 2, 2016, Pages 27-34]

R

  • Radmehr, Pezhman An analysis and definition of "?q?? " and "Vazn" (meter) with an observation of the treatises of the 3rd to 9th AH centuries [Volume 2, Issue 39, 2011, Pages 55-60]
  • Rahbar, Ilnaz Musical Instruments of the Safavid Period according to Kaempfer and Chardin [Volume 2, Issue 41, 2011, Pages 23-32]
  • Rahbar, Ilnaz Iranian Music Iconography; Interpretation and Explanation Deficiencies, Methodologies and Suggestions [Volume 24, Issue 1, 2019, Pages 25-36]
  • Rahbar, Ilnaz A Comparative Study of Chordophones in Safavid and Gurkani Illustrations [Volume 25, Issue 1, 2020, Pages 51-62]
  • Rahbar, Ilnaz The representation of female musicians in Qajar paintings [Volume 26, Issue 4, 2021, Pages 63-72]
  • Raissi, Poya Designing a Model for Film Production Risk Management [Volume 24, Issue 2, 2019, Pages 33-42]
  • Raissi, Sadigh Designing a Model for Film Production Risk Management [Volume 24, Issue 2, 2019, Pages 33-42]
  • Rajabi, Mohammad Reza Form and Semiotics: Juxtaposition and Superimposition of Temporal Semiotic Units in Franco Donatoni’s Cadeau [Volume 28, Issue 2, 2023, Pages 15-26]
  • Rajabi, Vahid An Analysis of the Modes of Allusion and Parody: Intertextual Relationships Between Painting and Pedro Almodóvar's Films Based on the Theories of Gérard Genette and Linda Hutcheon [Volume 28, Issue 3, 2023, Pages 45-56]
  • Rajabzadeh Tahmasebi, Ali Historiographical Meta Fiction in Bahram Beizaie “Trilateral Reading of Azhdehak” [Volume 21, Issue 1, 2016, Pages 25-33]
  • Rangraz, Saboureh The role of description in the speech of "anonymous characters" In the Greek tragedies [Volume 27, Issue 2, 2022, Pages 5-16]
  • Rashidi, Sadeq The elimination of place borders in puppet Theatre considering with Schechner views and it's role in improving relationships between performative elements. [Volume 24, Issue 2, 2019, Pages 57-66]
  • Rayani-Makhsous, Mehrdad The quality of Robert Lapage's influence as a director from the audience / Spectator in shaping the mise-en-scène [Volume 26, Issue 1, 2021, Pages 45-57]
  • Reza Afshar, Hamid An Introduction to the Economy of Theater in Iran [Volume 18, Issue 18, 2014, Pages 13-20]
  • Reza Afshar, Hamid Analysis of the Visual Structure of Farhadi’s Films (With analysis of About Eli, A separation and The past) [Volume 23, Issue 4, 2018, Pages 37-46]
  • Rezaee Dorji, farnoosh The Relationship between Tragedy and Evil in Two Plays – Oedipus Rex and Macbeth [Volume 27, Issue 4, 2022, Pages 37-45]
  • Riahi, Hassan Kantian Genius and Beethoven [Volume 19, Issue 2, 2014, Pages 25-30]
  • Rooien, Ghasem Implementing the Qualitative Content Analysis in Character-oriented Films (focusing on Freud's opinions and Hitchcock's selected films) [(Articles in Press)]
  • Rooyin, Ali Liminality in Hajj's Rituals (The Comparative Analysis of Hajj's Rituals and Features of Expedition Theater) [Volume 23, Issue 4, 2018, Pages 47-56]
  • Roshandel, Ramin The Analysis of form and Harmony in Neynava [Volume 18, Issue 1, 2014, Pages 15-22]
  • Rouhani, Ali Study of concept of time in Wong kar-wai٬s cinema base on the Gilles Deleuze٬s theories [Volume 26, Issue 1, 2021, Pages 59-68]
  • Royayi, Talayeh Deconstructive approaches to the concepts ofhistory,legend ,death and place in the movie “Green Fire”by Mohammad Reza Aslani [Volume 23, Issue 3, 2018, Pages 37-48]

S

  • Sadeghian, Hamid Illustration of the Main Female Characters in the Threshold Position: Selected Animations of Disney (2012-2021) [Volume 29, Issue 1, 2024, Pages 41-55]
  • Saebi, Mahdi New Korean Cinema: Global influences upon it and its effects on world cinema [Volume 3, Issue 2, 2012, Pages 65-70]
  • Saeedzadeh, Bahareh A Cognitive Approach to Unreliable Narratives in Cinema [Volume 20, Issue 1, 2015, Pages 15-26]
  • Safaei, Sadegh Val Sal Va Mechanism and its Impact on Performer’s Speech [Volume 18, Issue 18, 2014, Pages 5-12]
  • Safaie, Sadegh Shelly and Artaud's Narration of The Checi [Volume 23, Issue 3, 2018, Pages 25-36]
  • Safari, Masoud Figurative reading of the play “Molly Sweeney” written by Brian Friel, based on The Holy Bible [Volume 25, Issue 3, 2021, Pages 45-52]
  • Safi, Hossein Environmental Design and Space Design Management in Animation, Educational &Analytical Approach [Volume 2, Issue 41, 2011, Pages 43-50]
  • Safoora, Mohammad Ali Environmental Design and Space Design Management in Animation, Educational &Analytical Approach [Volume 2, Issue 41, 2011, Pages 43-50]
  • Safoora, Mohammad Ali Failure of Animation Mass Production in Iran: a Production-Management Approach in the Decade 1380-1390 [Volume 17, Issue 2, 2013, Pages 61-68]
  • Safoora, Mohammad Ali Structural studies of TV Animation and exposure method for Animation content analysis [Volume 19, Issue 1, 2014, Pages 71-82]
  • Safoora, Mohammad Ali Social Functions of Samurai Film Genre from Ideologic and Ritual-Mythologic approach [Volume 24, Issue 4, 2020, Pages 43-54]
  • Safoora, Mohammad Ali mockumentary cinema ontology; Presenting a new approach in film analysis, based on the ideas of Alain Badiou (A case study of four prominent films in world cinema) [Volume 28, Issue 2, 2023, Pages 27-37]
  • Sahabi, Siavash Study the effect of dissonance factors on changings of notes and Structure of Gushehs in Dastgah-e Mahoor. [Volume 25, Issue 3, 2021, Pages 25-34]
  • Salavatian, Siavash Studying the Influence of Gender on Gaze Point of Cinema Viewers with Eye Tracker Headset: The Case of Separation Movie [Volume 24, Issue 4, 2020, Pages 77-86]
  • Salim Alaqeband, Basir Social Functions of Samurai Film Genre from Ideologic and Ritual-Mythologic approach [Volume 24, Issue 4, 2020, Pages 43-54]
  • Sami, Sepideh The Concept of Violence in Discourse with a View at Michael Haneke’s Hidden Movie [Volume 25, Issue 1, 2020, Pages 5-14]
  • Samim, Reza A Critical View to the some Researches on the Popular Music in Iran [Volume 18, Issue 18, 2014, Pages 41-48]
  • Samini, Naghmeh Play and Its Importance in Theatre [Volume 18, Issue 1, 2014, Pages 45-54]
  • Sanayei, Sina The Modal Arrangement of the Dastgāh and its Effect on the Representation of Modal Entities and the Possibility of Expanding the Repertoire; Case Study: Mokhālef-E Segāh  – Bayāt-E Isfahān-E Qadim & Nayshābūrk-E Māhūr [Volume 27, Issue 3, 2022, Pages 5-16]
  • Sanayei, Sina Analyzing the Potential and Actual Feasibility of Modal Fusion in the Development of the Repertoire of Iranian Classical Music: (Case study: “Dād-o Bidād” and Dastgāh-e Shūr with Its Related Modes in Radif of Abdullāh Davāmi) [Volume 28, Issue 1, 2023, Pages 69-77]
  • Sanipour, Hamid An Analysis of the Idea of Space Creation in Josef Svoboda’s Stage Design* [Volume 18, Issue 1, 2014, Pages 55-68]
  • Sarsangi, Majid Pedagogic theatre: a comparative study [Volume 2, Issue 39, 2011, Pages 79-86]
  • Sarsangi, Majid Religious Theatre: A Research on Contemporizing Form and Content [Volume 3, Issue 42, 2012, Pages 37-45]
  • Sarsangi, Majid History of Making Papier-Mâché and Paper Figures in Iranian Culture range based on written references [Volume 22, Issue 1, 2017, Pages 51-58]
  • Sayyad, Alireza Audience Embodiment in the Haptical Film Space [Volume 19, Issue 2, 2014, Pages 53-64]
  • Sayyad, Alireza Interactive Communication between Cinematic Spaces and Urban Space [Volume 20, Issue 2, 2016, Pages 49-60]
  • Sayyad, Alireza Expansion of the Spatial Perceptions of the Audience Through Empathic Relationship with Filmic Bodies [Volume 23, Issue 3, 2018, Pages 49-58]
  • Sayyad, Alireza The Aesthetics of Bordem and Blasé Attitude in Cinema Based on Thoughts of George Simmel and Walter Benjamin: A Case Study of Gavkhooni (The River's End) [Volume 25, Issue 3, 2021, Pages 5-14]
  • Sayyad, Alireza Once Upon a Time, Cinema (1991) as representation of the experience of corporeal spectatorship and the dissolving of the boundary between spectator and cinematic spectacle [Volume 26, Issue 3, 2021, Pages 55-63]
  • Sayyad, Alireza Cinema as a Seductive Technology in the Iranian Film Nare Toofan (“Toofan’s Bellow”, 1969) [Volume 28, Issue 3, 2023, Pages 5-14]
  • Sayyad, Alireza Aesthetic Analysis of the Representation of Memory Images in the Film The Pear Tree Based on Neo-formalist Approach [Volume 29, Issue 1, 2024, Pages 57-69]
  • Se Golpayegani, Aida A Comparative Study between the Traditional Ratings and Real Acoustical Properties of Walnut Wood (Juglans regia) used in Santur Making* [Volume 18, Issue 1, 2014, Pages 23-32]
  • Sekhavatdoust, Noushin Reflecting the Phenomenological Approach to Place Based on Martin Heidegger's Thought in the Cinema of Yasujirō Ozu (Case Study: Tokyo Story) [Volume 28, Issue 3, 2023, Pages 31-44]
  • Sepehran, Kamran ‘Existential Tragedy’ in Lord Byron’s ‘Manfred’ [Volume 24, Issue 3, 2019, Pages 27-36]
  • Sepehran, Kamran Analysis on Suspending Representation in Samuel Beckett’s Later Drama and Gertrude Stein’s Landscape Theatre as a Prehistory of Post-Dramatic Theatre View on Text [Volume 28, Issue 1, 2023, Pages 5-13]
  • Sepehran, Kamran Join of the Public Sphere and Conversation Rules Through Looking at Three Plays of Esmaeel Khalaj [Volume 27, Issue 3, 2022, Pages 45-54]
  • Sepehran, Kamran A new-historicism reading of the play "Fereshteh-ye Tarikh" by Mohammad Rezaee Rad; Fascism, an exceptional situation or a rule [(Articles in Press)]
  • Seraji, Sepehr Recognition of Central features as characteristic elements in Iranian classical music [Volume 25, Issue 2, 2020, Pages 57-66]
  • Seraji, Sepehr Classification of Iranian Classical Music Repertoire Based on Discourses of Identity [Volume 26, Issue 4, 2021, Pages 41-51]
  • Seraji, Sepehr Introduction and Study of the Ghat’e A Contemporary Genre in Iranian Classical Music Composition: A Case Study Chakâd by Parviz Meshkatian [Volume 27, Issue 3, 2022, Pages 17-26]
  • Seyyedin, Yashar A Study of Pedaling in Piano Performance with a Review of Pedagogy in Iranian Academic Education [Volume 22, Issue 1, 2017, Pages 15-22]
  • S Golpayegani, Seyed Alireza An Analysis of Clarissa Pinkola Estés Theory of ‘the Underground Forest Consciousness’’ The case of Hayao Miyazaki’s Howl's Moving Castle (2005) [Volume 25, Issue 1, 2020, Pages 71-81]
  • S Golpayegani, Seyed Alireza A Comparative Study of Christopher Vogler's Heroic Travel Pattern in Miyazaki and Disney Renaissance Animations A Case Study of The little Mermaid, The beauty and the beast- My Neighbor Totoro and The Spirited away [Volume 27, Issue 3, 2022, Pages 55-63]
  • Shafiee, Esmaeel Teaching Critical Thinking Skills and Iranian Puppet Theatre Characters [Volume 19, Issue 2, 2014, Pages 41-52]
  • Shafiee, Esmaeel Study on Theoretical and Intellectual Bases of Staniewski Theatre [Volume 20, Issue 2, 2016, Pages 61-72]
  • Shafiee, Esmaeel Digital Spaces and Tradition of Creating Illusionistic Environments in Western Contemporary Theater Scenography [Volume 22, Issue 1, 2017, Pages 59-70]
  • Shafiee, Esmaeel The sources and origins of motion creation in Gardzienice Theater [Volume 25, Issue 2, 2020, Pages 67-76]
  • Shahba, Mohammad On the Structure of Tele Theatre in Iranian Television [Volume 2, Issue 40, 2011, Pages 49-64]
  • Shahba, Mohammad Semantic Implications of Mise-en-scene in the Iranian Art Cinema [Volume 3, Issue 2, 2012, Pages 35-46]
  • Shahba, Mohammad History, Adaptation, and Appropriation in Cinema [Volume 17, Issue 2, 2013, Pages 15-24]
  • Shahba, Mohammad Realism in Film: A Critical Survey on Gregory Currie's Theory of Likeness [Volume 18, Issue 18, 2014, Pages 21-30]
  • Shahba, Mohammad A Cognitive Approach to Unreliable Narratives in Cinema [Volume 20, Issue 1, 2015, Pages 15-26]
  • Shahba, Mohammad Non-narrative Elements in Narrative Film (Case Studies: Late Spring and Chungking Express) [Volume 22, Issue 1, 2017, Pages 41-50]
  • Shahba, Mohammad Cosmopolitan Idea in Documentary Trilogy Qatsi [Volume 26, Issue 4, 2021, Pages 53-61]
  • Shahbazi, Gholam Reza History, Adaptation, and Appropriation in Cinema [Volume 17, Issue 2, 2013, Pages 15-24]
  • Shahegh, Hossein Non-narrative Elements in Narrative Film (Case Studies: Late Spring and Chungking Express) [Volume 22, Issue 1, 2017, Pages 41-50]
  • Shahroodi, Fateme Analysis of the representation of ood player in the Images of Sasani to Safavi* [Volume 18, Issue 18, 2014, Pages 49-56]
  • Shahvaroughi Farahani, Mojtaba The Political and Social Functions of the Jahel (Loti, Lumpen, or Kolah Makhmali) in the Iranian Cinema of the Second Pahlavi Era (1950s to 1980s) [Volume 28, Issue 2, 2023, Pages 39-49]
  • Shairi, Hamid Reza Comparative analysis of narrative temporal structure in the dramatic works of Bahram Beizai and Akbar Radi (Research cases: the play Afra and the play Khanomche va Mahtabi) [(Articles in Press)]
  • Shamshirian, Vahid Relationship between Aesthetics of Image and Ecological Awareness among Theorists of Ecocinema [Volume 25, Issue 3, 2021, Pages 15-24]
  • Sharayeli, Mohammadreza Evaluation of the Ratio of Pulses of 6/8 Time Signature in Rengs of Dastgah Music of Iran (1906-1978) [Volume 26, Issue 2, 2021, Pages 47-54]
  • Sharifi Soosari, Seyedeh Zahra A Comparative Study between the Traditional Ratings and Real Acoustical Properties of Walnut Wood (Juglans regia) used in Santur Making* [Volume 18, Issue 1, 2014, Pages 23-32]
  • Sharifzadeh, Mohammad Reza Non-narrative Elements in Narrative Film (Case Studies: Late Spring and Chungking Express) [Volume 22, Issue 1, 2017, Pages 41-50]
  • Shayanmehr, Raziyeh A Drama Belonging to Other: Exploration of Patriarchy through a Feminist Reading in three Plays by Bahram Beyzai [Volume 24, Issue 3, 2019, Pages 47-58]
  • Shayanseresht, Akbar An Intertextual Interpretation of Mythology in the Top Three Plays of Children and Adolescent Theater Festivals [Volume 27, Issue 1, 2022, Pages 51-60]
  • Shayesteh, Hossein Influences of Islamic Mysticism on Form and Content in Music [Volume 19, Issue 1, 2014, Pages 5-16]
  • Sheikhmehdi, Ali The Impact of Modern Narrative on The Iranian New Wave Cinema [Volume 17, Issue 2, 2013, Pages 25-34]
  • Sheikhmehdi, Ali Dialogism in the Movie of the Brick and Mirror (Khesht va Ayeneh) (1965) by Ebrahim Golestan [Volume 22, Issue 2, 2017, Pages 137-145]
  • Sheikh Mehdi, Ali The Platonic and Aristotelian Forms of Philosophy of Film [Volume 3, Issue 2, 2012, Pages 5-12]
  • Sheikholhokamaei, TAHER Nakhl-bandi; an example of scenic design in Iranian culture [Volume 24, Issue 4, 2020, Pages 67-76]
  • Sheikholhokamaei, Zahra Nakhl-bandi; an example of scenic design in Iranian culture [Volume 24, Issue 4, 2020, Pages 67-76]
  • SHELECHI, MOHAMMAD A Segue into The Principles of Performing Beethoven’s Pieces Through a Study of His Lived Experience (A Case Study of Appassionata No. 23 In F Minor, Op. 57) [Volume 27, Issue 1, 2022, Pages 5-15]
  • Shenassa, Roham An Analysis of Compositional Techniques in Wolfgang Rihm’s Dionysus Opera [Volume 22, Issue 2, 2017, Pages 155-167]
  • Sheykhi, Farhad Propounding draw backs on attraction theory in musical sounds [Volume 3, Issue 42, 2012, Pages 47-58]
  • Sheykhi, Farhad Comparative Analysis of Robab’s intervals with the Zarlinian Scale [Volume 27, Issue 3, 2022, Pages 27-36]
  • Sheykhi, Farshad Propounding draw backs on attraction theory in musical sounds [Volume 3, Issue 42, 2012, Pages 47-58]
  • Sheykhi, Farshad Comparative Analysis of Robab’s intervals with the Zarlinian Scale [Volume 27, Issue 3, 2022, Pages 27-36]
  • Shikholhokamaei, Zahra History of Making Papier-Mâché and Paper Figures in Iranian Culture range based on written references [Volume 22, Issue 1, 2017, Pages 51-58]
  • Shiri, Tahmures Internationalization of Iranian Films and Cinema to Gain a Share of Regional and International Markets [Volume 26, Issue 1, 2021, Pages 23-33]
  • Shirvani Saadatabadi, Zahra Change of Power in Shakespeare's Plays; A Dramaturgy and Character Analysis Approach with Study of King Lear, Julius Caesar, and Macbeth [Volume 28, Issue 3, 2023, Pages 17-29]
  • Siavashi, Salman growth of the level of believability in 3D computer animations focusing on the emotion transfer through the face of a character [Volume 25, Issue 4, 2021, Pages 5-16]
  • Sina, Khosro A Comparative Reading of Identity Morphology in Plays by Two Generations of Iranian and Non-Iranian Playwrights (Akbar Radi and August Wilson, Mohammad Charmshir and Shelagh Stephenson) [Volume 27, Issue 4, 2022, Pages 25-34]
  • Smaini, Naghme The Genealogy of Clown in the Iranian traditional Theatre [Volume 19, Issue 1, 2014, Pages 47-58]
  • Sojoodi, Farzan The Reflection of Hegel’s Thought in Sophocles’ Antigun [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 47-54]
  • Sojoodi, Farzan A Comparative Study of the Theory of Film Realism and Jean Baudrillard’s Hyperreality [Volume 25, Issue 4, 2021, Pages 17-23]
  • Sojoudi, Farzan Continuity and Discontinuity of cultural in before constitution theater of Iran. Study of “Zaman Khan’s Rule” written by Mirza Agha Tabrizi. [Volume 20, Issue 1, 2015, Pages 27-40]
  • Soleimannejad, Farhad Political Temperance and Rational Contrivance in the Oresteia Trilogy by Aeschylus: Reflecting on the Problem of Areopagus [Volume 21, Issue 2, 2016, Pages 41-52]
  • Soltani, Seied Hasan The Evolution of the Representation of the Female Champion: Disney Animated Cinema from Snow White and the Seven Dwarfs to Zootopia [Volume 26, Issue 4, 2021, Pages 17-27]
  • Soltani-Sarvestani, Mohammad-Mehdi Stylized reality in contemporary realistic theatre [Volume 2, Issue 39, 2011, Pages 69-77]
  • Sotoudeh, Milad Aestheticism of Framing and Deframing in Iranian Cinema 2001-2011 [Volume 21, Issue 2, 2016, Pages 5-14]
  • Sotoudeh, Sajad Aestheticism of Framing and Deframing in Iranian Cinema 2001-2011 [Volume 21, Issue 2, 2016, Pages 5-14]
  • Sotoudeh, Sajad Development of Visual Expression in Dialogic Moments of Iranian Cinema over the Period 2001-2011 [Volume 22, Issue 2, 2017, Pages 103-114]
  • Sotoudeh, Sajad The Aesthetics of Bordem and Blasé Attitude in Cinema Based on Thoughts of George Simmel and Walter Benjamin: A Case Study of Gavkhooni (The River's End) [Volume 25, Issue 3, 2021, Pages 5-14]

T

  • Tabarsa, Mohammad Semantic Implications of Mise-en-scene in the Iranian Art Cinema [Volume 3, Issue 2, 2012, Pages 35-46]
  • Tabatabaiie Jebeli, Zohreh Rooting the Function of Musical Instruments in Mourning Rituals based on the Iconographic Interpretation of the Painting Mourning for Iskandar [Volume 28, Issue 4, 2024, Pages 63-75]
  • Tabesh, Alireza Internationalization of Iranian Films and Cinema to Gain a Share of Regional and International Markets [Volume 26, Issue 1, 2021, Pages 23-33]
  • Tafazzoli, Mohammadreza The Influence of Gustav Mahler on the Composers of the Second Viennese School [Volume 23, Issue 4, 2018, Pages 5-16]
  • Tafazzoli, Mohammad Reza An Introduction to Intervallic Organization and Dodecaphonic Approach in Shostakovich's Music [Volume 22, Issue 1, 2017, Pages 35-40]
  • Tafazzoli, Mohammad Reza Form, Genre, and Harmony of Toccata Composed By Hormoz Farhat [Volume 23, Issue 2, 2018, Pages 61-72]
  • Tafazzoli, Mohammad Reza An Introduction to Hannaneh’s Harmonic Approach (Even Harmony) The Case Study: Omaggio a Ferdowci [Volume 25, Issue 2, 2020, Pages 5-13]
  • Taheri, Sadreddin "Dance, Play, Drama" A survey of dramatic actions in pre-Islamic artifacts of Iran [Volume 3, Issue 43, 2012, Pages 41-49]
  • Tavallaei, Arya The Origins of the Urban Music of Guilan; The Birth of an Invented Tradition [Volume 28, Issue 3, 2023, Pages 67-77]
  • Tohidi, Sepideh Considering Fundamental Characteristics of Tech-noir Cinema [Volume 20, Issue 2, 2016, Pages 83-92]
  • Tonkaboni, Seyyed Mohammad A study of Behzad Ranjbaran's "Seven Passages" with focus on elements of cohesion and diversity [Volume 24, Issue 3, 2019, Pages 13-26]
  • Torki Baghbaderani, Fatemeh Quest for Cultural Identity in August Wilson's Joe Turner’s Come and Gone: A Sociological Approach [Volume 27, Issue 2, 2022, Pages 49-57]

V

  • VafaDari, Yadollah The Educational Values of Children`s Theatre [Volume 2, Issue 40, 2011, Pages 65-72]
  • Vafamehr, Talieh The Semiotic Manifestation of “Mono No Aware” Concept in Japanese Animations with a Focus on: To the Forest of Firefly Lights and Wolf Children [Volume 28, Issue 4, 2024, Pages 35-48]

Y

  • Yazdi, Narges Carnivalesque in Romeo and Juliet [Volume 3, Issue 43, 2012, Pages 51-57]
  • Yazdi, Narges Teaching Critical Thinking Skills and Iranian Puppet Theatre Characters [Volume 19, Issue 2, 2014, Pages 41-52]
  • Yeganeh Dost, Mohammad Reza Studying the Influence of Gender on Gaze Point of Cinema Viewers with Eye Tracker Headset: The Case of Separation Movie [Volume 24, Issue 4, 2020, Pages 77-86]
  • Yousefian, Mohammad Jafar Aestheticism of Framing and Deframing in Iranian Cinema 2001-2011 [Volume 21, Issue 2, 2016, Pages 5-14]
  • Yousefian Kenari, Mohammad Jafar A Comparative Reading of Bakhtinian Polyphonic Effects in Drama of “Safar-e Dour…”(Mohammad Charmshir) and Novel of “Asfar-e-Kateban ”(Aboutorab Khosravi) [Volume 3, Issue 2, 2012, Pages 13-24]
  • Yousefian Kenari, Mohammad Jafar Comparative Study on Dramatic Ending Strategies In Past Decades Plays of Iran* [Volume 20, Issue 1, 2015, Pages 57-66]
  • Yousefian Kenari, Mohammad Jafar Development of Visual Expression in Dialogic Moments of Iranian Cinema over the Period 2001-2011 [Volume 22, Issue 2, 2017, Pages 103-114]
  • Yousefian Kenari, Mohammad Jafar An Intercultural Analysis of Iranian Dramatic Translations of in Last Two Decades (Case studies : The Mares’ Dance and Based on The Duchess of Malfi) [Volume 27, Issue 1, 2022, Pages 27-38]
  • Yousefian Kenari, Mohammad Jafar Cinematic reality and the relationship between idea and aesthetic form in Jacques Rancière's thought Case study: The wind will Carry us [Volume 28, Issue 2, 2023, Pages 51-59]

Z

  • Zabeti Jahromi, Ahmad The effect of film editing technologies on editing aesthetics: with emphasizing on digital film editing technology. [Volume 23, Issue 2, 2018, Pages 5-14]
  • Zahedi, Farindokht The Impact of Zoroastrian Mythology on Ibsen's Plays Through Nietzsche’s Thus spoke Zarathustra [Volume 2, Issue 39, 2011, Pages 61-68]
  • Zahedi, Farindokht The Rule of Law Versus Tragic Action in Aeschylus Tragedies [Volume 20, Issue 2, 2016, Pages 5-16]
  • Zahedi, Farindokht The Role of New Schooling System of Reza Shah Era as a Bureaucratic Institution in the Legitimacy of the New Iranian Theatre [Volume 22, Issue 2, 2017, Pages 125-135]
  • Zahedi, Farindokht Dramatic Arts and Neuroscience: Evaluating the Artist-Audience Connection by Scientific Tools [Volume 23, Issue 2, 2018, Pages 49-60]
  • Zahedi, Farrindokht An Analytical Study of Narrative Therapy in Brian Friel's Narrative Plays [Volume 27, Issue 1, 2022, Pages 39-50]
  • Zaker Jafari, Narges Tones Impact on Musical Instruments Life Case Study : Ilkhanid and Timurid Periods [Volume 3, Issue 43, 2012, Pages 59-69]
  • Zaker Jafari, Narges European Musical Instruments in Safavid Period of Iran [Volume 18, Issue 18, 2014, Pages 66-57]
  • Zaker Jafari, Narges The Role of Music in Wars and Different Kinds of Martial Musical Instruments in Islamic Era of Iran Regarding Miniature Paintings [Volume 21, Issue 1, 2016, Pages 65-76]
  • Zaker Jafari, Narges Improvisation in Iranian Classical Music based on Transcendental Phenomenology [Volume 23, Issue 4, 2018, Pages 67-74]
  • Zaker Jafari, Narges History of Music ensemble and instrumental accompaniment in the Islamic era of Iran until the Qajar [Volume 24, Issue 2, 2019, Pages 5-16]
  • Zaker Jafari, Narges Multiple Functions of Karna in Religious Rituals and Mourning in Eastern Guilan, mourning [Volume 25, Issue 2, 2020, Pages 45-57]
  • Zaker Jafari, Narges Uses and functions of the sonic -musical phenomenon of sellers singing in the big market of Rasht [Volume 27, Issue 4, 2022, Pages 5-16]
  • Zamani, Mohsen The Reflection of Nationalism in Dramatic Literature of First Pahlavi [Volume 3, Issue 42, 2012, Pages 27-36]
  • Zavieh, Saeed The Comparative Study of Zār Ceremony in Iran and Sudan [Volume 3, Issue 42, 2012, Pages 17-26]
  • Ziabakhsh, Neda Study on the sacred meaning of natural light in architectural spaces of two films: Winter Light and Pari [Volume 3, Issue 42, 2012, Pages 59-71]
  • Zinalabedini, payam Cinema, a Fluid Dualist Continuum [Volume 27, Issue 4, 2022, Pages 47-54]
  • Zinalabedini, payam The Use of Children’s Drawings in Structure, Character and Concept Design of Animation (A case study: Farshid Shafiei’s and Mahdiyar’s selected art works) [Volume 28, Issue 4, 2024, Pages 19-33]